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Conventions of the
Romantic Comedy
Genre in my Own
(Rom Com)
Narrative
Narrative 2
Victoria Snow is in love with fairytales – because it’s her namesake – and is
going on lots of unsuccessful dates trying to find her Mr Right.
Edward Wright is in an arranged marriage with someone his parents chose
in order to advance the family company and he is resigned to do it because
he has not had a partner in a long time.
Victoria and Edward work in the same office (but have never met) and meet
at a Christmas office dinner and get seated together – they have a bit of
tension and do not get off to a very successful start but then they discover
they are quite compatible and start seeing each other more.
Victoria Snow’s best friend reveals she’s seen Edward in town with his arm
around another woman and tells Victoria Snow.
Victoria Snow asks her to do some snooping on Edward to find out who this
woman is and what Edward has been doing with her and she discovers that
he is engaged to her – at his parents insistence.
Victoria Snow dumps Edward loudly and in a public place and doesn’t let
him explain.
They go their separate ways but eventually the pain of not being with
Victoria means Edward goes to grovel to Victoria and he proposes to her in
a local park where they had their first date.
One convention that I will be
employing into my own narrative
is the fairytale and almost story-
like thoughts that the main female
characters usually believer in – the
true love trope that is expected in
romantic comedies. This can be
seen in romantic comedies Ella
Enchanted; Definitely, Maybe; He’s
Just Not That Into You; The
Holiday.
One convention of the romantic comedy
genre that I am employing in my own
narrative is the plot is focused on the main
female character – Victoria Snow. This is
effective as my target audience is female-
leaning and so a narrative that is centred
around the main female character is much
more relatable for the audience. This
convention can be seen in: Bridget Jones’s
Diary; The Wedding Date; Easy A.
Another convention of romantic comedies that I
have decided to employ in my narrative is the
inevitable happy ending. In my opinion, this is
vital as the target audience tend to watch
romantic comedies for the conventional
endings that leave you feeling warm and loved.
I believe this is an essential feeling at the end of
a rom-com and what makes a romantic comedy
what it is. This convention can be seen in: The
Prince and Me; Going the Distance; Two Weeks
Notice.
Another convention of the romantic
comedy genre is the typical “boy-
meets-girl”/“meet cute” situation.
This is appealing to the target
audience as they get to see the
development of the characters
relationship. This can be seen in:
Pretty Woman; What If; Hannah
Montana: The Movie.
Another convention that I am employing into my
romantic comedy narrative is the conflict between
the characters that then develops into love. This is
effective and successful as it tells the audience that
love can come from even the most unusual places
and helps to give them hope that there is love out
there for everyone. This also aids the warm,
comforting feeling you get at the end as you get to
see the development of the characters and then their
happy ending. This can be seen in the romantic
comedies: The Proposal; What’s Your Number?; 27
Dresses.

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Homework One AGAIN

  • 1. Conventions of the Romantic Comedy Genre in my Own (Rom Com) Narrative
  • 2. Narrative 2 Victoria Snow is in love with fairytales – because it’s her namesake – and is going on lots of unsuccessful dates trying to find her Mr Right. Edward Wright is in an arranged marriage with someone his parents chose in order to advance the family company and he is resigned to do it because he has not had a partner in a long time. Victoria and Edward work in the same office (but have never met) and meet at a Christmas office dinner and get seated together – they have a bit of tension and do not get off to a very successful start but then they discover they are quite compatible and start seeing each other more. Victoria Snow’s best friend reveals she’s seen Edward in town with his arm around another woman and tells Victoria Snow. Victoria Snow asks her to do some snooping on Edward to find out who this woman is and what Edward has been doing with her and she discovers that he is engaged to her – at his parents insistence. Victoria Snow dumps Edward loudly and in a public place and doesn’t let him explain. They go their separate ways but eventually the pain of not being with Victoria means Edward goes to grovel to Victoria and he proposes to her in a local park where they had their first date.
  • 3. One convention that I will be employing into my own narrative is the fairytale and almost story- like thoughts that the main female characters usually believer in – the true love trope that is expected in romantic comedies. This can be seen in romantic comedies Ella Enchanted; Definitely, Maybe; He’s Just Not That Into You; The Holiday.
  • 4. One convention of the romantic comedy genre that I am employing in my own narrative is the plot is focused on the main female character – Victoria Snow. This is effective as my target audience is female- leaning and so a narrative that is centred around the main female character is much more relatable for the audience. This convention can be seen in: Bridget Jones’s Diary; The Wedding Date; Easy A.
  • 5. Another convention of romantic comedies that I have decided to employ in my narrative is the inevitable happy ending. In my opinion, this is vital as the target audience tend to watch romantic comedies for the conventional endings that leave you feeling warm and loved. I believe this is an essential feeling at the end of a rom-com and what makes a romantic comedy what it is. This convention can be seen in: The Prince and Me; Going the Distance; Two Weeks Notice.
  • 6. Another convention of the romantic comedy genre is the typical “boy- meets-girl”/“meet cute” situation. This is appealing to the target audience as they get to see the development of the characters relationship. This can be seen in: Pretty Woman; What If; Hannah Montana: The Movie.
  • 7. Another convention that I am employing into my romantic comedy narrative is the conflict between the characters that then develops into love. This is effective and successful as it tells the audience that love can come from even the most unusual places and helps to give them hope that there is love out there for everyone. This also aids the warm, comforting feeling you get at the end as you get to see the development of the characters and then their happy ending. This can be seen in the romantic comedies: The Proposal; What’s Your Number?; 27 Dresses.