This document discusses various narrative structures and techniques that can be applied to films. It outlines three common narrative structures: episodic, circular, and linear. It also describes restricted and omniscient narrative viewpoints. Additionally, it discusses how editing and the manipulation of time can impact narrative. The document then summarizes theories of narrative structures from Vladimir Propp and Tzvetan Todorov. In closing, it explains how these narrative concepts could be applied to shape the author's short film.