SlideShare a Scribd company logo
Performance Management 3rd Edition Aguinis
Solutions Manual download pdf
https://testbankdeal.com/product/performance-management-3rd-edition-
aguinis-solutions-manual/
Visit testbankdeal.com to explore and download the complete
collection of test banks or solution manuals!
Here are some recommended products for you. Click the link to
download, or explore more at testbankdeal.com
Performance Management 3rd Edition Aguinis Test Bank
https://testbankdeal.com/product/performance-management-3rd-edition-
aguinis-test-bank/
Cost Management Measuring Monitoring and Motivating
Performance Canadian 2nd Edition Eldenburg Solutions
Manual
https://testbankdeal.com/product/cost-management-measuring-monitoring-
and-motivating-performance-canadian-2nd-edition-eldenburg-solutions-
manual/
Management Accounting Strategic Decision Making
Performance and Risk 2nd Edition Hunt Solutions Manual
https://testbankdeal.com/product/management-accounting-strategic-
decision-making-performance-and-risk-2nd-edition-hunt-solutions-
manual/
Zoology 10th Edition Miller Solutions Manual
https://testbankdeal.com/product/zoology-10th-edition-miller-
solutions-manual/
Financial and Managerial Accounting 14th Edition Warren
Test Bank
https://testbankdeal.com/product/financial-and-managerial-
accounting-14th-edition-warren-test-bank/
Psychology of Success Finding Meaning in Work and Life 6th
Edition Denis Waitley Test Bank
https://testbankdeal.com/product/psychology-of-success-finding-
meaning-in-work-and-life-6th-edition-denis-waitley-test-bank/
Molecular Thermodynamics Of Fluid Phase Equilibria 3rd
Edition Prausnitz Solutions Manual
https://testbankdeal.com/product/molecular-thermodynamics-of-fluid-
phase-equilibria-3rd-edition-prausnitz-solutions-manual/
Managerial Accounting Tools for Business Decision Making
7th Edition Weygandt Solutions Manual
https://testbankdeal.com/product/managerial-accounting-tools-for-
business-decision-making-7th-edition-weygandt-solutions-manual/
Making the Team A Guide for Managers 6th Edition Thompson
Solutions Manual
https://testbankdeal.com/product/making-the-team-a-guide-for-
managers-6th-edition-thompson-solutions-manual/
Anatomy and Physiology 6th Edition Gunstream Test Bank
https://testbankdeal.com/product/anatomy-and-physiology-6th-edition-
gunstream-test-bank/
Chapter 6—Gathering Performance Information
Learning Objectives
6.1 Understand why each of several basic components is included in the appraisal form.
6.2 Design effective appraisal forms.
6.3 Compute an overall employee performance score based on information found on the
appraisal form.
6.4 Select an appropriate time period to document performance as part of a performance
review.
6.5 Determine how many formal meetings are needed between the subordinate and the
supervisor to discuss performance issues.
6.6 Understand advantages and disadvantages of using supervisors, peers, subordinates, self,
and customers as sources of performance information.
6.7 Know how to deal with potential disagreements involved with different sources
evaluating the performance of the same employee.
6.8 Understand the psychological mechanisms leading to the inflation and deflation of
performance ratings.
6.9 Understand that the implementation of training programs can address intentional and
unintentional rating distortion.
Chapter Outline
Gathering Performance Information
Overview
1. Appraisal Forms
2. Characteristics of Appraisal Forms
3. Determining Overall Rating
4. Appraisal Period and Number of Meetings
5. Who Should Provide Performance Information
6. A Model of Rater Motivation
7. Preventing Rating Distortion Through Rater Training Programs
1. Appraisal Forms
• Major Components of Appraisal Forms (1)
o Basic employee information
o Accountabilities, objectives, and standards
o Competencies and indicators
o Major achievements and contributions
o Stakeholder input
o Employee comments
o Signatures
• Major Components of Appraisal Forms (2)
(These could be included in a separate form)
o Developmental achievements
o Developmental
• Needs
• Plans
• Goals
 Why do some companies such as Sun Microsystems separate these components into two
separate forms?
 Consider the forms in Figures 6.1 and 6.2. How complete are they? What components
might be missing?
2. Characteristics of Appraisal Forms
• Desirable Features of All Appraisal Forms
o Simplicity
o Relevancy
o Descriptiveness
o Adaptability
o Comprehensiveness
o Definitional clarity
o Communication
o Time orientation
 Consider the forms in Figures 6.1 and 6.2. How do they measure up?
3. Determining Overall Rating
• Judgmental strategy
o Consider every aspect of performance
o Arrive at defensible summary
• Mechanical strategy
o Consider scores assigned to each section
o Add weighted scores to obtain overall score
 Consider the form in Figure 6.3. Which kind of rating strategy would an employee prefer?
Why? Which would the supervisor prefer? Why?
• Comments section
o Challenges
• Difficult to systematically categorize and analyze
• Quality, length, and content vary
o Tools to overcome challenges
• Computer-aided text analysis (CATA) software
• Establish goals of the information provided
• Training in systematic and standardized rating skills
4. Appraisal Period and Number of Meetings
• Appraisal period
o Meetings
▪ Annual
• May not provide sufficient opportunity for supervisor/employee discussion
▪ Semi-annual
 What is the benefit to Hamilton Standard Commercial Aircraft in performing semi-annual
reviews?
▪ Quarterly
 Why does Synygy, Inc. perform quarterly reviews?
• Review to be completed
o Anniversary date
▪ The supervisor does not have to fill out forms at the same time
▪ Cannot tie rewards to fiscal year
o Fiscal year
▪ Rewards tied to fiscal year
▪ Goals tied to corporate goals
▪ May be a burden to the supervisor, depending on the implementation
• Six Types of Formal Meetings (can be combined)
o System inauguration
o Self-appraisal
o Classical performance review
o Merit/salary review
o Development plan
o Objective setting
 How does Johnsonville Foods handle these meetings?
 How might a Web-based system such as the one at Central Florida Healthcare Federal
Credit Union be used to enhance the usefulness of these meetings?
5. Who Should Provide Performance Information?
Employees should be involved in selecting
• Which sources evaluate
• Which performance dimensions
When employees are actively involved
• Higher acceptance of results
• Perception that the system is fair
Firsthand knowledge of employee performance
• Supervisors
• Peers
• Subordinates
• Self
• Customers
o Supervisors
• Advantages
▪ Best position to evaluate performance vs. strategic goals
▪ Make decisions about rewards
▪ Able to differentiate among performance dimensions
▪ Viewed as the exclusive source in some cultural contexts
• Disadvantages
▪ Supervisor may not be able to directly observe performance
▪ Evaluations may be biased
o Peers
• Advantages
▪ Assess teamwork
• Disadvantages
▪ Possible friendship bias
▪ May be less discriminating
▪ Context effects
o Subordinates
• Advantages
▪ Accurate when used for developmental purposes
▪ Good position to assess some competencies
• Disadvantages
▪ Inflated when used for administrative purposes
▪ May fear retaliation (confidentiality is key)
 How is “Tell Dell” used to improve the computer giant?
o Self
• Advantages
▪ Increased acceptance of decisions
▪ Decreased defensiveness during an appraisal interview
▪ Good position to track activities during review period
• Disadvantages
▪ May be more lenient and biased
• Suggestions to improve the quality of self-appraisals
▪ Use comparative as opposed to absolute measurement systems
▪ Allow employees to practice their self-rating skills
▪ Assure confidentiality
o Emphasize the futureCustomers (external and internal)
• Advantages
▪ Employees become more focused on meeting customer expectations
• Disadvantages
▪ Time
▪ Money
 What advantages could override the disadvantages of using customer evaluations?
Disagreement Across Sources
• Expect disagreements
• Ensure employee receives feedback by the sources
• Assign differential weights to scores by source, depending on importance
• Ensure that employees take active roles in selecting which sources will rate which
dimensions
6. A Model of Rater Motivation (see the textbook for model)
• Types of Rating Errors
o Intentional errors
• Rating inflation
• Rating deflation
o Unintentional errors
• Due to complexity of tasks
• Motivations for Rating Inflation
o Maximize merit raise/rewards
o Encourage employees
o Avoid creating written records
o Avoid confrontation with employees
o Promote undesired employees out of the unit
o Make the manager look good to his/her supervisor
• Motivations for Rating Deflation
o Shock employees
o Teach a rebellious employee a lesson
o Send a message to employee that he/she should consider leaving
o Build a strongly documented and written record of poor performance
• Recommendations for reducing intentional rating distortion
o Have raters justify their ratings
o Have raters justify their ratings in a face-to-face meeting
7. Preventing Rating Distortion Through Rater Training Programs
Rater training programs should cover:
• Information—how the system works
o Reasons for implementing the performance management system
o Information on the appraisal form and system mechanics
• Motivation—what’s in it for me?
o Benefits of providing accurate ratings
o Tools for providing accurate ratings
• Identifying, observing, recording, and evaluating performance
o How to identify and rank job activities
o How to observe, record, and measure performance
o How to minimize rating errors
• How to interact with employees when they receive performance information
o How to conduct an appraisal interview
o How to train, counsel, and coach
What aspects of a good rater training program are covered in the City of Aurora, CO training
program? How could the program be improved?
Gathering Performance Information: Summary
• Appraisal Forms
• Characteristics of Appraisal Forms
• Determining Overall Rating
• Appraisal Period and Number of Meetings
• Who Should Provide Performance Information?
• A Model of Rater Motivation
• Preventing Rating Distortion Through Rater Training Programs
Review Learning Objectives
Worked Solutions for End-of-Chapter Cases
Case Study 6.1: Evaluating an Appraisal Form Used in Higher Education
Major Components of Appraisal
Forms Comments
X
Basic Employee Information
No changes are needed because more than a
sufficient amount of information is included.
Accountabilities, Objectives,
and Standards
These need to be linked to the department and
organizational mission. If they do not do this, the
employees may not realize how their contribution
fits into the organization as a whole. To
accomplish this linkage, the form should at least
provide a brief outline of the goals of the
organization or department.
X
Competencies and Indicators
No changes are needed. There are ten essential
core competencies (each includes specific
descriptions) and room for additional essential
competencies are provided for rating. Further, set
indicators are provided along with clear guidelines
that guide the evaluator in making evaluations that
are uniform across employees.
Major Components of Appraisal
Forms Comments
Major Achievements and
Contributions
Employees like to be recognized for their hard
work, so having a section that reminds the
manager to focus on the positives would be
helpful. This is included in the evaluation form to
the extent that the employee is evaluated on
whether or not last period’s goals were met. It
would be beneficial to also include an area where
the evaluator could include other major
achievements or contributions other than met
goals.
Developmental Achievements
This section is not present. In the absence of this
section, the negative consequence is that the rated
employees may feel that their efforts to improve
their skills are going unnoticed. This may lead to
reduced motivation.
X
Developmental Needs, Plans,
and Goals Presen`
X
Stakeholder Input
A section for supervisor’s comments is attached.
However, nothing comparable exists in the form
for other stakeholders (e.g., peers, customers).
X
Employee Comments
There is no are available for the employee.
Without this the employee does not have the
opportunity to participate in the evaluation
process, which may cause the employee to
perceive that the evaluation system is not fair,
X Approvals Present and no changes are needed.
(Suggested points: 5, [6.1])
Case Study 6.2: Judgmental and Mechanical Methods of Assigning Overall Performance
Score at The Daily Planet
There are several ways to compute the overall score using the judgmental method based on the
relative importance that raters give to each of the performance dimensions rated. But, assuming a
rater gives the same weight to each of the dimensions, the overall score would be: (2 + 4 + 5 +
2)/4 = 4.25.
Using the assigned weights, the overall performance score is 2(.25) + 4(.40) + 5(.15) + 2(.20) =
3.25. Therefore, using a mechanical method resulted in a score that is 1 point higher than using a
judgmental method. This is a very large difference considering that scores can range from 0 to 5.
As shown by the difference in scores, there is a large difference in the two ratings. This could
have implications for how bonuses are allocated, promotions are rewarded, and goals are set.
Using the judgmental method, the overall score was much lower; this means that the
organization possibly had to pay less bonuses. However, the impact on the individual could be
detrimental to his/her career if that person is being passed over for promotions or is setting goals
that are too easy to achieve. This could affect the supervisor who might begin to set
inappropriate goals for the employee.
(Suggested points: 5, [6.3])
Case Study 6.3: Minimizing Intentional and Unintentional Rating Errors
Note: “IE” and “UE” stand for intentional errors and unintentional errors, respectively.
IE UE Content Area Comments
X
Reasons for implementing the
performance management
system. This includes an
overview of the entire system,
its purpose, and benefits for all
employees.
This type of information will help raters realize
that their ratings are taken seriously so that they
should take them seriously. This includes
explaining what the ratings can be used for and
the importance of the accuracy of the ratings.
Thus, it should enhance raters’ motivation to
provide accurate ratings. However, this type of
information would not necessarily diminish
unintentional errors.
X
How to identify and rank job
activities. This includes
information on how to conduct
a job analysis and understand
the most important
accountabilities and
competencies.
This mainly helps prevent unintentional errors.
Raters gain a better understanding of the
important job activities and are therefore more
likely to evaluate behaviors and results
correctly.
X
How to observe, record, and
measure performance. This
may include observational
skills such as how to observe
the behaviors that really matter
and not be distracted by
behaviors unrelated to the
performance dimensions being
measured. It also includes
skills needed to fill out the
appraisal form.
This will help avoid unintentional errors
because it teaches one to record performance—
a habit that can decrease many of the cognitive
processing errors often present.
X X
Information on the appraisal
form and system mechanics.
This includes a detailed
description of the content of
the appraisal form and what
each section is intended to
measure. It also includes
information on a number of
This type of information is likely to decrease
both types of errors. First, intentional errors are
likely to be decreased because the manager will
become more comfortable with the process.
Second, it can also help decrease unintentional
errors because managers will gain a better
understanding of the different levels of
performance.
IE UE Content Area Comments
meetings and the expectations
regarding each participant.
X
How to minimize rating errors.
This includes steps that can be
taken to minimize
unintentional errors due to the
cognitive demands associated
with the observation and
evaluation of performance.
This targets unintentional errors and should
help minimize them.
X X
How to conduct an appraisal
interview. This includes
listening skills, communication
skills, and how to provide
feedback during the appraisal
interview. It also includes
skills on how to help the
employee create a
developmental plan.
This addresses both types of errors. First, it
addresses intentional errors because the
manager has good skills regarding how to
manage the process. Second, it helps managers
verbalize the reasons for the rating they
provided, thereby helping ratings be more
accurate, because it is difficult to justify
inaccurate ratings.
X
How to train, counsel, and
coach. This includes skills that
the supervisor needs to help
employees improve their
performance on an ongoing
basis.
This mainly addresses intentional errors
because it gives managers skills on how to
manage the process well and can decrease the
motivation to introduce politics into the
process.
(Suggested points: 5, [6.1])
Case Study 6.4: Minimizing Biases in Performance Evaluation at Expert Engineering, Inc.
1. It is possible that Demetri may intentionally inflate the ratings he gives to his fellow alumni
because he doesn’t want to confront them about areas where performance improvement is
necessary. He may worry that giving an accurate rating could jeopardize his relationship with
the “gang” whom he likes and wishes to continue to be part of. At the same time, he may
unintentionally distort the ratings that he gives to various employees, because he, as a
principal, is responsible for supervision of many engineers. It is very difficult to remember
all of the behavior and results of one’s own performance, let alone such information about
many different people. Observing information about performance, storing this information in
memory, and then recalling it when it’s time to fill out the appraisal form is a complex
cognitive task that could lead to unintentional distortions of ratings.
(Suggested points: 5, [6.8])
2. Different kinds of training could assist Demetri in providing more objective appraisals,
although none of the programs can guarantee perfect results. Appraisals are inherently
subjective. The training program should provide basic information on the appraisal form and
how the system works. In addition, the benefits of accurate appraisals (“what’s in it for me?”)
and tools for providing such ratings should be provided. Demetri will need training in the
following areas:
o How to identify and rank job activities
o How to observe, record, and measure performance
o How to minimize rating errors
Finally, he will need assistance in how to interact with the engineers he supervises,
particularly when they receive performance information. Demetri needs to learn how to
conduct an appraisal interview and how to train, counsel, and coach. Training should help him
provide the supervision and performance appraisal that all of his employees need, including
the members of his alma mater.
(Suggested points: 5, [6.9])
Additional Cases and Worked Solutions
Case Study: CRB, Inc.
The following performance appraisal form was adopted by CRB, Inc., a small car restoration
business. It was filled out by Al Brown, the owner of CRB, Inc., because he has been told he
should give all of his employees an appraisal of their performance. This particular form was
given to the foreman, Robert (Bob) Jared, to complete the employee comments; Al then filled in
the supervisor comments sections.
As you review the performance appraisal form, please respond to the following questions:
1. Provide a detailed evaluation of the form. What components are necessary? What is
missing and what should be added? Is anything optional? Provide a brief explanation of
your responses.
(Suggested points: 10, .7[6.1], .3[6.2])
2. Assess the advantages and disadvantages of having the supervisor and the subordinate
complete this form.
(Suggested points: 5, [6.6])
3. Based on the information provided, what is an appropriate overall success rating for this
employee? Why?
(Suggested points: 5, [6.3])
4. How often should this form be completed and why?
(Suggested points: 3, [6.4])
Performance Appraisal Form1
Employee Name: Position/Title: Department: Date:
Robert Jared Foreman Paint and Auto body 6/30/12
Performance Attribute
Supervisor
Comments
Score Employee
Comments
Score
Knowledge/Know-how:
Demonstrated knowledge or
technical skills required by
position. These may include
command of professional body of
knowledge; knowledge of
organizational structure, mission,
or goals.
Strong knowledge and
technical skill.
Instinctive knowledge
of how the company can
move forward in the
industry.
3
I’ve got 25 years
experience in paint
and body shop work.
I held this company
together over the past
year.
4
Communication Skills:
Demonstrated written, listening,
and interpersonal skills. These
may include diplomacy, conflict
resolution, or presentation skills.
Good verbal skills most
of the time. Occasional
difficulty in controlling
anger has exacerbated
existing problems.
Doesn’t always do
paperwork needed in
job.
1
Good enough for this
job. Frustrations
aren’t my fault. I do
my best.
2
Work Results:
Work is thorough, accurate,
completed on time and as
planned, and is considered a
quality job.
Excellent
4
Of course.
4
Work Style:
Demonstrated good work habits.
These may include being
dependable, consistent,
independent and self-starting, and
exhibiting flexible work behavior. Excellent
4
I’m always here
before my boss and
open to whatever he
suggests. I work
weekends and do
work for free. This
entire place is a lot
cleaner and more
organized since I got
here.
4
Service Orientation:
Demonstrated courteous,
responsive, respectful behavior
toward customers, staff, and
In general, Bob does a
good job managing
relationships with
customers and staff. As
1.5 I do the best I can in
difficult
circumstances.
3
1
Adapted from an appraisal form developed by Boston College, found at
http://www.bc.edu/bc_org/hvp/c/apprais.html Accessed May 4, 2005.
Employee Name: Position/Title: Department: Date:
Robert Jared Foreman Paint and Auto body 6/30/12
Performance Attribute
Supervisor
Comments
Score Employee
Comments
Score
others. noted above, he needs
help managing anger
issues.
Additional Performance
Attributes:
Supervision
Contribution to overall
motivation and
performance of staff is
very good.
3
I’ve trained Dave and
brought the mechanic
and engine repair
shop into being on
my own time.
4
Overall Success Rating
Very good
2.5
Top notch
5
This performance appraisal is meant to summarize and evaluate an individual’s overall
performance for the year. Five generic performance attributes and definitions are provided for all
employees. These attributes address an individual’s knowledge, competence, and skills as
applied to one’s work. Performance attributes may be added as needed in order to customize the
form to the individual’s position. Both the supervisor and the employee should provide an
overall performance success rating using the scale below.
4—Performance far exceeds position requirements and indicates job mastery
3—Performance consistently exceeds position requirements
2—Performance meets position requirements
1—Performance does not meet position requirements
Did the employee have a work plan? Yes N
No
o
Did this employee show progress on a work plan? Yes No
Did the employee have a developmental plan? Yes N
No
o
Did this employee show progress on a developmental plan? Yes No
Supervisor Comments: (Describe the employee’s total performance for the year and substantiate
the overall success rating.)
Bob has really helped the shop get into a competitive stance. Both his own performance and his supervision have
helped us get cars out on schedule and keep good employees. He works hard while he’s here and he encourages
the rest of the staff to put in a good day’s work for a good day’s pay. He volunteers his own time and ideas to
enhance the shop. He suggested working with a radio station to refinish a car that they could give away in
exchange for providing advertising for the shop. His enthusiasm led the employees to volunteer their time on the
project. Everything is more organized since he got here. On the other hand, he really does need to learn how
to manage his anger. It doesn’t happen very often (maybe four times all year), but it’s frightening to watch
him lose his temper. So far there has been no violence (which would be a firing offense), but I can understand
why one customer brought in a police officer when he came back to pay his bill after Bob got angry when the
customer called him a liar. Bob’s loud angry verbal response was totally inappropriate for a business setting.
Paperwork is another area of weakness: Bob does as little as he can get away with, which leads to poor
documentation in the customer files and problems with employee pay sheets. He complained to one owner about how
the other owner didn’t purchase parts on time. That owner asked in writing for a list of parts needed to monitor
their purchase and the list still has not appeared.
Supervisor’s Signature: Alfred E. Brown Date:June 28, 2012
Employee Comments: (Describe your total performance and the two-way communication with
your supervisor throughout the year.)
I never had a work plan and don’t know what a developmental plan is. Al hired me to get this
shop back on its feet and I’ve done that. For the first time, he’s taking money home and he
has me to thank for that. Sure, I get frustrated—who wouldn’t with customers who want us to
work for free and whine that the former owner promised them this and that. Of course, he
never did anything and now we’re stuck with his broken promises and no paperwork. I do my
best with the paperwork but I get busy on the jobs. You’ve got to decide whether you want paper
or cars to go out. Al and I talk every day—I give him notes about the parts I need. Then Mary
says she wants a list … tell her to ask Al! I don’t have time to please a boss who’s never in the
shop. I’ve got too much going on with doing free and redo work and helping our employees be
great employees. It’s nice to work here most of the time. I’ve always liked working on old cars
and we do great work. The money is starting to be ok and we’re getting better equipment. We
ought to get this place really turned around this next year.
Employee’s Signature: Bob Jared Date: June 28, 2012
Answers:
1. Most forms include a combination of the following: (a) basic employee information, (b)
accountabilities, objectives, and standards, (c) competencies and indicators, (d) major
achievements and contributions, (e) developmental achievements, (f) developmental
needs, plans, and goals, (g) stakeholder input, (h) employee comments, and (i) signatures.
Note, however, that one size does not fit all, and different components are appropriate
based on the purposes of the appraisal.
This appraisal is described in the case study as perhaps the first formal appraisal that Al
Brown has done with his employees. It may be a fiscal year end appraisal or a six month
appraisal. Although the employee’s name, position, and department are provided, there is
no further basic employee information. Some performance attributes appear to relate to
competencies (knowledge, communication skills); some appear to be performance
standards (results, style, service orientation). The supervisor and employee comments
highlight several major achievements and contributions. The supervisor notes some
developmental needs (anger management; more consistent paperwork completion) but
there is no plan or goal to deal with these needs. There is no stakeholder input. There are
employee comments and signatures.
2. The supervisor is usually in the best position to evaluate performance in light of the
organizational goals. As the owner, Al is certainly responsible for making decisions about
any rewards associated with performance evaluation. A disadvantage is that evaluations
can be biased; some supervisors may not be able to directly observe performance.
When the employee completes the form, advantages can include increased acceptance of
decisions and decreased defensiveness during the appraisal interview. The employee is in
a very good position to track his own activities during the review period. Disadvantages
may include rating distortions such as leniency with regard to his own behaviors as well
as other intentional and unintentional biases.
3. Al and Bob agree that Bob provides strong value to the company, although Al is aware
that Bob has, on occasion, jeopardized the company with his inability to control his
anger. Bob believes that he consistently exceeds the position requirements and some of
the descriptions of his performance indicate that he has been a very valuable asset to the
company. Al notes some weaknesses that indicate “consistency” is missing; in fact,
occasional performance does not meet minimum requirements. Al’s overall rating of 2.5
may be the most objective rating.
4. At a minimum, a formal appraisal should be conducted annually. However, it would be
better to conduct formal appraisals at least semi-annually, and quarterly would be the
best. This is a busy shop, and both Al and Bob are working as supervisors with many
other duties besides supervision. They cannot count on providing equally complete and
balanced feedback to each employee on an ongoing basis. Therefore, regular formal
meetings conducted with advance thought and preparation have a much better chance of
helping each employee do his best to help the company meet its goals.
Case Study: Our Civil Service
At the State Employment Service, a number of employment counselors were hired together
during a special recruiting effort 12 years ago in 2000. They formed a cohort, went through
training together, and received graduate hours in vocational counseling together.
About a year ago, Jane Midland, the first member of the cohort to get promoted, tested into a
supervisory position at one of the Job Service Centers. Two of the eleven employees who report
to her are members of the 2000 cohort. Barb Rick and George Malloy deeply respect her abilities
and have a strong affection for her. In fact, Barb Rick has spent time at Jane’s home watching
Discovering Diverse Content Through
Random Scribd Documents
With a Catalogue of the Books Exhibited. (pp. 60.)
Presented to the Sette by Bro. James Roberts Brown.
Edition limited to 255 copies.
14. A Short Sketch of Liturgical History and Literature.
Illustrated by Examples Manuscript and Printed. A Paper
read at a Meeting of the Sette of Odd Volumes by Bro.
Bernard Quaritch, Librarian and First President of the Sette,
at Willis’s Rooms, on Friday, June 10th, 1887. (pp. 86.)
Presented to the Sette by Bro. Bernard Quaritch.
15. Cornelius Walford: In Memoriam.
By his Kinsman, Edward Walford, M.A., Rhymer to the Sette
of Odd Volumes. Read before the Sette at Willis’s Rooms,
on Friday, October 21st, 1887. (pp. 60.) Presented to the
Sette by Bro. Edward Walford, M.A.
Edition limited to 255 copies.
16. The Sweating Sickness.
By Frederick H. Gervis, M.R.C.S., Apothecary to the Sette of
Odd Volumes, delivered at Willis’s Rooms, on Friday,
November 4th, 1887. (pp. 48.) Presented to the Sette by
Bro. Fred. H. Gervis.
Edition limited to 133 copies.
17. New Year’s Day in Japan.
By Bro. Charles Holme, Pilgrim of the Sette of Odd Volumes.
Read before the Sette at Willis’s Rooms on Friday, January
6th, 1888. (pp. 46.) Presented to the Sette by Bro. Charles
Holme.
Edition limited to 133 copies.
18. Ye Seconde Boke of Ye Odd Volumes,
from 1883 to 1888. Carefvlly Compiled and painsfvlly Edited
by ye vnworthy Historiographer to ye Sette, Bro. William
Mort Thompson, and produced by ye order and at ye charges
of ye Sette. (pp. 157.)
Edition limited to 115 copies.
19. Repeats and Plagiarisms in Art, 1888.
By Bro. James Orrock, R.I., Connoisseur to the Sette of Odd
Volumes. Read before the Sette at Willis’s Rooms, St.
James’s, on Friday, January 4th, 1889. (pp. 33.) Presented
to the Sette by Bro. James Orrock, R.I.
Edition limited to 133 copies.
20. How Dreams Come True.
A Dramatic Sketch by Bro. J. Todhunter, Bard of the Sette of
Odd Volumes. Performed at a Conversazione of the Sette at
the Grosvenor Gallery, on Thursday, July 17th, 1890. (pp.
46.) Presented to the Sette by His Oddship Bro. Charles
Holme.
Edition limited to 600 copies.
21. The Drama in England during the last Three
Centuries.
By Bro. Walter Hamilton, F.R.G.S., Parodist to the Sette of
Odd Volumes. Read before the Sette at Limmer’s Hotel, on
Wednesday, January 8th, 1890. (pp. 80.) Presented to the
Sette by Bro. Walter Hamilton.
Edition limited to 201 copies.
22. Gilbert, of Colchester.
By Bro. Silvanus P. Thompson, D.Sc., B.A., Magnetizer to the
Sette of Odd Volumes. Read before the Sette at Limmer’s
Hotel, on Friday, July 4th, 1890. (pp. 63.) Presented to the
Sette by Bro. Silvanus P. Thompson.
Edition limited to 249 copies.
23. Neglected Frescoes in Northern Italy.
By Bro. Douglas H. Gordon, Remembrancer to the Sette of
Odd Volumes. Read before the Sette at Limmer’s Hotel, on
Friday, December 6th, 1889. (pp. 48.) Presented to the
Sette by Bro. Douglas H. Gordon.
Edition limited to 133 copies.
24. Recollections of Robert-Houdin.
By Bro. William Manning, Seer to the Sette of Odd Volumes.
Delivered at a Meeting of the Sette held at Limmer’s Hotel,
on Friday, December 7th, 1890. (pp. 81.) Presented to the
Sette by Bro. William Manning.
Edition limited to 205 copies.
25. Scottish Witchcraft Trials.
By Bro. J. W. Brodie Innes, Master of the Rolls to the Sette of
Odd Volumes. Read before the Sette at a Meeting held at
Limmer’s Hotel, on Friday, November 7th, 1890. (pp. 66.)
Presented to the Sette by Bro. Alderman Tyler.
Edition limited to 245 copies.
26. Blue and White China.
By Bro. Alexander T. Hollingsworth, Artificer to the Sette of
Odd Volumes. Delivered at a Meeting of the Sette held at
Limmer’s Hotel, on Friday, February 6th, 1891. (pp. 70.)
Presented to the Sette by Bro. Alexander T. Hollingsworth.
Edition limited to 245 copies.
27. Reading a Poem.
A Forgotten Sketch by Wm. M. Thackeray. Communicated by
Bro. Chas. Plumptre Johnson, Clerke-atte-Lawe to the Sette of
Odd Volumes, to the Sette at Limmer’s Hotel, on Friday,
May 1st, 1891. (pp. xi and 66.) Presented to the Sette by
Bro. Chas. Plumptre Johnson.
Edition limited to 321 copies.
28. The Ballades of a Blasé Man,
to which are added some Rondeaux of his Rejuvenescence,
laboriously constructed by the Necromancer to the Sette of
Odd Volumes. (pp. 88.) Presented to the Sette by Bro.
Edward Heron-Allen, in October, 1891.
Edition limited to 99 copies.
29. Automata Old and New.
By Bro. Conrad W. Cooke, Mechanick to the Sette of Odd
Volumes. Read before the Sette at a Meeting held at
Limmer’s Hotel, on Friday, November 6th, 1891. (pp. 118.)
Presented to the Sette by Bro. Conrad W. Cooke.
Edition limited to 255 copies.
30. Ye Magick Mirrour of Old Japan.
By Bro. Silvanus P. Thompson, D.Sc., F.R.S., Magnetizer to the
Sette of Odd Volumes. Read before the Sette at Limmer’s
Hotel, on Friday, December 2nd, 1892. (pp. 96.)
Edition limited to 97 copies.
Year-Bokes.
I. The Year-Boke of the Odd Volumes: An Annual Record
of the Transactions of the Sette. Eleventh Year, 1888-9.
Written and compiled by Bro. W. Mort Thompson,
Historiographer to the Sette. Issued November 29th, 1890.
II. The Year-Boke of the Odd Volumes: An Annual
Record of the Transactions of the Sette. Twelfth Year,
1889-90.
III. The Year-Boke of the Odd Volumes: An Annual
Record of the Transactions of the Sette. Thirteenth Year,
1890-1.
Compiled mainly from the Minute Book of the Sette, and
imprynted for private circulation only.
Edition limited to 133 copies.
IV. The Year-Boke of the Odd Volumes, 1891-2.
In the Press.
FOLIA.
Originated by Brother Holme, Pilgrim, who presented each Brother with a
Special Portfolio.
. The Victualling Crew. Presented by Bro. Henry Moore, A.R.A.,
Ancient Mariner.
. Proud Maisie, from a drawing by Frederick Sandys. Presented by
Bro. Todhunter, Playwright.
. A Rainy Day in Hakone, Japan. Presented by Bro. Alfred East,
Landscape Painter.
. The Shelley Memorial. Photogravure from the original Statue.
Presented by E. Onslow Ford, A.R.A., Sculptor.
MISCELLANIES.
1. Inaugural Address
of His Oddship, W. M. Thompson, Fourth President of the
Sette of Odd Volumes, delivered at the Freemasons’ Tavern,
Great Queen Street, on his taking office on April 13th, &c.
(pp. 31.) Printed by order of Ye Sette, and issued on May
the 4th, 1883.
Edition limited to 250 copies.
2. Codex Chiromantiae.
Appendix A. Dactylomancy, or Finger-ring Magic, Ancient,
Mediæval, and Modern. (pp. 34.) Presented on October the
12th, 1883, by Bro. Ed. Heron-Allen.
Edition limited to 133 copies.
3. A President’s Persiflage.
Spoken by His Oddship W. M. Thompson, Fourth President of
the Sette of Odd Volumes, at the Freemasons’ Tavern,
Great Queen Street, at the Fifty-eighth Meeting of the
Sette, on December 7th, 1883. (pp. 15.)
Edition limited to 250 copies.
4. Inaugural Address
of His Oddship Edward F. Wyman, Fifth President of the Sette
of Odd Volumes, delivered at the Freemasons’ Tavern,
Great Queen Street, on his taking office, on April 4th, 1884,
&c. (pp. 56.) Presented to the Sette by His Oddship Edward
F. Wyman.
Edition limited to 133 copies.
5. Musical London a Century Ago.
Compiled from the Raw Material, by Brother Burnham W.
Horner, F.R.S.L., F.R. Hist. S., Organist of the Sette of Odd
Volumes, delivered at the Freemasons’ Tavern, Great Queen
Street, on June 6th, 1884. (pp. 32.) Presented to the Sette
by His Oddship Edward F. Wyman.
Edition limited to 133 copies.
6. The Unfinished Renaissance;
Or, Fifty Years of English Art. By Bro. George C. Haité,
Author of “Plant Studies,” &c. Delivered at the Freemasons’
Tavern, Friday, July 11th, 1884. (pp. 40.) Presented to the
Sette by His Oddship Edward F. Wyman.
Edition limited to 133 copies.
7. The Pre-Shakespearian Drama.
By Bro. Frank Ireson. Delivered at the Freemasons’ Tavern,
Friday, January 2nd, 1885. (pp. 34.) Presented to the Sette
by His Oddship Edward F. Wyman.
Edition limited to 133 copies.
8. Inaugural Address
of His Oddship, Brother James Roberts Brown, Sixth President
of the Sette of Odd Volumes, delivered at the Freemasons’
Tavern, Great Queen Street, on his taking office, on April
17th, 1885, &c. (pp. 56.) Presented to the Sette by His
Oddship James Roberts Brown.
Edition limited to 133 copies.
9. Catalogue of Works of Art
Exhibited at the Freemasons’ Tavern, Great Queen Street,
on Friday, July 11th, 1884. Lent by Members of the Sette of
Odd Volumes. Presented to the Sette by His Oddship
Edward F. Wyman.
Edition limited to 255 copies.
10. Catalogue of Manuscripts and Early-Printed Books
Exhibited and Described by Bro. B. Quaritch, the Librarian of
the Sette of Odd Volumes, at the Freemasons’ Tavern,
Great Queen Street, June 5th, 1885. Presented to the Sette
by His Oddship James Roberts Brown.
Edition limited to 255 copies.
11. Catalogue of Old Organ Music
Exhibited by Bro. Burnham W. Horner, F.R.S.L., F.R.Hist.S.,
Organist of the Sette of Odd Volumes, at the Freemasons’
Tavern, Great Queen Street, on Friday, February 5th, 1886.
Presented to the Sette by His Oddship James Roberts Brown.
Edition limited to 133 copies.
12. Inaugural Address
of His Oddship Bro. George Clulow, Seventh President of the
Sette of Odd Volumes, delivered at the Freemasons’ Tavern,
Great Queen Street, on his taking office, on April 2nd,
1886, &c. (pp. 64.) Presented to the Sette by His Oddship
George Clulow.
Edition limited to 133 copies.
13. A Few Notes about Arabs.
By Bro. Charles Holme, Pilgrim of the Sette of Odd Volumes.
Read at a Meeting of the “Sette” at Willis’s Rooms, on
Friday, May 7th, 1886. (pp. 46.) Presented to the Sette of
Odd Volumes by Bro. Chas. Holme.
Edition limited to 133 copies.
14. Account of the Great Learned Societies and
Associations, and of the Chief Printing Clubs of Great
Britain and Ireland
Delivered by Bro. Bernard Quaritch, Librarian of the Sette of
Odd Volumes, at Willis’s Rooms on Tuesday, June 8th,
1886. (pp. 66.) Presented to the Sette by His Oddship
George Clulow.
Edition limited to 255 copies.
15. Report of a Conversazione
Given at Willis’s Rooms, King Street, St. James’s, on
Tuesday, June 8th, 1886, by his Oddship Bro. George
Clulow, President; with a summary of an Address on
“Learned Societies and Printing Clubs,” then delivered by Bro.
Bernard Quaritch, Librarian. By Bro. W. M. Thompson,
Historiographer. Presented to the Sette by His Oddship
George Clulow.
Edition limited to 255 copies.
16. Codex Chiromantiae.
Appendix B.—A Discourse concerning Autographs and their
Significations. Spoken in valediction at Willis’s Rooms, on
October the 8th, 1886, by Bro. Edward Heron-Allen. (pp. 45.)
Presented to the Sette by His Oddship George Clulow.
Edition limited to 133 copies.
17. Inaugural Address
of His Oddship Alfred J. Davies, Eighth President of the Sette
of Odd Volumes, delivered at Willis’s Rooms, on his taking
office on April 4th, 1887. (pp. 64.) Presented to the Sette
by His Oddship Alfred J. Davies.
Edition limited to 133 copies.
18. Inaugural Address
of His Oddship Bro. T. C. Venables, Ninth President of the
Sette of Odd Volumes, delivered at Willis’s Rooms, on his
taking office on April 6th, 1888. (pp. 54.) Presented to the
Sette by His Oddship T. C. Venables.
Edition limited to 133 copies.
19. Ye Papyrus Roll-Scroll of Ye Sette of Odd Volumes.
By Bro. J. Brodie-Innes, Master of the Rolls to the Sette of
Odd Volumes, delivered at Willis’s Rooms, May 4th, 1888.
(pp. 39.) Presented to the Sette by His Oddship T. C.
Venables.
Edition limited to 133 copies.
20. Inaugural Address
of His Oddship Bro. H. J. Gordon Ross, Tenth President of
the Sette of Odd Volumes, delivered at Willis’s Rooms, King
Street, St. James’s Square, on his taking office, April 5th,
1889.
Edition limited to 255 copies.
WORKS DEDICATED TO THE SETTE.
The Ancestry of the Violin.
London, 1882. Edward Heron-Allen.
An Odd Volume for Smokers.
London, 1889. Walter Hamilton.
The Blue Friars.
London, 1889. W. H. K. Wright.
Quatrains.
London, 1892. W. Wilsey Martin.
Ye Sette of Odd Volumes.
Original
Member.
1878. Bernard Quaritch, Librarian, 15, Piccadilly, W.
(President, 1878, 1879, and 1882).
Original
Member.
1878. Edward Renton, Herald (Vice-President, 1880;
Secretary, 1882).
Original
Member.
1878. W. Mort Thompson, Historiographer, 16, Carlyle
Square, Chelsea, S.W. (Vice-President, 1882;
President, 1883).
Original
Member.
1878. Charles W. H. Wyman, Typographer, 103, King Henry’s
Road, Primrose Hill, N.W. (Vice-President, 1878 and
1879; President, 1880).
Original
Member.
1878. Edward F. Wyman, Treasurer, Nirvâna, Bellaggio, East
Grinstead (Secretary, 1878 and 1879; President,
1884).
Original
Member.
1878. Alfred J. Davies, Attorney-General, Fairlight, Uxbridge
Road, Ealing, W. (Vice-President, 1881; Secretary,
1884; President, 1887).
1878. G. R. Tyler, Alderman of the City of London,
Stationer, 17, Penywern Road, South Kensington, W.
(Vice-President, 1886).
1879. T. C. Venables, Antiquary, 9, Marlborough Place, N.W.
(President, 1888).
1879. James Roberts Brown, F.R.G.S., Alchymist, 44,
Tregunter Road, South Kensington, S.W. (Secretary,
1880; Vice-President, 1883; President, 1885).
1880. Burnham W. Horner, Organist, 29, Redcliffe Gardens,
South Kensington (Vice-President, 1889).
1882. William Murrell, M.D., Leech (President), 17, Welbeck
Street, Cavendish Square, W. (Secretary, 1883; Vice-
President, 1885).
1883. Henry George Liley, Art Director, Radnor House,
Radnor Place, Hyde Park, W.
1883. George Charles Haité, F.L.S., and R.B.A., Art Critic,
Ormsby Lodge, The Avenue, Bedford Park, W. (Vice-
President, 1887; President, 1891).
1883. Edward Heron-Allen, Necromancer (Vice-President), 3,
Northwick Terrace, N.W. (Secretary, 1885).
1884. Wilfrid Ball, R. P. E., Painter-Etcher, 4, Albemarle
Street, W. (Master of Ceremonies, 1890; Vice-
President, 1891).
1884. Daniel W. Kettle, F.R.G.S., Cosmographer, Hayes
Common, near Beckenham, Kent (Secretary, 1886).
1884. Charles Welsh, Chapman, The Poplars, Forest Lane,
Walthamstow (Vice-President, 1888).
1886. Charles Holme, F.L.S., Pilgrim, The Red House, Bexley
Heath, Kent (Secretary, 1887; President, 1890).
1886. Fredk. H. Gervis, M.R.C.S., Apothecary, 1, Fellows
Road, Haverstock Hill, N.W.
1887. John W. Brodie-Innes, Master of the Rolls, 15, Royal
Circus, Edinburgh (Secretary, 1888).
1887. Henry Moore, A.R.A., Ancient Mariner, Collingham,
Maresfield Gardens, N.W.
Supplemental Odd Volumes.
887. James Orrock, R.I., Connoisseur, 48, Bedford Square, W.C.
888. Alfred East, R.I., Landscape Painter, 4, Grove End Road, St.
John’s Wood.
888. Walter Hamilton, F.R.G.S., Parodist, Keeper of the Archives,
Ellarbee, Elms Road, Clapham Common, S.W.
888. Douglas H. Gordon, Remembrancer (Master of Ceremonies), 41,
Tedworth Square, S.W. (Secretary, 1889).
888. Alexander T. Hollingsworth, Artificer, 172, Sutherland Avenue,
Maida Vale, W. (Vice-President, 1890).
888. John Lane, Bibliographer, 37, Southwick Street, Hyde Park, W.
(Odd Councillor, 1891; Secretary, 1890; Master of Ceremonies,
1891).
888. John Todhunter, M.D., Playwright (Secretary), Orchard Croft, The
Orchard, Bedford Park, W.
889. Francis Elgar, LL.D., Shipwright, 113, Cannon Street, E.C.
889. William Manning, F.R.M.S., Seer, 21, Redcliffe Gardens, S.W.
(Secretary, 1891; Odd Councillor, 1892).
890. Silvanus P. Thompson, D.Sc., F.R.S., Magnetizer, Morland, Chislett
Road, N.W.
890. Conrad W. Cooke, M.I.E.E., Mechanick, The Lindens, Larkhall
Rise, S.W.
890. E. Onslow Ford, A.R.A., Sculptor, 62, Acacia Road, N.W.
891. Charles Plumptre Johnson, Clerke at Law, 8, Savile Row, W.
891. Frederic Villiers, War Correspondent, Mashrabeyah, 65,
Chancery Lane, W.C.
891. Marcus B. Huish, LL.B., Arts-man, 21, Essex Villas, Phillimore
Gardens, W.
892. W. Wilsey Martin, F.R.G.S., Laureate, 15, Delamere Terrace, W.
892. Herbert Ward, Vagabond, Shepherd Hill House, Harefield,
Middlesex.
892. Frederic York Powell, Ignoramus, The Comer, Priory Road,
Bedford Park, W.
892. Ernest Clarke, Yeoman, 10, Addison Road, Bedford Park, W.
892. Paul Bevan, Ready Reckoner (Auditor), 46, Queen’s Gate Terrace,
S.W.
At the Chilwick Press
C. WHITTINGHAM AND CO., TOOKS COURT,
CHANCERY LANE.
FOOTNOTE:
[1] For some analyses of the metal see Appendix IV.
TRANSCRIBER’S NOTES:
Obvious typographical errors have been corrected.
Inconsistencies in hyphenation have been standardized.
Archaic or alternate spelling which may have been in use at the time of publication has
been retained.
Reader may hover the mouse over Greek text for transliteration.
*** END OF THE PROJECT GUTENBERG EBOOK YE MAGICK
MIRROUR OF OLD JAPAN ***
Updated editions will replace the previous one—the old editions
will be renamed.
Creating the works from print editions not protected by U.S.
copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the
free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.
Section 1. General Terms of Use and
Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only
be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project
Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is
posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project
Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute
this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or
providing access to or distributing Project Gutenberg™
electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”
• You provide a full refund of any money paid by a user who
notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend
considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except
for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set
forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the
Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.
Section 2. Information about the Mission
of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.
Section 3. Information about the Project
Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.
The Foundation’s business office is located at 809 North 1500
West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws
regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states
where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot
make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.
Please check the Project Gutenberg web pages for current
donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.
Section 5. General Information About
Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.
Project Gutenberg™ eBooks are often created from several
printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
Welcome to our website – the perfect destination for book lovers and
knowledge seekers. We believe that every book holds a new world,
offering opportunities for learning, discovery, and personal growth.
That’s why we are dedicated to bringing you a diverse collection of
books, ranging from classic literature and specialized publications to
self-development guides and children's books.
More than just a book-buying platform, we strive to be a bridge
connecting you with timeless cultural and intellectual values. With an
elegant, user-friendly interface and a smart search system, you can
quickly find the books that best suit your interests. Additionally,
our special promotions and home delivery services help you save time
and fully enjoy the joy of reading.
Join us on a journey of knowledge exploration, passion nurturing, and
personal growth every day!
testbankdeal.com

More Related Content

PDF
Performance Management 3rd Edition Aguinis Solutions Manual
PDF
Complete Answer Guide for Performance Management 3rd Edition Aguinis Solution...
PDF
Performance Management 3rd Edition Aguinis Solutions Manual
PDF
Performance Management 3rd Edition Aguinis Solutions Manual
PDF
Performance Management 3rd Edition Aguinis Solutions Manual
PDF
[PDF Download] Performance Management 3rd Edition Aguinis Solutions Manual fu...
PDF
Performance Management 3rd Edition Aguinis Solutions Manual
DOC
Performance Management - Herman Augnis
Performance Management 3rd Edition Aguinis Solutions Manual
Complete Answer Guide for Performance Management 3rd Edition Aguinis Solution...
Performance Management 3rd Edition Aguinis Solutions Manual
Performance Management 3rd Edition Aguinis Solutions Manual
Performance Management 3rd Edition Aguinis Solutions Manual
[PDF Download] Performance Management 3rd Edition Aguinis Solutions Manual fu...
Performance Management 3rd Edition Aguinis Solutions Manual
Performance Management - Herman Augnis

Similar to Performance Management 3rd Edition Aguinis Solutions Manual (20)

PPT
Exercise III PerformanceS AppraisalS.ppt
PPT
360 degree final ppt
PPT
360 performance appraisal
DOCX
Sample completed performance appraisal
PPT
08 performanceappraisals
DOCX
Completed performance appraisal samples
PPT
08 performanceappraisals (1)
PPT
Performance Appraisals
PPT
HRM complete Course
PPT
08 performanceappraisals
PDF
Analysing Prioritisation Communication Day Six
PPTX
360 degree-feedback
PDF
Human Resource Management 9th Edition Stone Solutions Manual
PPTX
Performance management
PDF
Human Resource Management Essential Perspectives 7th Edition Mathis Solutions...
PDF
Human Resource Management 9th Edition Stone Solutions Manual
DOCX
Performance appraisal mistakes
PDF
Human Resource Management 9th Edition Stone Solutions Manual
PPTX
Gathering performance information
DOCX
Objectives performance appraisal
Exercise III PerformanceS AppraisalS.ppt
360 degree final ppt
360 performance appraisal
Sample completed performance appraisal
08 performanceappraisals
Completed performance appraisal samples
08 performanceappraisals (1)
Performance Appraisals
HRM complete Course
08 performanceappraisals
Analysing Prioritisation Communication Day Six
360 degree-feedback
Human Resource Management 9th Edition Stone Solutions Manual
Performance management
Human Resource Management Essential Perspectives 7th Edition Mathis Solutions...
Human Resource Management 9th Edition Stone Solutions Manual
Performance appraisal mistakes
Human Resource Management 9th Edition Stone Solutions Manual
Gathering performance information
Objectives performance appraisal
Ad

Recently uploaded (20)

PPTX
202450812 BayCHI UCSC-SV 20250812 v17.pptx
PPTX
Lesson notes of climatology university.
PDF
A GUIDE TO GENETICS FOR UNDERGRADUATE MEDICAL STUDENTS
PPTX
PPT- ENG7_QUARTER1_LESSON1_WEEK1. IMAGERY -DESCRIPTIONS pptx.pptx
PDF
What if we spent less time fighting change, and more time building what’s rig...
PDF
The Lost Whites of Pakistan by Jahanzaib Mughal.pdf
PDF
Module 4: Burden of Disease Tutorial Slides S2 2025
PDF
Paper A Mock Exam 9_ Attempt review.pdf.
PPTX
History, Philosophy and sociology of education (1).pptx
PPTX
1st Inaugural Professorial Lecture held on 19th February 2020 (Governance and...
PPTX
Introduction-to-Literarature-and-Literary-Studies-week-Prelim-coverage.pptx
PDF
Supply Chain Operations Speaking Notes -ICLT Program
PDF
Black Hat USA 2025 - Micro ICS Summit - ICS/OT Threat Landscape
PDF
Trump Administration's workforce development strategy
PDF
2.FourierTransform-ShortQuestionswithAnswers.pdf
DOC
Soft-furnishing-By-Architect-A.F.M.Mohiuddin-Akhand.doc
PPTX
school management -TNTEU- B.Ed., Semester II Unit 1.pptx
PDF
Computing-Curriculum for Schools in Ghana
PDF
Chapter 2 Heredity, Prenatal Development, and Birth.pdf
PDF
OBE - B.A.(HON'S) IN INTERIOR ARCHITECTURE -Ar.MOHIUDDIN.pdf
202450812 BayCHI UCSC-SV 20250812 v17.pptx
Lesson notes of climatology university.
A GUIDE TO GENETICS FOR UNDERGRADUATE MEDICAL STUDENTS
PPT- ENG7_QUARTER1_LESSON1_WEEK1. IMAGERY -DESCRIPTIONS pptx.pptx
What if we spent less time fighting change, and more time building what’s rig...
The Lost Whites of Pakistan by Jahanzaib Mughal.pdf
Module 4: Burden of Disease Tutorial Slides S2 2025
Paper A Mock Exam 9_ Attempt review.pdf.
History, Philosophy and sociology of education (1).pptx
1st Inaugural Professorial Lecture held on 19th February 2020 (Governance and...
Introduction-to-Literarature-and-Literary-Studies-week-Prelim-coverage.pptx
Supply Chain Operations Speaking Notes -ICLT Program
Black Hat USA 2025 - Micro ICS Summit - ICS/OT Threat Landscape
Trump Administration's workforce development strategy
2.FourierTransform-ShortQuestionswithAnswers.pdf
Soft-furnishing-By-Architect-A.F.M.Mohiuddin-Akhand.doc
school management -TNTEU- B.Ed., Semester II Unit 1.pptx
Computing-Curriculum for Schools in Ghana
Chapter 2 Heredity, Prenatal Development, and Birth.pdf
OBE - B.A.(HON'S) IN INTERIOR ARCHITECTURE -Ar.MOHIUDDIN.pdf
Ad

Performance Management 3rd Edition Aguinis Solutions Manual

  • 1. Performance Management 3rd Edition Aguinis Solutions Manual download pdf https://testbankdeal.com/product/performance-management-3rd-edition- aguinis-solutions-manual/ Visit testbankdeal.com to explore and download the complete collection of test banks or solution manuals!
  • 2. Here are some recommended products for you. Click the link to download, or explore more at testbankdeal.com Performance Management 3rd Edition Aguinis Test Bank https://testbankdeal.com/product/performance-management-3rd-edition- aguinis-test-bank/ Cost Management Measuring Monitoring and Motivating Performance Canadian 2nd Edition Eldenburg Solutions Manual https://testbankdeal.com/product/cost-management-measuring-monitoring- and-motivating-performance-canadian-2nd-edition-eldenburg-solutions- manual/ Management Accounting Strategic Decision Making Performance and Risk 2nd Edition Hunt Solutions Manual https://testbankdeal.com/product/management-accounting-strategic- decision-making-performance-and-risk-2nd-edition-hunt-solutions- manual/ Zoology 10th Edition Miller Solutions Manual https://testbankdeal.com/product/zoology-10th-edition-miller- solutions-manual/
  • 3. Financial and Managerial Accounting 14th Edition Warren Test Bank https://testbankdeal.com/product/financial-and-managerial- accounting-14th-edition-warren-test-bank/ Psychology of Success Finding Meaning in Work and Life 6th Edition Denis Waitley Test Bank https://testbankdeal.com/product/psychology-of-success-finding- meaning-in-work-and-life-6th-edition-denis-waitley-test-bank/ Molecular Thermodynamics Of Fluid Phase Equilibria 3rd Edition Prausnitz Solutions Manual https://testbankdeal.com/product/molecular-thermodynamics-of-fluid- phase-equilibria-3rd-edition-prausnitz-solutions-manual/ Managerial Accounting Tools for Business Decision Making 7th Edition Weygandt Solutions Manual https://testbankdeal.com/product/managerial-accounting-tools-for- business-decision-making-7th-edition-weygandt-solutions-manual/ Making the Team A Guide for Managers 6th Edition Thompson Solutions Manual https://testbankdeal.com/product/making-the-team-a-guide-for- managers-6th-edition-thompson-solutions-manual/
  • 4. Anatomy and Physiology 6th Edition Gunstream Test Bank https://testbankdeal.com/product/anatomy-and-physiology-6th-edition- gunstream-test-bank/
  • 5. Chapter 6—Gathering Performance Information Learning Objectives 6.1 Understand why each of several basic components is included in the appraisal form. 6.2 Design effective appraisal forms. 6.3 Compute an overall employee performance score based on information found on the appraisal form. 6.4 Select an appropriate time period to document performance as part of a performance review. 6.5 Determine how many formal meetings are needed between the subordinate and the supervisor to discuss performance issues. 6.6 Understand advantages and disadvantages of using supervisors, peers, subordinates, self, and customers as sources of performance information. 6.7 Know how to deal with potential disagreements involved with different sources evaluating the performance of the same employee. 6.8 Understand the psychological mechanisms leading to the inflation and deflation of performance ratings. 6.9 Understand that the implementation of training programs can address intentional and unintentional rating distortion.
  • 6. Chapter Outline Gathering Performance Information Overview 1. Appraisal Forms 2. Characteristics of Appraisal Forms 3. Determining Overall Rating 4. Appraisal Period and Number of Meetings 5. Who Should Provide Performance Information 6. A Model of Rater Motivation 7. Preventing Rating Distortion Through Rater Training Programs 1. Appraisal Forms • Major Components of Appraisal Forms (1) o Basic employee information o Accountabilities, objectives, and standards o Competencies and indicators o Major achievements and contributions o Stakeholder input o Employee comments o Signatures • Major Components of Appraisal Forms (2) (These could be included in a separate form) o Developmental achievements o Developmental • Needs • Plans • Goals  Why do some companies such as Sun Microsystems separate these components into two separate forms?  Consider the forms in Figures 6.1 and 6.2. How complete are they? What components might be missing? 2. Characteristics of Appraisal Forms • Desirable Features of All Appraisal Forms o Simplicity o Relevancy
  • 7. o Descriptiveness o Adaptability o Comprehensiveness o Definitional clarity o Communication o Time orientation  Consider the forms in Figures 6.1 and 6.2. How do they measure up? 3. Determining Overall Rating • Judgmental strategy o Consider every aspect of performance o Arrive at defensible summary • Mechanical strategy o Consider scores assigned to each section o Add weighted scores to obtain overall score  Consider the form in Figure 6.3. Which kind of rating strategy would an employee prefer? Why? Which would the supervisor prefer? Why? • Comments section o Challenges • Difficult to systematically categorize and analyze • Quality, length, and content vary o Tools to overcome challenges • Computer-aided text analysis (CATA) software • Establish goals of the information provided • Training in systematic and standardized rating skills 4. Appraisal Period and Number of Meetings • Appraisal period o Meetings ▪ Annual • May not provide sufficient opportunity for supervisor/employee discussion ▪ Semi-annual  What is the benefit to Hamilton Standard Commercial Aircraft in performing semi-annual reviews? ▪ Quarterly  Why does Synygy, Inc. perform quarterly reviews? • Review to be completed o Anniversary date
  • 8. ▪ The supervisor does not have to fill out forms at the same time ▪ Cannot tie rewards to fiscal year o Fiscal year ▪ Rewards tied to fiscal year ▪ Goals tied to corporate goals ▪ May be a burden to the supervisor, depending on the implementation • Six Types of Formal Meetings (can be combined) o System inauguration o Self-appraisal o Classical performance review o Merit/salary review o Development plan o Objective setting  How does Johnsonville Foods handle these meetings?  How might a Web-based system such as the one at Central Florida Healthcare Federal Credit Union be used to enhance the usefulness of these meetings? 5. Who Should Provide Performance Information? Employees should be involved in selecting • Which sources evaluate • Which performance dimensions When employees are actively involved • Higher acceptance of results • Perception that the system is fair Firsthand knowledge of employee performance • Supervisors • Peers • Subordinates • Self • Customers o Supervisors • Advantages ▪ Best position to evaluate performance vs. strategic goals ▪ Make decisions about rewards ▪ Able to differentiate among performance dimensions ▪ Viewed as the exclusive source in some cultural contexts
  • 9. • Disadvantages ▪ Supervisor may not be able to directly observe performance ▪ Evaluations may be biased o Peers • Advantages ▪ Assess teamwork • Disadvantages ▪ Possible friendship bias ▪ May be less discriminating ▪ Context effects o Subordinates • Advantages ▪ Accurate when used for developmental purposes ▪ Good position to assess some competencies • Disadvantages ▪ Inflated when used for administrative purposes ▪ May fear retaliation (confidentiality is key)  How is “Tell Dell” used to improve the computer giant? o Self • Advantages ▪ Increased acceptance of decisions ▪ Decreased defensiveness during an appraisal interview ▪ Good position to track activities during review period • Disadvantages ▪ May be more lenient and biased • Suggestions to improve the quality of self-appraisals ▪ Use comparative as opposed to absolute measurement systems ▪ Allow employees to practice their self-rating skills ▪ Assure confidentiality o Emphasize the futureCustomers (external and internal) • Advantages ▪ Employees become more focused on meeting customer expectations • Disadvantages ▪ Time ▪ Money  What advantages could override the disadvantages of using customer evaluations?
  • 10. Disagreement Across Sources • Expect disagreements • Ensure employee receives feedback by the sources • Assign differential weights to scores by source, depending on importance • Ensure that employees take active roles in selecting which sources will rate which dimensions 6. A Model of Rater Motivation (see the textbook for model) • Types of Rating Errors o Intentional errors • Rating inflation • Rating deflation o Unintentional errors • Due to complexity of tasks • Motivations for Rating Inflation o Maximize merit raise/rewards o Encourage employees o Avoid creating written records o Avoid confrontation with employees o Promote undesired employees out of the unit o Make the manager look good to his/her supervisor • Motivations for Rating Deflation o Shock employees o Teach a rebellious employee a lesson o Send a message to employee that he/she should consider leaving o Build a strongly documented and written record of poor performance • Recommendations for reducing intentional rating distortion o Have raters justify their ratings o Have raters justify their ratings in a face-to-face meeting 7. Preventing Rating Distortion Through Rater Training Programs Rater training programs should cover: • Information—how the system works o Reasons for implementing the performance management system o Information on the appraisal form and system mechanics • Motivation—what’s in it for me? o Benefits of providing accurate ratings o Tools for providing accurate ratings
  • 11. • Identifying, observing, recording, and evaluating performance o How to identify and rank job activities o How to observe, record, and measure performance o How to minimize rating errors • How to interact with employees when they receive performance information o How to conduct an appraisal interview o How to train, counsel, and coach What aspects of a good rater training program are covered in the City of Aurora, CO training program? How could the program be improved? Gathering Performance Information: Summary • Appraisal Forms • Characteristics of Appraisal Forms • Determining Overall Rating • Appraisal Period and Number of Meetings • Who Should Provide Performance Information? • A Model of Rater Motivation • Preventing Rating Distortion Through Rater Training Programs Review Learning Objectives Worked Solutions for End-of-Chapter Cases Case Study 6.1: Evaluating an Appraisal Form Used in Higher Education Major Components of Appraisal Forms Comments X Basic Employee Information No changes are needed because more than a sufficient amount of information is included. Accountabilities, Objectives, and Standards These need to be linked to the department and organizational mission. If they do not do this, the employees may not realize how their contribution fits into the organization as a whole. To accomplish this linkage, the form should at least provide a brief outline of the goals of the organization or department. X Competencies and Indicators No changes are needed. There are ten essential core competencies (each includes specific descriptions) and room for additional essential competencies are provided for rating. Further, set indicators are provided along with clear guidelines that guide the evaluator in making evaluations that are uniform across employees.
  • 12. Major Components of Appraisal Forms Comments Major Achievements and Contributions Employees like to be recognized for their hard work, so having a section that reminds the manager to focus on the positives would be helpful. This is included in the evaluation form to the extent that the employee is evaluated on whether or not last period’s goals were met. It would be beneficial to also include an area where the evaluator could include other major achievements or contributions other than met goals. Developmental Achievements This section is not present. In the absence of this section, the negative consequence is that the rated employees may feel that their efforts to improve their skills are going unnoticed. This may lead to reduced motivation. X Developmental Needs, Plans, and Goals Presen` X Stakeholder Input A section for supervisor’s comments is attached. However, nothing comparable exists in the form for other stakeholders (e.g., peers, customers). X Employee Comments There is no are available for the employee. Without this the employee does not have the opportunity to participate in the evaluation process, which may cause the employee to perceive that the evaluation system is not fair, X Approvals Present and no changes are needed. (Suggested points: 5, [6.1]) Case Study 6.2: Judgmental and Mechanical Methods of Assigning Overall Performance Score at The Daily Planet There are several ways to compute the overall score using the judgmental method based on the relative importance that raters give to each of the performance dimensions rated. But, assuming a rater gives the same weight to each of the dimensions, the overall score would be: (2 + 4 + 5 + 2)/4 = 4.25. Using the assigned weights, the overall performance score is 2(.25) + 4(.40) + 5(.15) + 2(.20) = 3.25. Therefore, using a mechanical method resulted in a score that is 1 point higher than using a judgmental method. This is a very large difference considering that scores can range from 0 to 5. As shown by the difference in scores, there is a large difference in the two ratings. This could have implications for how bonuses are allocated, promotions are rewarded, and goals are set. Using the judgmental method, the overall score was much lower; this means that the organization possibly had to pay less bonuses. However, the impact on the individual could be
  • 13. detrimental to his/her career if that person is being passed over for promotions or is setting goals that are too easy to achieve. This could affect the supervisor who might begin to set inappropriate goals for the employee. (Suggested points: 5, [6.3]) Case Study 6.3: Minimizing Intentional and Unintentional Rating Errors Note: “IE” and “UE” stand for intentional errors and unintentional errors, respectively. IE UE Content Area Comments X Reasons for implementing the performance management system. This includes an overview of the entire system, its purpose, and benefits for all employees. This type of information will help raters realize that their ratings are taken seriously so that they should take them seriously. This includes explaining what the ratings can be used for and the importance of the accuracy of the ratings. Thus, it should enhance raters’ motivation to provide accurate ratings. However, this type of information would not necessarily diminish unintentional errors. X How to identify and rank job activities. This includes information on how to conduct a job analysis and understand the most important accountabilities and competencies. This mainly helps prevent unintentional errors. Raters gain a better understanding of the important job activities and are therefore more likely to evaluate behaviors and results correctly. X How to observe, record, and measure performance. This may include observational skills such as how to observe the behaviors that really matter and not be distracted by behaviors unrelated to the performance dimensions being measured. It also includes skills needed to fill out the appraisal form. This will help avoid unintentional errors because it teaches one to record performance— a habit that can decrease many of the cognitive processing errors often present. X X Information on the appraisal form and system mechanics. This includes a detailed description of the content of the appraisal form and what each section is intended to measure. It also includes information on a number of This type of information is likely to decrease both types of errors. First, intentional errors are likely to be decreased because the manager will become more comfortable with the process. Second, it can also help decrease unintentional errors because managers will gain a better understanding of the different levels of performance.
  • 14. IE UE Content Area Comments meetings and the expectations regarding each participant. X How to minimize rating errors. This includes steps that can be taken to minimize unintentional errors due to the cognitive demands associated with the observation and evaluation of performance. This targets unintentional errors and should help minimize them. X X How to conduct an appraisal interview. This includes listening skills, communication skills, and how to provide feedback during the appraisal interview. It also includes skills on how to help the employee create a developmental plan. This addresses both types of errors. First, it addresses intentional errors because the manager has good skills regarding how to manage the process. Second, it helps managers verbalize the reasons for the rating they provided, thereby helping ratings be more accurate, because it is difficult to justify inaccurate ratings. X How to train, counsel, and coach. This includes skills that the supervisor needs to help employees improve their performance on an ongoing basis. This mainly addresses intentional errors because it gives managers skills on how to manage the process well and can decrease the motivation to introduce politics into the process. (Suggested points: 5, [6.1]) Case Study 6.4: Minimizing Biases in Performance Evaluation at Expert Engineering, Inc. 1. It is possible that Demetri may intentionally inflate the ratings he gives to his fellow alumni because he doesn’t want to confront them about areas where performance improvement is necessary. He may worry that giving an accurate rating could jeopardize his relationship with the “gang” whom he likes and wishes to continue to be part of. At the same time, he may unintentionally distort the ratings that he gives to various employees, because he, as a principal, is responsible for supervision of many engineers. It is very difficult to remember all of the behavior and results of one’s own performance, let alone such information about many different people. Observing information about performance, storing this information in memory, and then recalling it when it’s time to fill out the appraisal form is a complex cognitive task that could lead to unintentional distortions of ratings. (Suggested points: 5, [6.8])
  • 15. 2. Different kinds of training could assist Demetri in providing more objective appraisals, although none of the programs can guarantee perfect results. Appraisals are inherently subjective. The training program should provide basic information on the appraisal form and how the system works. In addition, the benefits of accurate appraisals (“what’s in it for me?”) and tools for providing such ratings should be provided. Demetri will need training in the following areas: o How to identify and rank job activities o How to observe, record, and measure performance o How to minimize rating errors Finally, he will need assistance in how to interact with the engineers he supervises, particularly when they receive performance information. Demetri needs to learn how to conduct an appraisal interview and how to train, counsel, and coach. Training should help him provide the supervision and performance appraisal that all of his employees need, including the members of his alma mater. (Suggested points: 5, [6.9]) Additional Cases and Worked Solutions Case Study: CRB, Inc. The following performance appraisal form was adopted by CRB, Inc., a small car restoration business. It was filled out by Al Brown, the owner of CRB, Inc., because he has been told he should give all of his employees an appraisal of their performance. This particular form was given to the foreman, Robert (Bob) Jared, to complete the employee comments; Al then filled in the supervisor comments sections. As you review the performance appraisal form, please respond to the following questions: 1. Provide a detailed evaluation of the form. What components are necessary? What is missing and what should be added? Is anything optional? Provide a brief explanation of your responses. (Suggested points: 10, .7[6.1], .3[6.2]) 2. Assess the advantages and disadvantages of having the supervisor and the subordinate complete this form. (Suggested points: 5, [6.6]) 3. Based on the information provided, what is an appropriate overall success rating for this employee? Why? (Suggested points: 5, [6.3]) 4. How often should this form be completed and why? (Suggested points: 3, [6.4])
  • 16. Performance Appraisal Form1 Employee Name: Position/Title: Department: Date: Robert Jared Foreman Paint and Auto body 6/30/12 Performance Attribute Supervisor Comments Score Employee Comments Score Knowledge/Know-how: Demonstrated knowledge or technical skills required by position. These may include command of professional body of knowledge; knowledge of organizational structure, mission, or goals. Strong knowledge and technical skill. Instinctive knowledge of how the company can move forward in the industry. 3 I’ve got 25 years experience in paint and body shop work. I held this company together over the past year. 4 Communication Skills: Demonstrated written, listening, and interpersonal skills. These may include diplomacy, conflict resolution, or presentation skills. Good verbal skills most of the time. Occasional difficulty in controlling anger has exacerbated existing problems. Doesn’t always do paperwork needed in job. 1 Good enough for this job. Frustrations aren’t my fault. I do my best. 2 Work Results: Work is thorough, accurate, completed on time and as planned, and is considered a quality job. Excellent 4 Of course. 4 Work Style: Demonstrated good work habits. These may include being dependable, consistent, independent and self-starting, and exhibiting flexible work behavior. Excellent 4 I’m always here before my boss and open to whatever he suggests. I work weekends and do work for free. This entire place is a lot cleaner and more organized since I got here. 4 Service Orientation: Demonstrated courteous, responsive, respectful behavior toward customers, staff, and In general, Bob does a good job managing relationships with customers and staff. As 1.5 I do the best I can in difficult circumstances. 3 1 Adapted from an appraisal form developed by Boston College, found at http://www.bc.edu/bc_org/hvp/c/apprais.html Accessed May 4, 2005.
  • 17. Employee Name: Position/Title: Department: Date: Robert Jared Foreman Paint and Auto body 6/30/12 Performance Attribute Supervisor Comments Score Employee Comments Score others. noted above, he needs help managing anger issues. Additional Performance Attributes: Supervision Contribution to overall motivation and performance of staff is very good. 3 I’ve trained Dave and brought the mechanic and engine repair shop into being on my own time. 4 Overall Success Rating Very good 2.5 Top notch 5 This performance appraisal is meant to summarize and evaluate an individual’s overall performance for the year. Five generic performance attributes and definitions are provided for all employees. These attributes address an individual’s knowledge, competence, and skills as applied to one’s work. Performance attributes may be added as needed in order to customize the form to the individual’s position. Both the supervisor and the employee should provide an overall performance success rating using the scale below. 4—Performance far exceeds position requirements and indicates job mastery 3—Performance consistently exceeds position requirements 2—Performance meets position requirements 1—Performance does not meet position requirements Did the employee have a work plan? Yes N No o Did this employee show progress on a work plan? Yes No Did the employee have a developmental plan? Yes N No o Did this employee show progress on a developmental plan? Yes No Supervisor Comments: (Describe the employee’s total performance for the year and substantiate the overall success rating.) Bob has really helped the shop get into a competitive stance. Both his own performance and his supervision have helped us get cars out on schedule and keep good employees. He works hard while he’s here and he encourages the rest of the staff to put in a good day’s work for a good day’s pay. He volunteers his own time and ideas to enhance the shop. He suggested working with a radio station to refinish a car that they could give away in exchange for providing advertising for the shop. His enthusiasm led the employees to volunteer their time on the
  • 18. project. Everything is more organized since he got here. On the other hand, he really does need to learn how to manage his anger. It doesn’t happen very often (maybe four times all year), but it’s frightening to watch him lose his temper. So far there has been no violence (which would be a firing offense), but I can understand why one customer brought in a police officer when he came back to pay his bill after Bob got angry when the customer called him a liar. Bob’s loud angry verbal response was totally inappropriate for a business setting. Paperwork is another area of weakness: Bob does as little as he can get away with, which leads to poor documentation in the customer files and problems with employee pay sheets. He complained to one owner about how the other owner didn’t purchase parts on time. That owner asked in writing for a list of parts needed to monitor their purchase and the list still has not appeared. Supervisor’s Signature: Alfred E. Brown Date:June 28, 2012 Employee Comments: (Describe your total performance and the two-way communication with your supervisor throughout the year.) I never had a work plan and don’t know what a developmental plan is. Al hired me to get this shop back on its feet and I’ve done that. For the first time, he’s taking money home and he has me to thank for that. Sure, I get frustrated—who wouldn’t with customers who want us to work for free and whine that the former owner promised them this and that. Of course, he never did anything and now we’re stuck with his broken promises and no paperwork. I do my best with the paperwork but I get busy on the jobs. You’ve got to decide whether you want paper or cars to go out. Al and I talk every day—I give him notes about the parts I need. Then Mary says she wants a list … tell her to ask Al! I don’t have time to please a boss who’s never in the shop. I’ve got too much going on with doing free and redo work and helping our employees be great employees. It’s nice to work here most of the time. I’ve always liked working on old cars and we do great work. The money is starting to be ok and we’re getting better equipment. We ought to get this place really turned around this next year. Employee’s Signature: Bob Jared Date: June 28, 2012 Answers: 1. Most forms include a combination of the following: (a) basic employee information, (b) accountabilities, objectives, and standards, (c) competencies and indicators, (d) major achievements and contributions, (e) developmental achievements, (f) developmental needs, plans, and goals, (g) stakeholder input, (h) employee comments, and (i) signatures. Note, however, that one size does not fit all, and different components are appropriate based on the purposes of the appraisal. This appraisal is described in the case study as perhaps the first formal appraisal that Al Brown has done with his employees. It may be a fiscal year end appraisal or a six month
  • 19. appraisal. Although the employee’s name, position, and department are provided, there is no further basic employee information. Some performance attributes appear to relate to competencies (knowledge, communication skills); some appear to be performance standards (results, style, service orientation). The supervisor and employee comments highlight several major achievements and contributions. The supervisor notes some developmental needs (anger management; more consistent paperwork completion) but there is no plan or goal to deal with these needs. There is no stakeholder input. There are employee comments and signatures. 2. The supervisor is usually in the best position to evaluate performance in light of the organizational goals. As the owner, Al is certainly responsible for making decisions about any rewards associated with performance evaluation. A disadvantage is that evaluations can be biased; some supervisors may not be able to directly observe performance. When the employee completes the form, advantages can include increased acceptance of decisions and decreased defensiveness during the appraisal interview. The employee is in a very good position to track his own activities during the review period. Disadvantages may include rating distortions such as leniency with regard to his own behaviors as well as other intentional and unintentional biases. 3. Al and Bob agree that Bob provides strong value to the company, although Al is aware that Bob has, on occasion, jeopardized the company with his inability to control his anger. Bob believes that he consistently exceeds the position requirements and some of the descriptions of his performance indicate that he has been a very valuable asset to the company. Al notes some weaknesses that indicate “consistency” is missing; in fact, occasional performance does not meet minimum requirements. Al’s overall rating of 2.5 may be the most objective rating. 4. At a minimum, a formal appraisal should be conducted annually. However, it would be better to conduct formal appraisals at least semi-annually, and quarterly would be the best. This is a busy shop, and both Al and Bob are working as supervisors with many other duties besides supervision. They cannot count on providing equally complete and balanced feedback to each employee on an ongoing basis. Therefore, regular formal meetings conducted with advance thought and preparation have a much better chance of helping each employee do his best to help the company meet its goals. Case Study: Our Civil Service At the State Employment Service, a number of employment counselors were hired together during a special recruiting effort 12 years ago in 2000. They formed a cohort, went through training together, and received graduate hours in vocational counseling together. About a year ago, Jane Midland, the first member of the cohort to get promoted, tested into a supervisory position at one of the Job Service Centers. Two of the eleven employees who report to her are members of the 2000 cohort. Barb Rick and George Malloy deeply respect her abilities and have a strong affection for her. In fact, Barb Rick has spent time at Jane’s home watching
  • 20. Discovering Diverse Content Through Random Scribd Documents
  • 21. With a Catalogue of the Books Exhibited. (pp. 60.) Presented to the Sette by Bro. James Roberts Brown. Edition limited to 255 copies. 14. A Short Sketch of Liturgical History and Literature. Illustrated by Examples Manuscript and Printed. A Paper read at a Meeting of the Sette of Odd Volumes by Bro. Bernard Quaritch, Librarian and First President of the Sette, at Willis’s Rooms, on Friday, June 10th, 1887. (pp. 86.) Presented to the Sette by Bro. Bernard Quaritch. 15. Cornelius Walford: In Memoriam. By his Kinsman, Edward Walford, M.A., Rhymer to the Sette of Odd Volumes. Read before the Sette at Willis’s Rooms, on Friday, October 21st, 1887. (pp. 60.) Presented to the Sette by Bro. Edward Walford, M.A. Edition limited to 255 copies. 16. The Sweating Sickness. By Frederick H. Gervis, M.R.C.S., Apothecary to the Sette of Odd Volumes, delivered at Willis’s Rooms, on Friday, November 4th, 1887. (pp. 48.) Presented to the Sette by Bro. Fred. H. Gervis. Edition limited to 133 copies. 17. New Year’s Day in Japan. By Bro. Charles Holme, Pilgrim of the Sette of Odd Volumes. Read before the Sette at Willis’s Rooms on Friday, January 6th, 1888. (pp. 46.) Presented to the Sette by Bro. Charles Holme. Edition limited to 133 copies.
  • 22. 18. Ye Seconde Boke of Ye Odd Volumes, from 1883 to 1888. Carefvlly Compiled and painsfvlly Edited by ye vnworthy Historiographer to ye Sette, Bro. William Mort Thompson, and produced by ye order and at ye charges of ye Sette. (pp. 157.) Edition limited to 115 copies. 19. Repeats and Plagiarisms in Art, 1888. By Bro. James Orrock, R.I., Connoisseur to the Sette of Odd Volumes. Read before the Sette at Willis’s Rooms, St. James’s, on Friday, January 4th, 1889. (pp. 33.) Presented to the Sette by Bro. James Orrock, R.I. Edition limited to 133 copies. 20. How Dreams Come True. A Dramatic Sketch by Bro. J. Todhunter, Bard of the Sette of Odd Volumes. Performed at a Conversazione of the Sette at the Grosvenor Gallery, on Thursday, July 17th, 1890. (pp. 46.) Presented to the Sette by His Oddship Bro. Charles Holme. Edition limited to 600 copies. 21. The Drama in England during the last Three Centuries. By Bro. Walter Hamilton, F.R.G.S., Parodist to the Sette of Odd Volumes. Read before the Sette at Limmer’s Hotel, on Wednesday, January 8th, 1890. (pp. 80.) Presented to the Sette by Bro. Walter Hamilton. Edition limited to 201 copies. 22. Gilbert, of Colchester.
  • 23. By Bro. Silvanus P. Thompson, D.Sc., B.A., Magnetizer to the Sette of Odd Volumes. Read before the Sette at Limmer’s Hotel, on Friday, July 4th, 1890. (pp. 63.) Presented to the Sette by Bro. Silvanus P. Thompson. Edition limited to 249 copies. 23. Neglected Frescoes in Northern Italy. By Bro. Douglas H. Gordon, Remembrancer to the Sette of Odd Volumes. Read before the Sette at Limmer’s Hotel, on Friday, December 6th, 1889. (pp. 48.) Presented to the Sette by Bro. Douglas H. Gordon. Edition limited to 133 copies. 24. Recollections of Robert-Houdin. By Bro. William Manning, Seer to the Sette of Odd Volumes. Delivered at a Meeting of the Sette held at Limmer’s Hotel, on Friday, December 7th, 1890. (pp. 81.) Presented to the Sette by Bro. William Manning. Edition limited to 205 copies. 25. Scottish Witchcraft Trials. By Bro. J. W. Brodie Innes, Master of the Rolls to the Sette of Odd Volumes. Read before the Sette at a Meeting held at Limmer’s Hotel, on Friday, November 7th, 1890. (pp. 66.) Presented to the Sette by Bro. Alderman Tyler. Edition limited to 245 copies. 26. Blue and White China. By Bro. Alexander T. Hollingsworth, Artificer to the Sette of Odd Volumes. Delivered at a Meeting of the Sette held at
  • 24. Limmer’s Hotel, on Friday, February 6th, 1891. (pp. 70.) Presented to the Sette by Bro. Alexander T. Hollingsworth. Edition limited to 245 copies. 27. Reading a Poem. A Forgotten Sketch by Wm. M. Thackeray. Communicated by Bro. Chas. Plumptre Johnson, Clerke-atte-Lawe to the Sette of Odd Volumes, to the Sette at Limmer’s Hotel, on Friday, May 1st, 1891. (pp. xi and 66.) Presented to the Sette by Bro. Chas. Plumptre Johnson. Edition limited to 321 copies. 28. The Ballades of a Blasé Man, to which are added some Rondeaux of his Rejuvenescence, laboriously constructed by the Necromancer to the Sette of Odd Volumes. (pp. 88.) Presented to the Sette by Bro. Edward Heron-Allen, in October, 1891. Edition limited to 99 copies. 29. Automata Old and New. By Bro. Conrad W. Cooke, Mechanick to the Sette of Odd Volumes. Read before the Sette at a Meeting held at Limmer’s Hotel, on Friday, November 6th, 1891. (pp. 118.) Presented to the Sette by Bro. Conrad W. Cooke. Edition limited to 255 copies. 30. Ye Magick Mirrour of Old Japan. By Bro. Silvanus P. Thompson, D.Sc., F.R.S., Magnetizer to the Sette of Odd Volumes. Read before the Sette at Limmer’s Hotel, on Friday, December 2nd, 1892. (pp. 96.) Edition limited to 97 copies.
  • 25. Year-Bokes. I. The Year-Boke of the Odd Volumes: An Annual Record of the Transactions of the Sette. Eleventh Year, 1888-9. Written and compiled by Bro. W. Mort Thompson, Historiographer to the Sette. Issued November 29th, 1890. II. The Year-Boke of the Odd Volumes: An Annual Record of the Transactions of the Sette. Twelfth Year, 1889-90. III. The Year-Boke of the Odd Volumes: An Annual Record of the Transactions of the Sette. Thirteenth Year, 1890-1. Compiled mainly from the Minute Book of the Sette, and imprynted for private circulation only. Edition limited to 133 copies. IV. The Year-Boke of the Odd Volumes, 1891-2. In the Press.
  • 26. FOLIA. Originated by Brother Holme, Pilgrim, who presented each Brother with a Special Portfolio. . The Victualling Crew. Presented by Bro. Henry Moore, A.R.A., Ancient Mariner. . Proud Maisie, from a drawing by Frederick Sandys. Presented by Bro. Todhunter, Playwright. . A Rainy Day in Hakone, Japan. Presented by Bro. Alfred East, Landscape Painter. . The Shelley Memorial. Photogravure from the original Statue. Presented by E. Onslow Ford, A.R.A., Sculptor.
  • 27. MISCELLANIES. 1. Inaugural Address of His Oddship, W. M. Thompson, Fourth President of the Sette of Odd Volumes, delivered at the Freemasons’ Tavern, Great Queen Street, on his taking office on April 13th, &c. (pp. 31.) Printed by order of Ye Sette, and issued on May the 4th, 1883. Edition limited to 250 copies. 2. Codex Chiromantiae. Appendix A. Dactylomancy, or Finger-ring Magic, Ancient, Mediæval, and Modern. (pp. 34.) Presented on October the 12th, 1883, by Bro. Ed. Heron-Allen. Edition limited to 133 copies. 3. A President’s Persiflage. Spoken by His Oddship W. M. Thompson, Fourth President of the Sette of Odd Volumes, at the Freemasons’ Tavern, Great Queen Street, at the Fifty-eighth Meeting of the Sette, on December 7th, 1883. (pp. 15.) Edition limited to 250 copies. 4. Inaugural Address
  • 28. of His Oddship Edward F. Wyman, Fifth President of the Sette of Odd Volumes, delivered at the Freemasons’ Tavern, Great Queen Street, on his taking office, on April 4th, 1884, &c. (pp. 56.) Presented to the Sette by His Oddship Edward F. Wyman. Edition limited to 133 copies. 5. Musical London a Century Ago. Compiled from the Raw Material, by Brother Burnham W. Horner, F.R.S.L., F.R. Hist. S., Organist of the Sette of Odd Volumes, delivered at the Freemasons’ Tavern, Great Queen Street, on June 6th, 1884. (pp. 32.) Presented to the Sette by His Oddship Edward F. Wyman. Edition limited to 133 copies. 6. The Unfinished Renaissance; Or, Fifty Years of English Art. By Bro. George C. Haité, Author of “Plant Studies,” &c. Delivered at the Freemasons’ Tavern, Friday, July 11th, 1884. (pp. 40.) Presented to the Sette by His Oddship Edward F. Wyman. Edition limited to 133 copies. 7. The Pre-Shakespearian Drama. By Bro. Frank Ireson. Delivered at the Freemasons’ Tavern, Friday, January 2nd, 1885. (pp. 34.) Presented to the Sette by His Oddship Edward F. Wyman. Edition limited to 133 copies. 8. Inaugural Address of His Oddship, Brother James Roberts Brown, Sixth President of the Sette of Odd Volumes, delivered at the Freemasons’
  • 29. Tavern, Great Queen Street, on his taking office, on April 17th, 1885, &c. (pp. 56.) Presented to the Sette by His Oddship James Roberts Brown. Edition limited to 133 copies. 9. Catalogue of Works of Art Exhibited at the Freemasons’ Tavern, Great Queen Street, on Friday, July 11th, 1884. Lent by Members of the Sette of Odd Volumes. Presented to the Sette by His Oddship Edward F. Wyman. Edition limited to 255 copies. 10. Catalogue of Manuscripts and Early-Printed Books Exhibited and Described by Bro. B. Quaritch, the Librarian of the Sette of Odd Volumes, at the Freemasons’ Tavern, Great Queen Street, June 5th, 1885. Presented to the Sette by His Oddship James Roberts Brown. Edition limited to 255 copies. 11. Catalogue of Old Organ Music Exhibited by Bro. Burnham W. Horner, F.R.S.L., F.R.Hist.S., Organist of the Sette of Odd Volumes, at the Freemasons’ Tavern, Great Queen Street, on Friday, February 5th, 1886. Presented to the Sette by His Oddship James Roberts Brown. Edition limited to 133 copies. 12. Inaugural Address of His Oddship Bro. George Clulow, Seventh President of the Sette of Odd Volumes, delivered at the Freemasons’ Tavern, Great Queen Street, on his taking office, on April 2nd,
  • 30. 1886, &c. (pp. 64.) Presented to the Sette by His Oddship George Clulow. Edition limited to 133 copies. 13. A Few Notes about Arabs. By Bro. Charles Holme, Pilgrim of the Sette of Odd Volumes. Read at a Meeting of the “Sette” at Willis’s Rooms, on Friday, May 7th, 1886. (pp. 46.) Presented to the Sette of Odd Volumes by Bro. Chas. Holme. Edition limited to 133 copies. 14. Account of the Great Learned Societies and Associations, and of the Chief Printing Clubs of Great Britain and Ireland Delivered by Bro. Bernard Quaritch, Librarian of the Sette of Odd Volumes, at Willis’s Rooms on Tuesday, June 8th, 1886. (pp. 66.) Presented to the Sette by His Oddship George Clulow. Edition limited to 255 copies. 15. Report of a Conversazione Given at Willis’s Rooms, King Street, St. James’s, on Tuesday, June 8th, 1886, by his Oddship Bro. George Clulow, President; with a summary of an Address on “Learned Societies and Printing Clubs,” then delivered by Bro. Bernard Quaritch, Librarian. By Bro. W. M. Thompson, Historiographer. Presented to the Sette by His Oddship George Clulow. Edition limited to 255 copies. 16. Codex Chiromantiae.
  • 31. Appendix B.—A Discourse concerning Autographs and their Significations. Spoken in valediction at Willis’s Rooms, on October the 8th, 1886, by Bro. Edward Heron-Allen. (pp. 45.) Presented to the Sette by His Oddship George Clulow. Edition limited to 133 copies. 17. Inaugural Address of His Oddship Alfred J. Davies, Eighth President of the Sette of Odd Volumes, delivered at Willis’s Rooms, on his taking office on April 4th, 1887. (pp. 64.) Presented to the Sette by His Oddship Alfred J. Davies. Edition limited to 133 copies. 18. Inaugural Address of His Oddship Bro. T. C. Venables, Ninth President of the Sette of Odd Volumes, delivered at Willis’s Rooms, on his taking office on April 6th, 1888. (pp. 54.) Presented to the Sette by His Oddship T. C. Venables. Edition limited to 133 copies. 19. Ye Papyrus Roll-Scroll of Ye Sette of Odd Volumes. By Bro. J. Brodie-Innes, Master of the Rolls to the Sette of Odd Volumes, delivered at Willis’s Rooms, May 4th, 1888. (pp. 39.) Presented to the Sette by His Oddship T. C. Venables. Edition limited to 133 copies. 20. Inaugural Address of His Oddship Bro. H. J. Gordon Ross, Tenth President of the Sette of Odd Volumes, delivered at Willis’s Rooms, King
  • 32. Street, St. James’s Square, on his taking office, April 5th, 1889. Edition limited to 255 copies. WORKS DEDICATED TO THE SETTE. The Ancestry of the Violin. London, 1882. Edward Heron-Allen. An Odd Volume for Smokers. London, 1889. Walter Hamilton. The Blue Friars. London, 1889. W. H. K. Wright. Quatrains. London, 1892. W. Wilsey Martin.
  • 33. Ye Sette of Odd Volumes. Original Member. 1878. Bernard Quaritch, Librarian, 15, Piccadilly, W. (President, 1878, 1879, and 1882). Original Member. 1878. Edward Renton, Herald (Vice-President, 1880; Secretary, 1882). Original Member. 1878. W. Mort Thompson, Historiographer, 16, Carlyle Square, Chelsea, S.W. (Vice-President, 1882; President, 1883). Original Member. 1878. Charles W. H. Wyman, Typographer, 103, King Henry’s Road, Primrose Hill, N.W. (Vice-President, 1878 and 1879; President, 1880). Original Member. 1878. Edward F. Wyman, Treasurer, Nirvâna, Bellaggio, East Grinstead (Secretary, 1878 and 1879; President, 1884). Original Member. 1878. Alfred J. Davies, Attorney-General, Fairlight, Uxbridge Road, Ealing, W. (Vice-President, 1881; Secretary, 1884; President, 1887). 1878. G. R. Tyler, Alderman of the City of London, Stationer, 17, Penywern Road, South Kensington, W. (Vice-President, 1886). 1879. T. C. Venables, Antiquary, 9, Marlborough Place, N.W. (President, 1888). 1879. James Roberts Brown, F.R.G.S., Alchymist, 44, Tregunter Road, South Kensington, S.W. (Secretary, 1880; Vice-President, 1883; President, 1885).
  • 34. 1880. Burnham W. Horner, Organist, 29, Redcliffe Gardens, South Kensington (Vice-President, 1889). 1882. William Murrell, M.D., Leech (President), 17, Welbeck Street, Cavendish Square, W. (Secretary, 1883; Vice- President, 1885). 1883. Henry George Liley, Art Director, Radnor House, Radnor Place, Hyde Park, W. 1883. George Charles Haité, F.L.S., and R.B.A., Art Critic, Ormsby Lodge, The Avenue, Bedford Park, W. (Vice- President, 1887; President, 1891). 1883. Edward Heron-Allen, Necromancer (Vice-President), 3, Northwick Terrace, N.W. (Secretary, 1885). 1884. Wilfrid Ball, R. P. E., Painter-Etcher, 4, Albemarle Street, W. (Master of Ceremonies, 1890; Vice- President, 1891). 1884. Daniel W. Kettle, F.R.G.S., Cosmographer, Hayes Common, near Beckenham, Kent (Secretary, 1886). 1884. Charles Welsh, Chapman, The Poplars, Forest Lane, Walthamstow (Vice-President, 1888). 1886. Charles Holme, F.L.S., Pilgrim, The Red House, Bexley Heath, Kent (Secretary, 1887; President, 1890). 1886. Fredk. H. Gervis, M.R.C.S., Apothecary, 1, Fellows Road, Haverstock Hill, N.W. 1887. John W. Brodie-Innes, Master of the Rolls, 15, Royal Circus, Edinburgh (Secretary, 1888). 1887. Henry Moore, A.R.A., Ancient Mariner, Collingham, Maresfield Gardens, N.W.
  • 35. Supplemental Odd Volumes. 887. James Orrock, R.I., Connoisseur, 48, Bedford Square, W.C. 888. Alfred East, R.I., Landscape Painter, 4, Grove End Road, St. John’s Wood. 888. Walter Hamilton, F.R.G.S., Parodist, Keeper of the Archives, Ellarbee, Elms Road, Clapham Common, S.W. 888. Douglas H. Gordon, Remembrancer (Master of Ceremonies), 41, Tedworth Square, S.W. (Secretary, 1889). 888. Alexander T. Hollingsworth, Artificer, 172, Sutherland Avenue, Maida Vale, W. (Vice-President, 1890). 888. John Lane, Bibliographer, 37, Southwick Street, Hyde Park, W. (Odd Councillor, 1891; Secretary, 1890; Master of Ceremonies, 1891). 888. John Todhunter, M.D., Playwright (Secretary), Orchard Croft, The Orchard, Bedford Park, W. 889. Francis Elgar, LL.D., Shipwright, 113, Cannon Street, E.C. 889. William Manning, F.R.M.S., Seer, 21, Redcliffe Gardens, S.W. (Secretary, 1891; Odd Councillor, 1892). 890. Silvanus P. Thompson, D.Sc., F.R.S., Magnetizer, Morland, Chislett Road, N.W. 890. Conrad W. Cooke, M.I.E.E., Mechanick, The Lindens, Larkhall Rise, S.W. 890. E. Onslow Ford, A.R.A., Sculptor, 62, Acacia Road, N.W.
  • 36. 891. Charles Plumptre Johnson, Clerke at Law, 8, Savile Row, W. 891. Frederic Villiers, War Correspondent, Mashrabeyah, 65, Chancery Lane, W.C. 891. Marcus B. Huish, LL.B., Arts-man, 21, Essex Villas, Phillimore Gardens, W. 892. W. Wilsey Martin, F.R.G.S., Laureate, 15, Delamere Terrace, W. 892. Herbert Ward, Vagabond, Shepherd Hill House, Harefield, Middlesex. 892. Frederic York Powell, Ignoramus, The Comer, Priory Road, Bedford Park, W. 892. Ernest Clarke, Yeoman, 10, Addison Road, Bedford Park, W. 892. Paul Bevan, Ready Reckoner (Auditor), 46, Queen’s Gate Terrace, S.W. At the Chilwick Press
  • 37. C. WHITTINGHAM AND CO., TOOKS COURT, CHANCERY LANE. FOOTNOTE: [1] For some analyses of the metal see Appendix IV.
  • 38. TRANSCRIBER’S NOTES: Obvious typographical errors have been corrected. Inconsistencies in hyphenation have been standardized.
  • 39. Archaic or alternate spelling which may have been in use at the time of publication has been retained. Reader may hover the mouse over Greek text for transliteration.
  • 40. *** END OF THE PROJECT GUTENBERG EBOOK YE MAGICK MIRROUR OF OLD JAPAN *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE
  • 41. THE FULL PROJECT GUTENBERG LICENSE
  • 42. PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
  • 43. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project
  • 44. Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files
  • 45. containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty
  • 46. payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright
  • 47. law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
  • 48. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™
  • 49. Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non- profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
  • 50. Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and
  • 51. credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
  • 52. Welcome to our website – the perfect destination for book lovers and knowledge seekers. We believe that every book holds a new world, offering opportunities for learning, discovery, and personal growth. That’s why we are dedicated to bringing you a diverse collection of books, ranging from classic literature and specialized publications to self-development guides and children's books. More than just a book-buying platform, we strive to be a bridge connecting you with timeless cultural and intellectual values. With an elegant, user-friendly interface and a smart search system, you can quickly find the books that best suit your interests. Additionally, our special promotions and home delivery services help you save time and fully enjoy the joy of reading. Join us on a journey of knowledge exploration, passion nurturing, and personal growth every day! testbankdeal.com