This document discusses post-9/11 cinema and how films have attempted to make sense of and reflect on the 9/11 attacks and their aftermath. It provides definitions for terms like post-9/11 society and post-9/11 cinema. It then analyzes three films—War of the Worlds, The Hurt Locker, and Zero Dark Thirty—and how they portray American responses and attitudes in the post-9/11 era, such as rushing to war, struggles with reintegration, and debates around torture. The document aims to show how cinema can provide insight into the social and cultural experiences of its time.