The document discusses Charles Vyse, a British sculptor, and his career following World War II. It describes how Vyse returned to his studio in Chelsea to resume his work creating wheel-thrown vessels and clay figures. In 1945, he exhibited three terracotta sculptures at the Royal Academy's Summer Exhibition, including a large female nude. However, in 1946 the new owner of his studio building served eviction notices to the remaining tenants, including Vyse, forcing him to relocate his studio.