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How to Learn Microsoft Office Outlook Quickly!
By Andrei Besedin
www.wiseexcel.com
Table of contents
Introduction
Create, change, or customize a view
Create a view based on a standard view
Reset a standard View
Email
Send an email message based on a template
Create a template
To reply to or forward messages
To create a task from an e-mail message
To create an appointment based on a message
To convert an appointment to an event
To set up a message for printing
Attach files or insert pictures in Outlook email messages
Insert a picture into the body of an email message
Attach a file to a message
Save a message
Save a message as a template
To create a custom Search Folder
To move messages to a folder
To set the default automatic archive options
Secure messages by using a digital signature
What's the difference between a digital signature and
a standard signature?
Digitally sign an individual message

Digitally sign all messages
Calendar
Set or remove reminders
Calendar appointments and meetings
To add the holidays of other countries to your
calendar
To remove holidays from your calendar
Email messages, contacts, and tasks
Schedule a meeting with other people
To schedule an event
Change a meeting
Contacts and tasks
Create a contact group or distribution list in Outlook for PC
Create a distribution list
Create a task from the file menu
Manage and organize
Search
Find people and contacts
Address a message after you have found the name or email
address
Clean up the inbox
Overview of the Junk Email Filter
How the Junk E-mail Filter works
Junk E-mail folder
Junk E-mail Filter Lists
Open a.PST file

Data file security
Steps to set a password on your Personal Folders file (. PSTt).
Remove a.Split file from the navigation pane
Import and export
Import email, contacts, and calendar from an Outlook.PST file
Rules
Use rules to create an out of office message
Use rules to reply to incoming emails when you're away
Introduction
Outlook 2007 integrates e-mail, address books, calendars, task
lists, note pads, and more into one place, and more importantly,
makes this information immediately available to you when you need
it.
From one window, you can work with email messages, find
contact information, view upcoming appointments, and track tasks.
From one place, you can quickly search your messages (and
message attachments) and organize your work more easily and in a
more intuitive way.
You can use Outlook to:
Send, receive, organize, and archive email messages.
Send documents, spreadsheets, graphics, and other files as
message attachments, and preview attachments you receive from
other people.
Schedule events, appointments, and meetings, invite attendees,
and reserve conference rooms, projectors, and other managed
resources.
View upcoming appointments and tasks, and receive reminders
for them.
Store contact information in a transferable format that easily
interacts with your e-mail system.

Track tasks for yourself or for someone else, and schedule time
to complete your tasks.
Store random bits of information as notes.
Share schedule information with other people, inside and
outside your organization.
Track the interactions you have with other people.
Organize and easily locate information in messages,
attachments, calendars, contacts, and tasks.
Filter out unwanted and annoying junk messages.
Have information from favorite Web sites delivered directly to
you

Create, change, or customize a view
Each Outlook folder, such as Inbox and Calendar, displays its items
in a layout called a view. And each folder has several predefined views
that you can choose from, or you can create custom views.
A view is composed of a view type, fields, colors, fonts, and many
other settings, and gives you different ways to look at items in a folder.
You can build a new view based on an existing one, or you can create a
new, custom view.
Create a view based on a standard view
Switch to the view that you want to base the new view on.
On the View menu, point to Arrange By, and then click Custom.
For each type of change that you want to make, click a button, and
then select the options that you want. For example, if you want to add
or remove columns, click Fields (columns are also known as fields). Then
add or remove fields, or create a custom field.
When you finish making changes, closes the Customize View: view
name dialog box.
On the View menu, point to Current View, and then click Define
Views.
In the Views for folder, folder name box, click Current view settings.
Click Copy.
In the Name of the new view box, enter a name.
To change where the new view will be available, click an option
under Can be used on.

Reset a standard View
On the View menu, point to Current View, and then click Define
Views.

In the Views for folder, folder name box, click the view that you
want to change back to its original settings.
Click Reset.
Use email templates to send messages that include information that
does not change frequently from message to message. Compose and
save a message as a template, and then reuse it when you want it. New
information can be added before the template is sent as an email
message.
Create a template
On the File menu, point to New, and then click Mail Message.
Keyboard shortcut To create a new email message, press
Ctrl+Shift+M.
In the message body, enter the content you want.
In the message window, click the Microsoft Office Button , and then
click Save As.
In the Save As dialog box, in the Save as type list, click Outlook
Template.
In the File name box, type a name for your template, and then
click Save.

To send a courtesy copy of a message ➜
In the message window, enter an e-mail address in the Cc or Bcc
box.
To display the Bcc field in an outgoing message ➜
In the message window, on the Options tab, in the Fields group,
click the Show Bcc button.
On the Tools menu, point to Forms, and then click Choose From.
In the Choose Form dialog box, in Look At, click User Templates in
File System.
Select the template, and then click Open.
Select the template you want to use.
Click Open to proceed.
Make any additions or revisions to the recipients in the To, Cc,
or Bcc box, Subject, or message body that you want.
Click Send.

To reply to or forward messages ➜
In the message window, on the Message tab, in the Respond group,
click the Reply, Reply to All, or Forward button.
To create a task from an e-mail message ➜
In the Inbox, click the transparent flag at the right end of the
message header.
To create an appointment based on a message ➜
Drag the message from your Inbox, and drop it on the Calendar
button at the bottom of the Navigation Pane.
To convert an appointment to an event ➜
Open the appointment, and then select the All day event check box.
To convert an appointment to a meeting
Open the appointment.
On the Appointment tab, in the Actions group, click Invite
Attendees.
In the To box that appears, type the e-mail addresses of the people
you want to invite. Then click Send.
To set up a message for printing
In the message window, click the Microsoft Offi Ce Button, point to
the Print arrow, and then click Print Preview.
In the Print Preview window, click the Page Setup button.
In the Page Setup: Memo Style dialog box, click the Paper tab to
view and change the available options.
Click the Header/Footer tab, and then type the text you want to
appear in the header and footer of the message.
To print the message, click Print.
Attach files or insert pictures in Outlook email messages
It's easy to attach pictures, files, contacts, emails and many other
items to your Outlook messages.
Outlook keeps track of the documents you’ve recently worked on,
whether they're stored on your computer or saved in One Drive (clad
only).

And no matter where they're stored, Outlook lets you quickly
choose whether to send the document as a traditional attachment or
upload it to One Drive and share a link to the file. You can also set
permissions on any file sent from OneDrive that allow message
recipients to view and edit them, or share them with others.
Attach a file to a message
On the File menu, click New, and then click Mail Message.
On the Message tab, in the Include group, click Attach File.
In the Insert File dialog box, browse to and choose the file that you
want to attach, and then click Insert

Insert a picture into the body of an email message
When sending pictures, you can either attach the picture to the
email message or insert the picture in the message body. To insert a
picture that displays in the body of an email message, use the following
steps:
Position your cursor where you want the image in your message.
Select Insert > Pictures.
Browse your computer or online file locations for the picture you
want to insert. Select the picture, then select Insert.
To resize the picture, drag the handles at one of the four corners
toward the center of the image or away from the center.

Save a message
Outlook gives you several options for saving an email message. A
message that you receive, for example, can be saved as a file on your
computer. A message you're composing can be saved as a draft and
finished later.
Save a message as a template
On the File menu, point to New, and then click Mail Message.
In the message body, enter the content you want.
In the message window, click the Microsoft Office Button, and then
click Save As.
In the Save As dialog box, in the Save as type list, click Outlook
Template (*.oft).
In the File name box, type a name for your template, and then
click Save.

To create a custom Search Folder
In the Navigation Pane, right-click the Search Folders folder, and
then click New Search Folder.

In the New Search Folder dialog box, scroll the Select a Search
Folder list to see the available options, click the option you want, and
then click OK

To move messages to a folder ➜
Drag the message to the desired folder in the Navigation Pane. Or
Right-click the message, and then click Move to Folder.
In the Move Items dialog box, in the Move the selected items to the
folder list, click the folder where you want to move the message, and
then click OK.

To set the default automatic archive options
On the Tools menu, click Options. On the Other tab of the Options
dialog box, click Auto Archive.

Make the changes you want to your Auto Archive settings, then
click OK on each of the open dialog boxes.
Secure messages by using a digital signature
A digital signature attached to an email message offers another
layer of security by providing assurance to the recipient that you—not an
imposter—send the contents of the email message. Your digital
signature, which includes your certificate and public key, originates from
your digital ID.
And that digital ID serves as your unique digital mark and signals
the recipient that the content hasn't been altered in transit
What's the difference between a digital signature and a
standard signature?
Anyone can copy an email signature, which essentially is a customizable
closing salutation. But a digitally signed message can come only from
the owner of the digital ID used to sign it. The digital ID provides
verification of the sender's authenticity, thereby helping to prevent
message tampering.
Digitally sign an individual message
In the message, on the Message tab, in the Options group, click
the Digitally Sign Message button .
Compose your message and send it.

On the Tools menu, in the Outlook Mail view, click Trust Center, and
then click E-mail Security.
Under Encrypted e-mail, select the Add digital signature to outgoing
messages check box.

If available, you can select one of the following options:
If you want recipients who don't have S/MIME security to be able to
read the message, select the Send clear text signed message when

sending signed messages check box. This check box is selected by
default.
If you want to verify that your digital signature is being validated by
recipients and to request confirmation that the message was received
unaltered as well as receive notification telling you who opened the
message and when it was opened, select the Request S/MIME receipt
for all S/MIME signed messages check box. When you send a message
with an S/MIME, return receipt request, this verification information is
returned as a message sent to your Inbox.
To change additional settings, such as choosing a specific certificate
to use, click Settings.
Click OK twice.
Section two
Calendar
Appointment
Set or remove reminders
Let Outlook be your personal alarm clock. Set reminders to let you
know when a meeting or appointment is coming up. You can also use
reminders for a variety of other to-do items, such as devoting time to an
email or task.
Calendar appointments and meetings
For all new appointments or meetings
On the Tools menu which is on the menu bar at the top of the Outlook
main screen—the one that shows all your mail—click Options. Note that
you won't see the Tools menu if you're in an email message.
To have a reminder automatically turned on or off for new
appointments or meetings, on the Preferences tab, in
the Calendar group, select or clear the Default reminder check box.

If you select the check box, enter the amount of time before the
appointment or meeting when you want the reminder to appear.

For existing appointments or meetings
Open the appointment or meeting.
On the Appointment tab, in the Options group, in the Reminder list,
select the amount of time before the appointment or meeting when you
want the reminder to appear. To turn off, a reminder, select None.
To add the holidays of other countries to your calendar
On the Tools menu, click Options. On the Preferences
tab of the Options dialog box, click Calendar Options.
In the Calendar Options dialog box, click Add Holidays.
In the Add Holidays to Calendar dialog box, select the
check boxes of the countries whose holidays you want
to add, and then click OK in each open dialog box.
To remove holidays from your calendar
In Calendar view, on the View menu, point to Current View, and
then click All Appointments.
On the View menu, point to Current View, and click Customize
Current View. Then in the Customize View dialog box, click Group By.
In the Group By dialog box, clear the Automatically group,
according to arrangement check box if it is selected. Then in the Group
items from list, click Location.
Email messages, contacts, and tasks
To set or remove reminders, select the email message, contact, or task.
On the Standard toolbar, click Follow Up, and then click Add
Reminder.

In the Custom dialog box, select or clear the Reminder check box. If
you select the check box, enter the date and time when you want the
reminder to appear.
Schedule a meeting with other people
You can send a meeting request to one or more people. Outlook
tracks who accepts the request and blocks out time on your calendar for
the meeting. When you create a meeting request, you can add
attachments, set a location, and use the Scheduling Assistant to choose
the best time for your meeting.
To schedule an event
In the Date Navigator, click the date on which you want to schedule
an event, and then in the Calendar pane, click the blank space below
the day header and above the time slots.
Type the name of the event, and then press F.

Change a meeting
Open the meeting that you want to change.
Do one of the following:

Change options for a meeting that is not part of a series
Change the options, such as subject, location, and time, that you
want to change.
Click Send Update.
Change options for all meetings in a series
Click Open the series.
Change any options, such as subject, location, and time, that you
want to change.
To change recurrence options, on the Recurring Meeting tab, in
the Options group, click Recurrence, change the options, such as time,
recurrence pattern, or range of recurrence, and then click OK.
Click Send Update.
Change options for one meeting that is part of a series
Click Open this occurrence.
On the Recurring Meeting tab, change the options, such as subject,
location, and time, that you want.
Click Send Update.

Section 3
Contacts and tasks
Create a contact group or distribution list in Outlook for PC
Use a contact group (formerly called a “distribution list”) to send an
email to multiple people—a project team, a committee, or even just a
group of friends—without having to add each name to the To, Cc, or
BCC line individually.
Create a distribution list
Distribution lists are stored by default in your Contacts folder. If you use
a Microsoft Exchange account, your Global Address List can contain
global distribution lists, which are available to everyone who uses that
network. The personal distribution lists that you create in
your Contacts folder are available only to you,
Create a distribution list by using names in the Address Book
On the File menu, point to New, and then click Distribution List.

In the Name box, type the name of your distribution list. (For
example, "Political Friends.")
On the Distribution List tab, click Select Members.
In the Address Book drop-down list, click the address book that
contains the email addresses you want to include in your distribution list.
In the Search box, type a name that you want to include. When the
name you're searching for appears in the list below, click it, and then
click Members.
Do this for each person whom you want to add to the distribution
list, and then click OK.
If you want to add a longer description of the distribution list, on
the Distribution List tab, click Notes, and then type the text.
The distribution list is saved in your Contacts folder under the name
that you give it.
Create a distribution list by copying names from an e-mail message
In the message that you want to copy the names from, select the
names in the To or Cc box.
Right-click your selection, and then click Copy on the shortcut
menu.
Click the Microsoft Office Button , and under Create New Outlook
Item, click Distribution list.

On the Distribution List tab, in the Members group, click Select
Members.
At the bottom of the Select Members dialog box, in
the Members box, right-click and then click Paste on the shortcut menu.
Click OK.
In the Name box, type a name for the distribution list.
On the Distribution List tab, in the Action group, click Save & Close.
Create tasks and to-do items
Many people keep a list of things to do — on paper, in a
spreadsheet, or by using a combination of paper and electronic
methods. In Outlook, you can combine your various lists into one list,
enhanced with reminders and tracking.
Create a task from the file menu
On the File menu, point to New, and then click Task.
Keyboard shortcut To create a new task, presses CTRL+SHIFT+K.

In the Subject box, type a name for the task.
On the Task tab, in the Action group, click Save & Close or continue
with the following steps to customize your task.

If you want, set the Start date and the Due date for the task.
If you specify a Start date, the Due date field is automatically set to
the same day. You can change the Due date field to any date that you
want.
If you want to make the task recur, on the Task tab, in
the Options group, click Recurrence.
In the Task Recurrence dialog box, click the frequency
(Daily, Weekly, Monthly or Yearly) with which the task should recur, and
then do one of the following:
Make the task recur based on a regular interval In
the Recurrence pattern section, select the options for the frequency
interval that you want. Do not select Regenerate new task, or the task
will not recur at regular intervals.
Make the task recur based on completion date Select Regenerate
new task, and in the box, type the amount of time after which a new
task must be generated.
Each time that you mark the task complete, a new task will be
created based on your specifications.
Click OK to close the Task Recurrence dialog box.

If you want to add a reminder alert, select the Reminder check box,
and then enter the date and time for the reminder.
You can specify a custom sound to be played with your reminder.
Click Browse, select the sound file to play, click Open, and then
click OK. This changes the reminder sound only for this task.
If you want to track your progress on this task, in
the Status, Priority, and % Complete boxes, enter the values that you
want.
If you want to assign a color category to your task, on the Task tab,
in the Options group, click Categorize, and then click one of the color

categories on the menu. For more color categories, click All Categories.
The first time that you use a color category, you are prompted to
provide a name for the color category that is more meaningful to you.
You can create custom color categories, associate custom colors with
the color categories, and assign shortcut keys to the color categories.
Click OK to return to the Task window.
If your task involves a person or organization in your Contacts, you
can create a quick link to the contact, by clicking the Contacts at the
bottom of the window, and then selecting an entry. Click OK to close
the Select Contacts dialog box.
If you do not want other people to see a shared task entry, on
the Task tab, in the Options group, click Private.
If you want to enter mileage, work hours, and other billing
information, on the Task tab, in the Showgroup, click Details. Type the
information in the Total work, Actual work, Mileage, and Billing
information text boxes.
On the Task tab, in the Actions group, click Save and Close.

Section 4
Manage and organize
Search
Find people and contacts
Whether you have just a few contacts, several hundred, or more
than a thousand, there are times you'll want to search for a contact
rather than scroll through a long list of contacts. There are several ways
you can search for people and contacts in Outlook.
Search using the Search Address Books box
On the Standard toolbar, in the Search Address Books box, type the
name of the contact that you want to find. Your Outlook Contacts are
searched first. If no match is found, all the other available address

books, including any that you have added, are searched.
Address a message after you have found the name or
email address
In a new message, click To, Cc, or Bcc boxes in the message header.
In the Search box, type the name.
Double-click the name in the Name list, and then click OK.
Why don't I see the name list (column) in the Address Book?
You might have used the More columns search option the last time
that you used the Address Book. Click Name only next to Search to
restore the name list view.
Clean up the inbox
Overview of the Junk Email Filter
No one likes spam or junk email. The Outlook Junk Email Filter
doesn’t stop delivery of junk email messages, but does the next best
thing—it moves suspected spam to the Junk Email folder.

How the Junk E-mail Filter works
The Junk E-mail Filter evaluates each incoming message to assess
whether it may be spam, based on several factors. These can include
the time when the message was sent and the content of the message.
By default, the Junk E-mail Filter is turned on and the protection level is
set to Low.
This level catches only the most obvious spam. You can make the
filter more aggressive by changing the level of protection. Also, the Junk
E-mail Filter can be updated periodically to protect against the latest
techniques that spammers use to spam your Inbox.
Junk E-mail folder
Any message that is caught by the Junk E-mail Filter is moved to a
special Junk E-mail folder. It is a good idea to review the messages in
the Junk E-mail folder periodically to make sure that they are not
legitimate messages that you want to see. If they are legitimate, you
can move them back to the Inbox by marking them as not junk. You can
also drag them to any folder.

Junk E-mail Filter Lists
Even though the Junk E-mail Filter filters your incoming messages
automatically, the Junk E-mail Filter Lists enable you more control over
what is or is not considered spam. These lists enable you to allow
messages from sources that you trust, or block messages that arrive
from specific e-mail addresses and domains that you don't know or
trust.

Open a .PST file
If you created a .pst file that doesn't appear in the Navigation pane,
add the .pst file to Outlook so that you can work with the items in it.
On the File menu, point to Open, and then click Outlook Data File.
Click the .pst file that you want to open, and then click OK.
Data file security
Currently there is no way to password-protect Outlook on startup or
to lock Outlook if you need to quickly walk away from your computer,
other than by using your Microsoft Windows logon password or by using
third-party software written specifically to password-protect Outlook.
However, you can set a password on your Personal Folders file
(.pst).
If you use an Internet e-mail account in Outlook, such as a POP3 or
HTTP account, your e-mail messages are delivered to a .pst data file on
your computer's hard disk. You can use a password on your .pst file to
help prevent accidental intrusion by other people with whom you share
your computer.

On the Go menu, click Folder List.
If you have a POP3 e-mail account, right-click Personal Folders, and
then click Properties For "Personal Folders"on the shortcut menu.

Other documents randomly have
different content

© The Vitaphone Corp.; 24Aug40; MP10427.
THE PATIENT VANISHES. Pathe Pictures, Ltd., England.
Released through Film Classics, Inc., c1947. 76 min., sd., b&w,
35mm. Based on the Mick Cardby detective story "They Called
Him Death" by David Hume [pseud. of John Victor Turner]
Credits: Producer, John Argyle; director, Lawrence
Huntington; screenplay, Edward Dryhurst, John Argyle.
Cast: James Mason, Mary Clare, Margaret Vyner, Gordon
McLeod, Frederick Valk.
© Film Classics, Inc.; 1Jun47; LP1065.
PATIO MUSEUM. SEE Variety Views, no. 164.
PATRICK THE GREAT. Universal Pictures Co., Inc., c1944. 9 reels,
sd. From an original story by Jane Hall, Frederick Kohner, Ralph
Block.
Credits: Director, Frank Ryan; screenplay, Bertram
Millhauser, Dorothy Bennett; music director, Don George;
photographer, Frank Redman; film editor, Theodore J. Kent.
© Universal Pictures Co., Inc.; 20Nov44; LP12966.
PATRIOTIC POOCHES. Distributed by Twentieth Century-Fox
Film Corp., c1943. Presented by Paul Terry. 1 reel, sd., color.
(Terrytoon)
Credits: Director, Connie Rasinski; story, John Foster; music,
Philip A. Scheib. Technicolor.
© Terrytoons, Inc.; 9Apr43; LP12895.
PATROL AND TROOP CAMPING. Boy Scouts of America, c1948.
19 min., sd., b&w, 16mm.
Summary: Explains the preparation necessary for troop
camping, with camping scenes which show some of the best

aspects of Scouting.
© Boy Scouts of America; 30Mar48; LP2226.
PATROL AND TROOP HIKING. Boy Scouts of America, c1948. 16
min., sd., b&w, 16mm.
Summary: Contrasts the right and wrong way to conduct
hiking activities.
PATROL AND TROOP MEETINGS. Boy Scouts of America, c1948.
15 min., sd., b&w, 16mm.
Summary: Shows a regular meeting of a Boy Scout troop.
PATROL AND TROOP PROGRAM PLANNING. Boy Scouts of
America, c1948. 14 min., sd., b&w, 16mm.
Summary: A scoutmaster training film indicating the need for
preparatory work and demonstrating the place of the Troop
Committee, the parents, the patrol, and the troop in a planned
program.
PATROL BOMBER EQUIPMENT. 1 reel each, sd. United States
Navy, Bureau of Aeronautics. © Jam Handy Organization, Inc.
1. Cruising Gear. © title & descr., 14Jan43; 209 prints,
13Jan43; MU13195.
2. Abandon Ship. © title & descr., 11Nov43; 5 prints, 13Nov43;
MU14131.
PATROLLING THE ETHER. Loew's Inc., c1944. Presented by
Metro-Goldwyn-Mayer. 2 reels, sd., b&w. (A Crime Does Not Pay
Subject)

Credits: Director, Paul Burnford; original story and screenplay,
De Vallon Scott, Alan Friedman; music score, Nathaniel Shilkret;
film editor, Harry Komer.
© Loew's Inc.; 13Apr44; LP212.
PATTERN FOR PROGRESS. Charles D. Beeland Co., c1948.
Presented by the Greater Atlanta Community Chest, Inc. 6 min.,
sd., b&w, 35mm.
Summary: Shows the work of many of the agencies in the
Atlanta Community Chest, emphasizing their contribution to the
welfare of the city.
Credits: Director and photographer, Charles D. Beeland;
technical adviser for the Community Chest and story by Arthur
E. Burdge; narrator, Sid Lasher; film editor, Victor A. Lambert.
© Greater Atlanta Community Chest, Inc.; 20Aug48; MP4421.
PATTY CAKE, BAKER MAN. Soundies Distributing Corp. of
America, Inc., c1943. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 12Jul43;
MP13726.
PAUNCH 'N JUDY. Distributed by Columbia Pictures Corp.,
c1940. 595 ft., sd. (Fable, no. 9)
Credits: Story, Manny Gould; animation, Ben Harrison; music,
Joe De Nat.
© Screen Gems, Inc.; 13Dec40; LP10258.
PAVANNE. Soundies Distributing Corp. of America, Inc., c1941. 1
reel, sd.
© Soundies Distributing Corp. of America, Inc.; 7Apr41;
MP11033.

PAY DAY ROLLS AROUND. Soundies Distributing Corp. of
Credits: Director, Dave Gould.
MP488.
PAYDAY—SOMEDAY. Robert Greene Lee, c1948. 80 min., sd.,
b&w, 16mm.
Summary: An illustrated sermon based on the Old Testament
story of Ahab, King of Israel.
© Robert Greene Lee; 6Dec48; MP4422.
PAY DIRT. Presented by Dow Chemical Co.
Appl. author: Jam Handy Picture Service, Inc.
© Dow Chemical Co.; title, descr., & 207 prints, 3Feb41;
MU10807.
PAY LOADS. Jam Handy Organization, Inc. Presented by General
Motors Corp., Chevrolet Division. 1 min., sd., b&w, 35mm.
Summary: Introduces the 1949 Chevrolet truck line, and
features the versatility of the new 1949 Chevrolet stake truck.
© The Jam Handy Organization, Inc.; title & descr., 27May49;
4 prints, 31May49; MU4176.
PAY LOADS PAY OFF. William J. Ganz Co., c1947. Presented by
the Institute of Visual Training. 1 reel, sd., b&w, 16mm.
© William J. Ganz Co.; 1Mar47; MP1920.
PAY TO LEARN. SEE The Navy Comes Through.
PAYING THE PIPER. Warner Bros. Cartoons, Inc., c1947. 7 min.,
sd., color, 35mm. (Merrie Melodies)

Credits: Director, Robert McKimson; story, Warren Foster;
animation, Manny Gould, John Carey, Charles McKimson, Phil
DeLara.
© The Vitaphone Corp.; 15Dec47; MP3966.
THE PAYOFF. Producers Releasing Corp., c1943. 8 reels, sd.
Credits: Producer, Jack Schwarz; director, Arthur Dreifuss;
original story, Arthur Hoerl; screenplay, Edward Dein; music
score, Charles Dant; film editor, Charles Henkel, Jr.
© Producers Releasing Corp.; 30Jan43; LP11817.
THE PAY-OFF PENCIL. SEE The Pil'o Money Pencil.
PEABODY'S MERMAID. SEE Mr. Peabody and the Mermaid.
PEACE BY ADOLF HITLER. SEE The March of Time, v. 7, no. 13.
PEACE MARSHAL. SEE The Kansan.
PEACE ON EARTH. Loew's Inc., c1939. Presented by Metro-
Goldwyn-Mayer. 804 ft., sd., color. (An MGM Cartoon) A Hugh
Harman production.
Credits: Technicolor.
© Loew's Inc.; 4Dec39; MP10210.
PEACEFUL QUEBEC AT WAR. SEE Variety Views, no. 102.
PEACHY PRODUCTIONS PRESENT—.
© Calvin Herbert Besore; title, descr., & 3 prints. 12Oct47;
MU2396.

PEACOCK'S FEATHER. SEE Night in Paradise.
THE PEARL. RKO Radio Pictures, Inc., c1947. 77 min., sd., b&w,
35mm. An F.A.M.A.-Aguila production. Based on the story by
John Steinbeck.
Summary: An allegorical picture about the disastrous effect of
sudden riches on the fortunes of a Mexican fisherman.
Credits: Producer, Oscar Dancigers; director, Emilio
Fernandez; screenplay, John Steinbeck, Emilio Fernandez,
Jackson Wagner; music, Antonio Diaz Conde; film editor, Gloria
Schoemann.
Cast: Pedro Armendariz, Maria Elena Marques, Fernando
Wagner, Charles Rooner.
© RKO Radio Pictures, Inc.; 31Dec47; LP1584.
PEARL OF DEATH. Universal Pictures Co., Inc., c1944. 7 reels, sd.
Based on "The Six Napoleons" by Sir Arthur Conan Doyle.
Credits: Producer and director, Roy William Neill; screenplay,
Bertram Milhauser; music director, Paul Sawtell; film editor, Ray
Snyder.
© Universal Pictures Co., Inc.; 30Aug44; LP12882.
PÉČE O OČI. Encyclopaedia Britannica Films, Inc., c1946. 1 reel,
sd., 16mm.
© Encyclopaedia Britannica Films, Inc.; 11Jun46; MP794.
PÊCHEURS DE LA NOUVELLE-ANGLETERRE. Encyclopaedia
Films, Inc., c1946. 1 reel, sd., 16mm.
© Encyclopaedia Films, Inc.; 29Jun46; MP838.
PECK UP YOUR TROUBLES. Warner Bros. Cartoons, Inc., c1945.
7 min., sd., color. (Merrie Melodies)

Credits: Director, I. Freleng; story, Michael Maltese;
animation, Ken Champin; music director, Carl W. Stalling.
Technicolor.
© The Vitaphone Corp.; 22Oct45; MP16430.
PECKIN'. Soundies Distributing Corp. of America, Inc., c1942. 1
reel, sd.
© Soundies Distributing Corp. of America, Inc.; 9Nov42;
MP13100.
PEDAGOGICAL INSTITUTION (COLLEGE TO YOU). Paramount
Pictures Inc., c1940. 1 reel, sd.
Credits: Director, Dave Fleischer; story, Joseph Stultz;
animation, Abner Kneitel, Arnold Gillespie.
© Paramount Pictures Inc.; 13Sep40; LP9917.
PEDESTRIAN PATTERNS. 400 ft.
Credits: Producer and director, Edward Thomas Myers.
© Edward Thomas Myers; title, descr., & 4 prints, 11Apr45;
MU15833.
PEDRO. SEE Saludos Amigos.
A PEE-KOOL-YAR-SIT-CHEE-AY-SHUN. c1944. Presented by
Columbia. 657 ft., sd., color. Adapted from the "Li'l Abner"
cartoon strip by Al Capp.
Credits: Story and direction, Sid Marcus; animation, Jim
Armstrong, Grant Simmons; music, Edward Kilfeather.
Technicolor.
© Screen Gems, Inc.; 11Sep44; LP12817.

PEEKS AT HOLLYWOOD. The Vitaphone Corp., c1945. 10 min.,
sd. (Vitaphone Varieties)
Credits: Director, Irving Applebaum; narrator, Knox Manning.
© The Vitaphone Corp.; 27Dec45; MP155.
A PEEP IN THE DEEP. Distributed by Columbia Pictures Corp.,
c1940. 570 ft., sd. (Fable, no. 6)
Credits: Story, Allen Rose; animation, Harry Love, Louie Lilly;
music, Joe De Nat.
© Screen Gems, Inc.; 17Aug40; LP9852.
PEEP IN THE DEEP. Paramount Pictures Inc., c1946. 1 reel.
Credits: Director, Seymour Kneitel; story, Bill Turner, Otto
Messmer.
© Paramount Pictures Inc.; 15Mar46; LP350.
PEG LEG PETE, THE PIRATE. Featurettes, Inc., c1941. 1 reel, sd.
© Featurettes, Inc.; 1Dec41; MP12005.
PEGGY O'NEILL. Soundies Distributing Corp. of America, Inc.,
c1945. 1 reel, sd.
MP16129.
PEIPING FAMILY. International Film Foundation, Inc., c1948. 21
min., sd., b&w, 16mm.
Summary: A documentary film showing the traditions and
customs of middle-class Chinese life, with emphasis on the
struggles of an American-educated Chinese man to support and
educate his large family.
Credits: Director, William James; narration, Basil Beyea.
© International Film Foundation, Inc.; 30Sep48; MP3763.

THE PELICAN AND THE SNIPE. Walt Disney Productions, c1943.
1 reel, sd. A Walt Disney South American production.
© Walt Disney Productions; 29Nov43; LP12603.
PELICAN PRANKS. SEE Variety Views, no. 158.
THE PENALTY. Loew's Inc., c1941. Presented by Metro-Goldwyn-
Mayer. 8 reels, sd., b&w. Based on a play by Martin Berkeley.
Credits: Producer, Jack Chertok; director, Harold S. Bucquet;
screenplay, Harry Ruskin, John C. Higgins; music score, David
Snell; film editor, Ralph Winters.
© Loew's Inc.; 11Mar41; LP10318.
PENNSYLVANIA LOCAL GOVERNMENT IN ACTION.
Pennsylvania State College, c1945. 1 reel, sd.
Credits: Directed and written by Frank Neusbaum; narrator,
William S. Livengood, Jr.
© The Commonwealth of Pennsylvania; 1Dec45; MP29.
THE PENNSYLVANIA POLKA. Soundies Distributing Corp. of
© Soundies Distributing Corp. of America, Inc.; 3Aug42;
MP12822.
PENNY ARCADE. Soundies Distributing Corp. of America, Inc.,
c1942. 1 reel, sd.
MP12817.
PENNY SERENADE. Columbia Pictures Corp., c1941. 12 reels, sd.
Based on the novel by Martha Cheavens.

Credits: Producer and director, George Stevens; story, Martha
Cheavens; screenplay, Morrie Ryskind; music director, M. W.
Stoloff; film editor, Otto Meyer.
© Columbia Pictures Corp.; 24Apr41; LP10421.
PENNY TO THE RESCUE. Loew's Inc., c1941. Presented by Metro-
Goldwyn-Mayer. 954 ft., sd., color. (A Pete Smith Specialty)
Credits: Director, Will Jason; original story and screenplay, E.
Maurice Adler; film editor, Philip Anderson.
© Loew's Inc.; 23Jan41; LP10345.
PENTHOUSE PARTY. Soundies Distributing Corp. of America,
Inc., c1944, 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 28Dec44;
MP15513.
PENTHOUSE RHYTHM. Universal Pictures Co., Inc., c1944. 7
reels, sd.
Credits: Associate producer, Frank Gross; director, Eddie
Cline; story, Min Selvin, Stanley Roberts; screenplay, Stanley
Roberts, Howard Dimsdale; photographer, William Sickner; film
editor, Russel Schoengarth.
© Universal Pictures Co., Inc.; 20Nov44; LP12974.
PENTHOUSE SERENADE. Soundies Distributing Corp. of
© Soundies Distributing Corp. of America, Inc.; 5May41;
MP11123.
PEOPLE ARE FUNNY. c1946. Presented by Paramount. 10 reels,
sd. A Pine-Thomas production. Based on John Guedel's radio
program.

Credits: Producer and director, Sam White; original story,
David Lang; screenplay, Maxwell Shane, David Lang; editor,
Henry Adams.
© Paramount Pictures Inc.; 11Jan46; LP22.
PEOPLE OF HAWAII. Erpi Classroom Films, Inc., c1940. 1 reel,
sd.
© Erpi Classroom Films, Inc.; 17Dec40; MP10829.
PEOPLE OF HAWAII. SEE Habitantes del Hawaii.
PEOPLE OF MEXICO. Erpi Classroom Films, Inc., c1939. 1 reel.
Appl. author: Wallace W. Atwood.
© Erpi Classroom Films, Inc.; 6Mar39; MP9820.
PEOPLE OF MEXICO. SEE A Vida Rural No México.
PEOPLE OF RUSSIA. c1943. Presented by Metro-Goldwyn-Mayer.
922 ft., sd., b&w. (A FitzPatrick Miniature)
Credits: Narrator, James A. FitzPatrick.
© Loew's Inc.; 2Jan43; MP13212.
PEOPLE OF SABA. Coronet, c1945. 1 reel, sd., b&w, 16mm.
Appl. author: CIF Staff.
© Esquire, Inc.; 31Dec45; MP1534.
A PEOPLE OF THE CONGO; THE MANGBETU. Erpi Classroom
Films, Inc., c1939. 1 reel, sd.
Appl. author: James P. Chapin.
© Erpi Classroom Films, Inc.; 6Jul39; MP9825.

A PEOPLE OF THE CONGO: THE MANGBETU. SEE La Tribu
Mangbetu.
PEOPLE OF WESTERN CHINA. Erpi Classroom Films, Inc.,
c1940. 1 reel, sd.
PEOPLE OF WESTERN CHINA. SEE Los Chinos Occidentales.
PEOPLE ON PAPER. Loew's Inc., c1945. Presented by Metro-
Goldwyn-Mayer. 972 ft., sd., b&w. (John Nesbitt's Passing
Parade)
Credits: Director, Herbert Morgan; original story and
screenplay, John Nesbitt; music score, Max Terr; film editor,
Tom Biggart.
© Loew's Inc.; 3Oct45; LP13623.
THE PEOPLE VS. DR. KILDARE. Loew's Inc., c1941. Presented by
Metro-Goldwyn-Mayer. 8 reels, sd., b&w. Based on an original
story by Lawrence P. Bachmann and Max Brand [pseud. of
Frederick Faust]
Credits: Director, Harold S. Bucquet; screenplay, Willis
Goldbeck, Harry Ruskin; music score, David Snell; film editor,
Ralph Winters.
© Loew's Inc.; 29Apr41; LP10443.
PEOPLES OF THE SOVIET UNION. International Film
Foundation, Inc., c1946. 33 min., sd., b&w, 16mm.
Appl. author: Robert Spencer Carr.
© International Film Foundation, Inc.; 1Oct46; MP2210.
PEPE LE MOKO. SEE Casbah.

PEPEPETO. Soundies Distributing Corp. of America, Inc., c1943. 1
reel, sd.
MP13437.
PERCENT IN EVERYDAY LIFE. Coronet, c1948. 12 min., sd., b&w,
16mm.
Summary: This film motivates an interest in the study of
percent, clarifies the meaning of percent, and explains the use of
percent in everyday activities. For 6th to 9th grade levels.
Credits: Educational collaborator, H. C. Christofferson.
© David A. Smart; 31Aug48; MP3716.
PERFECT FORM. Presented by Chevrolet. 1 min., sd., color.
Credits: Cinecolor.
© Chevrolet Motor Division, General Motors Sales Corp.; title,
descr., & 40 prints, 21Oct40; MU10540.
THE PERFECT CASE. SEE Boomerang.
THE PERFECT MARRIAGE. Hal Wallis Productions, Inc., c1946. 9
reels. Based upon the play by Samson Raphaelson.
Credits: Director, Lewis Allen; screenplay, Leonard Spigelgass.
© Hal Wallis Productions, Inc.; 18Jul46; LP436.
A PERFECT PAIR. Jam Handy Organization, Inc. Presented by
Dearborn Motors Corp. 40 ft., sd., color, 35mm.
Summary: Introduces the complete line of Dearborn Motors
plows, showing a Ford tractor at work with a variety of plows.
© Dearborn Motors Corp.; title, descr., & 5 prints, 13Apr40;
MU3993.

THE PERFECT POWERS GIRL. Soundies Distributing Corp. of
© Soundies Distributing Corp. of America, Inc.; 1Sep41;
MP11501.
THE PERFECT SNOB. Twentieth Century-Fox Film Corp., c1941.
5,600 ft., sd.
Credits: Director, Ray McCarey, original screenplay, Lee Loeb,
Harold Buchman; music director, Emil Newman.
© Twentieth Century-Fox Film Corp.; 19Dec41; LP11020.
PERFIDIA. Soundies Distributing Corp. of America, Inc., c1941. 1
reel, sd.
© Soundies Distributing Corp. of America, Inc.; 9Mar41;
MP10906.
PERFIDIA. Soundies Distributing Corp. of America, Inc., c1941. 1
reel, sd.
MP11077.
PERFORMANCE PLUS. Presented by Mid-Continent Petroleum
Corp. 1 reel, sd., b&w.
© Mid-Continent Petroleum Corp.; title & descr., 22Jun40;
253 prints, 24Jun40; MU10301.
PERILOUS HOLIDAY. Columbia Pictures Corp., c1946. 9 reels, sd.
Based upon the magazine serial by Robert Carson.
Credits: Producer, Phil L. Ryan; director, Edward H. Griffith;
screenplay, Roy Chanslor; music score, Paul Sawtell; music
direction, M. W. Stoloff.
© Columbia Pictures Corp.; 21Mar46; LP250.

PERILOUS WATERS. Monogram Pictures Corp., c1948. 64 min.,
sd., b&w, 35mm. From the story "Search" by Leon Ware.
Summary: A Navy veteran is hired by a racketeer to kill a
newspaper publisher, a crusader against gambling. Action takes
place on board the publisher's yacht.
Credits: Producer, Jack Wrather; director, Jack Bernhard;
screenplay, Richard Wormser, Francis Rosenwald; music score,
Rudy Schrager; film editor, Stewart S. Frye.
Cast: Don Castle, Audrey Long, Peggy Knudsen, Samuel S.
Hinds, Gloria Holden.
© Monogram Pictures Corp.; 21Feb48; LP1570.
PERILS OF NYOKA. c1942. Presented by Republic Pictures. 2 reels
each (no. 1, 3 reels), sd. © Republic Pictures Corp.; 27Jun42; no.
1–5, LP11567; no. 6–10, LP11613; no. 11–15, LP11633.
Credits: Associate producer, W. J. O'Sullivan; director, William
Witney; original screenplay, Ronald Davidson, Norman S. Hall,
William Lively, Joseph O'Donnell, Joseph Poland; music score,
Mort Glickman; photographer, Reggie Lanning; film editors,
Tony Martinelli, Edward Todd.
Appl. author: Republic Productions, Inc.
1. Desert Intrigue.
2. Death's Chariot.
3. Devil's Crucible.
4. Ascending Doom.
5. Fatal Second.
6. Human Sacrifice.
7. Monster's Clutch.
8. Tuareg Vengeance.
9. Burned Alive.
10. Treacherous Trail.
11. Unknown Peril.
12. Underground Tornado.
13. Thundering Death.

14. Blazing Barrier.
15. Satan's Fury.
THE PERILS OF PAULINE. Paramount Pictures Inc., c1947. 92
min., sd., color, 35mm. Based on a story by P. J. Wolfson, with a
salute to Charles W. Goddard who wrote the original serial "The
Perils of Pauline."
Credits: Producer, Sol C. Siegel; director, George Marshall;
screenplay, P. J. Wolfson, Frank Butler; music score, Robert
Emmett Dolan; editor, Arthur Schmidt.
Cast: Betty Hutton, John Lund, Billy De Wolfe, William
Demarest, Constance Collier.
© Paramount Pictures Inc.; 4Jul47; LP1080.
PERILS OF THE JUNGLE. Warner Bros. Pictures, Inc., c1941. 20
min., sd. (Broadway Brevities)
Credits: Producer, Attilio Gatti; written by Herald Medford;
commentator, Knox Manning.
© Warner Bros. Pictures, Inc.; 21Oct41; MP11664.
PERILS OF THE ROYAL MOUNTED. Columbia Pictures Corp.,
c1942. 2 reels each (no. 1, 3 reels), sd. © Columbia Pictures Corp.
Credits: Director, James W. Horne; original screenplay, Basil
Dickey, Scott Littleton, Louis Heifetz, Jesse A. Duffy.
1. The Totem Talks. © 25May42; LP11444.
2. The Night Raiders. © 27May42; LP11445.
3. The Water God's Revenge. © 27May42; LP11446.
4. Beware, The Vigilantes. © 15Jun42; LP11447.
5. The Masked Mountie. © 19Jun42; LP11448.
6. Underwater Gold. © 22Jun42; LP11449.
7. Bridge to the Sky. © 1Jul42; LP11450.
8. Lost in the Mine. © 6Jul42; LP11499.
9. Into the Trap. © 13Jul42; LP11500.

10. Betrayed by Law. © 20Jul42; LP11496.
11. Blazing Beacons. © 27Jul42; LP11497.
12. The Mountie's Last Chance. © 14Aug42; LP11516.
13. Painted White Man. © 15Aug42; LP11517.
14. Burned at the Stake. © 28Aug42; LP11550.
15. The Mountie Gets His Man. © 1Sep42; LP11551.
PERSONALITY DEVELOPMENT SERIES. Encyclopaedia
Britannica Films, Inc., c1948. 1 reel each, sd., b&w, 16mm. ©
Encyclopaedia Britannica Films, Inc.
Credits: Collaborator, Lawrence K. Frank.
Helping the Child to Face the Don'ts. © 13Dec48; MP3682.
Helping the Child to Accept the Do's. © 13Dec48; MP3683.
Emergence of Personality; baby meets his parents. ©
28Dec48; MP3822.
PERSONALITY KID. Columbia Pictures Corp., c1946. 7 reels, sd.
Credits: Producer, Wallace MacDonald; director, George
Sherman; story, Cromwell MacKechnie; screenplay, Lewis
Helmar Herman; music director, Mischa Bakaleinikoff.
© Columbia Pictures Corp.; 8Aug46; LP590.
PERSONALITY! PLUS!! Paramount Pictures Inc., c1942. 1 reel, sd.
(Grantland Rice Sportlight)
Credits: Narrator, Ted Husing.
© Paramount Pictures Inc.; 17Apr42; MP12412.
PERSONALIZED LUBRICATION SERVICE. Wilding Picture
Productions, Inc. for the Standard Oil Company (Indiana),
c1946. 3 reels, sd., b&w, 16mm.
Credits: Director, M. Constable; story, James P. Prindle.
© Standard Oil Co. (Indiana); 1Sep46; LP980.

PERSONALIZED PRODUCT DISPLAY. Wilding Picture
Productions, Inc. for the Standard Oil Co. (Indiana), c1947. 2
reels, sd., color, 16mm.
Credits: Director, O. P. Lippert; story, James Prindle.
© Standard Oil Co. (Indiana); 25Jun47; MP2545.
PERSONALIZED SERVICE. Wilding Picture Productions, Inc. for
the Standard Oil Company (Indiana), c1946. 3 reels, sd., b&w,
16mm.
Credits: Director, M. Constable; story, James P. Prindle.
© Standard Oil Co. (Indiana); 15Jul46; LP979.
PERSONS IN HIDING. SEE
Parole Fixer.
Queen of the Mob.
PERU; ein Volk der Berge. Encyclopaedia Britannica Films, Inc.,
c1949. 1 reel, sd., b&w, 16mm. German version of "Peru; People
of the Mountains."
Summary: Contrasts Peru's modern capital city, Lima, with the
ruins of the ancient Inca empire and with Cuzco, contemporary
Indian city. The simple, almost primitive customs of the
descendants of the once-proud Indian peoples are exemplified by
the activities of an Indian family in a remote plateau village. For
middle grades, high school, and adult groups.
Credits: Collaborator, Earle K. James.
© Encyclopaedia Britannica Films, Inc.; 25Aug49; MP4614.
PERU; people of the mountains. Erpi Classroom Films, Inc.,
c1940. 1 reel, sd.

PERU; people of the mountains. SEE Peru; ein Volk der Berge.
PESAS: TIRO, DISCO, JABALINA, MARTILLO. Encyclopaedia
Britannica Films, Inc., in collaboration with Lawson Robertson,
Dean Cromwell and the Amateur Athletic Union, c1947. 1 reel,
sd., b&w, 16mm. Spanish version of "Weight Events."
© Encyclopaedia Britannica Films, Inc.; 4Feb47; MP1675.
A PEST IN THE HOUSE. Warner Bros. Cartoons, Inc., c1947. 7
min., sd., color, 35mm. (Merrie Melodies)
Credits: Director, Charles M. Jones; story, Tedd Pierce,
Michael Maltese.
© Vitaphone Corp.; 8Aug47; MP2255.
PEST PILOT. Paramount Pictures Inc., c1941. 1 reel, sd.
© Paramount Pictures Inc.; 8Aug41; MP11436.
THE PEST THAT CAME TO DINNER. Warner Bros. Cartoons,
Inc., c1949. 7 min., sd., color, 35mm. (Merrie Melodies)
Credits: Director, Arthur Davis; story, George Hill; animation,
John Carey, Basil Davidovich, J. C. Melendez, Don Williams.
© The Vitaphone Corp.; 7Oct49 (in notice: 1947); MP4586.
PET PEEVES. Loew's Inc., c1947. 9 min., sd., b&w, 35mm. (Pete
Smith Specialty) An MGM picture.
Credits: Producer and narrator, Pete Smith; director, David
Barclay; original story and screenplay, Joe Ansen, David Barclay;
film editor, Joseph Dietrick.
© Loew's Inc.; 17Jun47; LP1156.
PETE ROLEUM AND HIS COUSINS. Petroleum Industry
Exhibition, Inc., color.

Credits: Production and scenario, Joseph Losey; animation,
Charley Bowers; music, Hanns Eisler; photography, Harold
Muller; editor, Helen Van Dongen.
© Petroleum Industry Exhibition, Inc.; title, descr., & 149
prints, 31May41; LU10506.
PETE SMITH'S SCRAPBOOK. Loew's Inc., c1942. Presented by
Metro-Goldwyn-Mayer. 850 ft., sd., sepia. (A Pete Smith
Specialty)
Credits: Film editor, Philip Anderson.
© Loew's Inc.; 28May42; MP12628.
PETE THE PIPER. Soundies Distributing Corp. of America, Inc.,
c1941. 1 reel, sd.
© Soundies Distributing Corp. of America, Inc.; 23Mar41;
MP10967.
PETER RABBIT'S ADVENTURES. Encyclopaedia Britannica
Films, Inc., c1948. 1 reel, si., b&w, 8mm.
Summary: Shows what happens to Peter when he leaves home
to eat the farmer's lettuce.
PETRA. World Window, Inc., London, c1938. Distributed by
United Artists. 1 reel, sd., color. (World Window Series, no. 6)
Credits: Producers, E. S. and F. W. Keller; director and film
editor, Hans Nieter; music, Ludwig Brav; photography, Jack
Cardiff. Technicolor.
© World Window, Inc.; 1Nov38; MP10035.
PETROLEUM. Encyclopaedia Britannica Films, Inc., in
collaboration with Lester E. Klimm, c1947. 1 reel, sd., b&w,
16mm. (World Energy Resources Series)

PETROLEUM. SEE Erdoel.
PETTICOAT LARCENY. RKO Radio Pictures, Inc., c1943. 61 min.,
sd.
Credits: Producer, Bert Gilroy; director, Ben Holmes;
screenplay, Jack Townley, Stuart Palmer; music, Roy Webb;
music director, C. Bakaleinikoff; editor, Harry Marker.
© RKO Radio Pictures, Inc.; 1Jul43; LP12152.
PETTICOAT POLITICS. c1941. Presented by Republic Pictures. 7
reels, sd. (The Higgins Family)
Credits: Associate producer, Robert North; director, Erle C.
Kenton; original screenplay, Ewart Adamson, Taylor Caven;
music director, Cy Feuer; photography, Jack Marta; film editor,
Edward Mann.
© Republic Pictures Corp.; 31Jan41; LP10252.
THE PHANTOM. Columbia Pictures Corp., c1943–44. 2 reels each.
Based on the cartoon character created by Leon Falk and Ray
Moore. © Columbia Pictures Corp.
Credits: Director, B. Reeves Eason; screenplay, Leslie J.
Swabacker, Morgan B. Cox, Victor McLeod, Sherman Lowe.
1. The Sign of the Skull. © 24Dec43; LP12529.
2. The Man Who Never Dies. © 31Dec43; LP12537.
3. A Traitor's Code. © 7Jan44; LP12560.
4. The Seat of Judgment. © 15Jan44; LP12567.
5. The Ghost Who Walks. © 22Jan44; LP12583.
6. Jungle Whispers. © 29Jan44; LP12608.
7. The Mystery Well. © 5Feb44; LP12779.

8. In Quest of the Keys. © 12Feb44; LP12617.
9. The Fire Princess. © 19Feb44; LP12632.
10. The Chamber of Death. © 26Feb44; LP12641.
11. The Emerald Key. © 5Mar44; LP12648.
12. The Fangs of the Beast. © 12Mar44; LP12780.
13. The Road to Zoloz. © 17Mar44; LP12684.
14. The Lost City. © 24Mar44; LP12691.
15. Peace in the Jungle. © 31Mar44; LP12714.
THE PHANTOM COWBOY. c1941. Presented by Republic Pictures.
6 reels, sd.
Credits: Associate producer and director, George Sherman;
original screenplay, Doris Schroeder; music director, Cy Feuer;
photography, Reggie Lanning; film editor, Tony Martinelli.
© Republic Pictures Corp.; 14Feb41; LP10303.
PHANTOM EMPIRE. SEE Radio Ranch.
THE PHANTOM FILLY. SEE Home in Indiana.
PHANTOM KILLER. Monogram Pictures Corp., c1942. 6 reels, sd.
Credits: Producer, A. W. Hackel; director, William Beaudine;
screenplay, Karl Brown; photography, Marcel Le Picard; film
editor, Jack Ogilvie.
© Monogram Pictures Corp.; 28Aug42; LP11546.
PHANTOM LADY. Universal Pictures Co., Inc., c1944. 9 reels, sd.
Based on the novel by William Irish.
Credits: Associate producer, Joan Harrison; director, Robert
Siodmak; screenplay, Bernard C. Schoenfeld; music director,

Don George; photographer, Elwood Bredell; film editor, Arthur
Hilton.
© Universal Pictures Co., Inc.; 7Feb44; LP12505.
PHANTOM OF CHINATOWN. Monogram Pictures Corp., c1940. 6
reels, sd.
Credits: Producer, Paul Malvern; director, Phil Rosen; original
story, Ralph Bettinson; screenplay, Joseph West; photographer,
Fred Jackman, Jr.; film editor, Jack Ogilvie.
© Monogram Pictures Corp.; 18Nov40; LP10160.
PHANTOM OF 42nd STREET. P.R.C. Pictures, Inc., c1945. 6 reels,
sd. Based on the novel by Jack Harvey and Milton Raison.
Credits: Associate producers, Martin Mooney, Albert Herman;
director, Albert Herman; screenplay, Milton Raison; music, Karl
Hajos; film editor, Hugh Winn.
© P.R.C. Pictures, Inc.; 2May45; LP13570.
THE PHANTOM OF THE OPERA. Universal Pictures Co., Inc.,
c1943. 10 reels, sd., color. Based on the composition by Gaston
Leroux.
Credits: Producer, George Waggner; director, Arthur Lubin;
screenplay, Eric Taylor, Samuel Hoffenstein; music director,
Edward Ward; cameraman, Hal Mohr. Technicolor.
© Universal Pictures Co., Inc.; 30Sep43; LP12298.
PHANTOM OF THE PLAINS. c1945. Presented by Republic
Pictures. 6 reels, sd. Based on Red Harman's comic "Red Ryder."
Credits: Associate producer, R. G. Springsteen; director, Lesley
Selander; original screenplay, Earle Snell, Charles Kenyon; music
director, Richard Cherwin; photographer, William Bradford; film
editor, Charles Craft.

© Republic Pictures Corp.; 16Aug45; LP13494.
THE PHANTOM PINTO. Ellkay Productions, c1940. 6 reels, sd.
Credits: Director, Richard C. Kahn.
© Ellkay Productions; 30Dec40; LP10147.
THE PHANTOM PLAINSMEN. c1942. Presented by Republic
Pictures. 6 reels, sd. Based on an original story by Robert Yost.
Based on characters "The Three Mesquiteers" created by William
Colt MacDonald.
Credits: Associate producer, Louis Gray; director, John
English; screenplay, Robert Yost, Barry Shipman; music score,
Cy Feuer; photographer, Bud Thackery; film editor, William
Thompson.
© Republic Pictures Corp.; 16Jun42; LP11510.
PHANTOM RAIDERS. Loew's Inc., c1940. Presented by Metro-
Goldwyn-Mayer. 7 reels, sd., b&w. (A Nick Carter Adventure)
Credits: Producer, Frederick Stephani; director, Jacques
Tourneur; original story, Jonathan Latimer; screenplay, William
R. Lipman; music score, David Snell; film editor, Conrad A.
Nervig.
© Loew's Inc.; 31May40; LP9684.
THE PHANTOM RIDER. c1945–46. Presented by Republic
Pictures. 2 reels each, sd. © Republic Pictures Corp.; [no. 1–6],
26Oct45; LP13678; no. 7–12, 8Jan46; LP106.
Credits: Associate producer, Ronald Davidson; directors,
Spencer Bennet, Fred Brannon; original screenplay, Albert
DeMond, Basil Dickey, Jesse Duffy, Lynn Perkins, Barney
Sarecky; music director, Richard Cherwin; photographer, Bud
Thackery; film editors, Cliff Bell, Harold R. Minter.

1. The Avenging Spirit.
2. Flaming Ambush.
3. Hoofs of Doom.
4. Murder Masquerade.
5. Flying Fury.
6. Blazing Peril.
7. Gauntlet of Guns.
8. Behind the Mask.
9. The Captive Chief.
10. Beasts at Bay.
11. The Death House.
12. The Last Stand.
THE PHANTOM SPEAKS. c1945. Presented by Republic Pictures.
7 reels, sd.
Credits: Associate producer, Donald H. Brown; director, John
English; original screenplay, John K. Butler; music director,
Richard Cherwin; photographer, William Bradford; film editor,
Arthur Roberts.
© Republic Pictures Corp.; 1May45; LP13243.
THE PHANTOM SUBMARINE. Columbia Pictures Corp., c1940. 7
reels, sd.
Credits: Producer, Ralph Cohn; director, Charles Barton; story,
Augustus Muir; screenplay, Joseph Krumgold; music director, M.
W. Stoloff; photography, Barney McGill; film editor, William
Lyon.
© Columbia Pictures Corp.; 20Dec40; LP10981.

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