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SHOT LIST 
Children of Men
INITIAL INFORMATION 
Throughout the whole opening scene the camera 
is not stable and seems to be handheld and 
filmed in one take, giving it a ‘documentary-esque’ 
feel. This then adds to the 
verisimilitude of the film.
Long shot to used to show large amount of 
people looking at something with their 
concerned/shocked facial expressions.
Close up shot is then used to show what 
the people in the previous shot were 
looking at.
This Tracking shot follows a male 
character as he walks through the crowd, 
suggesting he is the protagonist.
An Establishing shot is then accompanied 
by text to inform the audience of the 
place and date the film is set in.
The camera then takes up a long shot to show 
the busy streets, the rubbish bags and the 
pollution from the vehicles which may suggest 
London is an unattractive and stressful place 
to live in.
The camera then follows the ‘180-rule’ as it 
rotates around the character 180 degrees to 
show the area he has just walked past and to 
show the 2 people in the background hugging 
suggests London is still a friendly place.
After the camera has rotated, it can now show 
the explosion that the character has just 
missed. This also contrasts the friendly 
nature of the 2 people hugging seconds ago.
The final shot used before the title of the 
film is presented is a long shot of a wounded 
woman emerging from a cloud of smoke to show 
the impact and damage of the explosion.

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Shot list CoM

  • 2. INITIAL INFORMATION Throughout the whole opening scene the camera is not stable and seems to be handheld and filmed in one take, giving it a ‘documentary-esque’ feel. This then adds to the verisimilitude of the film.
  • 3. Long shot to used to show large amount of people looking at something with their concerned/shocked facial expressions.
  • 4. Close up shot is then used to show what the people in the previous shot were looking at.
  • 5. This Tracking shot follows a male character as he walks through the crowd, suggesting he is the protagonist.
  • 6. An Establishing shot is then accompanied by text to inform the audience of the place and date the film is set in.
  • 7. The camera then takes up a long shot to show the busy streets, the rubbish bags and the pollution from the vehicles which may suggest London is an unattractive and stressful place to live in.
  • 8. The camera then follows the ‘180-rule’ as it rotates around the character 180 degrees to show the area he has just walked past and to show the 2 people in the background hugging suggests London is still a friendly place.
  • 9. After the camera has rotated, it can now show the explosion that the character has just missed. This also contrasts the friendly nature of the 2 people hugging seconds ago.
  • 10. The final shot used before the title of the film is presented is a long shot of a wounded woman emerging from a cloud of smoke to show the impact and damage of the explosion.