Similari'es	
  Between	
  Kerrang!	
  
          And	
  TOTPs	
  
 Demographic	
  and	
  psychographic	
  detail	
  
  of	
  how	
  Kerrang	
  and	
  Top	
  of	
  the	
  Pops	
  
 en'ce	
  the	
  shared	
  conven'ons	
  of	
  their	
  
                    audience.	
  
•  Both	
  magazines	
  cater	
  for	
  a	
  young	
  audience-­‐	
  
   where	
  the	
  majority	
  of	
  their	
  disposable	
  income	
  
   would	
  be	
  reliant	
  upon	
  the	
  parental	
  income.	
  
   Thus,	
  both	
  magazines	
  need	
  to	
  adver'se	
  
   products	
  that	
  would	
  be	
  affordable	
  within	
  a	
  
   'ght	
  spending	
  bracket.	
  
•  Both	
  magazines	
  apply	
  the	
  popular	
  conven'on	
  
   on	
  focusing	
  in	
  on	
  the	
  personal	
  aspect	
  of	
  the	
  
   featured	
  ar'st,	
  but	
  however,	
  to	
  different	
  
   extents	
  in	
  term	
  of	
  age	
  and	
  gender	
  (which	
  will	
  
   be	
  discussed	
  in	
  the	
  differences	
  specifica'on).	
  
•  Commonly	
  used	
  in	
  youth-­‐affiliated	
  magazines,	
  both	
  magazines	
  apply	
  high-­‐
   maintenance	
  layout	
  designs	
  using	
  collaged	
  imagery	
  and	
  splashes,	
  using	
  
   mostly	
  un-­‐insighNul	
  or	
  liOle	
  verbal	
  detail	
  of	
  the	
  content.	
  
•  Rela'ng	
  back	
  to	
  the	
  previous	
  point,	
  buzzwords	
  (effec've	
  through	
  the	
  use	
  
   of	
  being	
  short	
  and	
  snappy)	
  are	
  used	
  to	
  sum	
  up	
  and	
  posi'vely	
  reinforce	
  a	
  
   cover	
  story	
  by	
  making	
  it	
  appear	
  more	
  exci'ng.	
  These	
  are	
  usually	
  highly	
  
   exaggerated	
  on	
  the	
  cover	
  to	
  make	
  an	
  uninteres'ng	
  story	
  seem	
  en'cing	
  to	
  
   a	
  young,	
  naive	
  audience.	
  
•  Youths	
  are	
  typically	
  swayed	
  by	
  visual	
  texts	
  more	
  than	
  any	
  other	
  age	
  group.	
  
   So	
  typically,	
  to	
  gain	
  the	
  intended	
  market	
  they	
  need	
  to	
  make	
  the	
  cover	
  
   appear	
  as	
  modernis'c	
  and	
  aOrac've	
  as	
  possible.	
  A	
  variety	
  of	
  large,	
  
   capitalized	
  typefaces	
  are	
  used	
  in	
  both	
  magazines	
  to	
  help	
  ‘pull’	
  all	
  the	
  
   imagery	
  together	
  by	
  using	
  verbal	
  as	
  tools	
  for	
  colour	
  consistency	
  and	
  
   structure,	
  and	
  the	
  language	
  that	
  is	
  used	
  (in	
  short-­‐worded	
  puffs	
  and	
  
   buzzwords)	
  for	
  false	
  en'cement	
  to	
  make	
  the	
  content	
  seem	
  as	
  exci'ng	
  as	
  
   the	
  layout.	
  Large,	
  bold	
  texts	
  also	
  help	
  to	
  create	
  an	
  illusion	
  that	
  more	
  is	
  
   going	
  on	
  in	
  the	
  page	
  and	
  that	
  the	
  magazine	
  is	
  spread	
  out	
  in	
  terms	
  of	
  being	
  
   text-­‐propor'oned,	
  when	
  in	
  fact	
  it	
  is	
  a	
  bare	
  minimum.	
  Visual	
  texts	
  are	
  used	
  
   to	
  sell	
  the	
  cover	
  to	
  a	
  young	
  audience.	
  	
  
•  Both	
  markets	
  of	
  the	
  magazine	
  aim	
  to	
  sell	
  the	
  majority	
  of	
  the	
  
   magazine	
  supplies	
  to	
  an	
  audience	
  of	
  youths	
  who	
  are	
  living	
  in	
  urban	
  
   loca'ons-­‐	
  where	
  crazes	
  are	
  most	
  apparent	
  and	
  more	
  youths	
  share	
  
   the	
  same	
  cultural	
  values	
  of	
  what	
  appears	
  and	
  sounds	
  good.	
  The	
  
   cultural	
  values	
  conducted	
  in	
  the	
  magazines	
  applica'ons	
  are	
  catered	
  
   to	
  a	
  more	
  specific	
  yet	
  wider	
  market,	
  thus	
  urban	
  city	
  loca'ons	
  would	
  
   help	
  gain	
  more	
  profit	
  and	
  creditability	
  than	
  in	
  low-­‐maintenance	
  
   areas.	
  	
  
•  Both	
  readerships	
  can	
  generally	
  be	
  catergorized	
  to	
  share	
  modernis'c	
  
   perspec'ves	
  due	
  to	
  the	
  heavy	
  applica'on	
  and	
  important	
  
   reinforcement	
  of	
  up	
  and	
  coming	
  new	
  ar'sts.	
  An	
  older	
  celebrity	
  
   would	
  only	
  been	
  featured	
  if	
  it	
  was	
  s'll	
  relevant	
  to	
  an	
  on-­‐going	
  
   phase	
  among	
  youths	
  or	
  they	
  have	
  form	
  of	
  comeback,	
  such	
  as	
  a	
  new	
  
   image	
  or	
  album.	
  Reinforcement	
  of	
  new	
  icons	
  are	
  generally	
  more	
  
   apparent	
  in	
  Top	
  of	
  the	
  Pops	
  as	
  some	
  of	
  the	
  Kerrang	
  readership	
  may	
  
   have	
  popular	
  shared	
  musical	
  icons	
  from	
  the	
  past	
  such	
  as	
  The	
  
   Beatles,	
  or	
  Metallica-­‐	
  but	
  would	
  generally	
  be	
  only	
  featured	
  in	
  
   special	
  edi'ons	
  or	
  ar'cles.	
  

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Simbetweenkerandtop

  • 1. Similari'es  Between  Kerrang!   And  TOTPs   Demographic  and  psychographic  detail   of  how  Kerrang  and  Top  of  the  Pops   en'ce  the  shared  conven'ons  of  their   audience.  
  • 2. •  Both  magazines  cater  for  a  young  audience-­‐   where  the  majority  of  their  disposable  income   would  be  reliant  upon  the  parental  income.   Thus,  both  magazines  need  to  adver'se   products  that  would  be  affordable  within  a   'ght  spending  bracket.   •  Both  magazines  apply  the  popular  conven'on   on  focusing  in  on  the  personal  aspect  of  the   featured  ar'st,  but  however,  to  different   extents  in  term  of  age  and  gender  (which  will   be  discussed  in  the  differences  specifica'on).  
  • 3. •  Commonly  used  in  youth-­‐affiliated  magazines,  both  magazines  apply  high-­‐ maintenance  layout  designs  using  collaged  imagery  and  splashes,  using   mostly  un-­‐insighNul  or  liOle  verbal  detail  of  the  content.   •  Rela'ng  back  to  the  previous  point,  buzzwords  (effec've  through  the  use   of  being  short  and  snappy)  are  used  to  sum  up  and  posi'vely  reinforce  a   cover  story  by  making  it  appear  more  exci'ng.  These  are  usually  highly   exaggerated  on  the  cover  to  make  an  uninteres'ng  story  seem  en'cing  to   a  young,  naive  audience.   •  Youths  are  typically  swayed  by  visual  texts  more  than  any  other  age  group.   So  typically,  to  gain  the  intended  market  they  need  to  make  the  cover   appear  as  modernis'c  and  aOrac've  as  possible.  A  variety  of  large,   capitalized  typefaces  are  used  in  both  magazines  to  help  ‘pull’  all  the   imagery  together  by  using  verbal  as  tools  for  colour  consistency  and   structure,  and  the  language  that  is  used  (in  short-­‐worded  puffs  and   buzzwords)  for  false  en'cement  to  make  the  content  seem  as  exci'ng  as   the  layout.  Large,  bold  texts  also  help  to  create  an  illusion  that  more  is   going  on  in  the  page  and  that  the  magazine  is  spread  out  in  terms  of  being   text-­‐propor'oned,  when  in  fact  it  is  a  bare  minimum.  Visual  texts  are  used   to  sell  the  cover  to  a  young  audience.    
  • 4. •  Both  markets  of  the  magazine  aim  to  sell  the  majority  of  the   magazine  supplies  to  an  audience  of  youths  who  are  living  in  urban   loca'ons-­‐  where  crazes  are  most  apparent  and  more  youths  share   the  same  cultural  values  of  what  appears  and  sounds  good.  The   cultural  values  conducted  in  the  magazines  applica'ons  are  catered   to  a  more  specific  yet  wider  market,  thus  urban  city  loca'ons  would   help  gain  more  profit  and  creditability  than  in  low-­‐maintenance   areas.     •  Both  readerships  can  generally  be  catergorized  to  share  modernis'c   perspec'ves  due  to  the  heavy  applica'on  and  important   reinforcement  of  up  and  coming  new  ar'sts.  An  older  celebrity   would  only  been  featured  if  it  was  s'll  relevant  to  an  on-­‐going   phase  among  youths  or  they  have  form  of  comeback,  such  as  a  new   image  or  album.  Reinforcement  of  new  icons  are  generally  more   apparent  in  Top  of  the  Pops  as  some  of  the  Kerrang  readership  may   have  popular  shared  musical  icons  from  the  past  such  as  The   Beatles,  or  Metallica-­‐  but  would  generally  be  only  featured  in   special  edi'ons  or  ar'cles.