Sophocles ppt
- 1. Week 10 Presentation Stacy Anderson Hannah Hardwick Brynn Ligas
- 2. Theatre was born in Athens, Greece between 600 and 200 BC. Ancient Athenians created a theatre culture, and plays that are considered some of the greatest works.
- 3. The theatre of Ancient Greece evolved from religious rites which dates back to at least 1200 BC In an area called Thrace, Greece a cult arose that worshipped Dionysus, the god of Fertility and procreation. The cults most controversial practice involved uninhibited dancing and emotional display that was thought to created an altered mental state. This Altered state was known as „ecstasis‟ from which the word ecstasy is derived from.
- 4. Ecstasy was an important religious concept to the Greeks, who would come to see theatre as a way of releasing powerful emotions through its ritual power. What started out as purely religious ceremonies to worship and tell about the adventure of Dionysus evolved into theatre.
- 5. A essential part of the rites of Dionysus was the dithyramb; meaning choric hymn This hymn about the adventures of Dionysus would normally be accompanied by mimic gestures and music. It was probably performed by a chorus of about fifty men dressed as satyrs (half man, half goat)- servants of Dionysus. Introduced into Athens shortly before 500 BC it soon became a competitive subject during festivals.
- 6. Soon the Dithyramb became less about Dionysus and more about other subjects from all periods of Greek It was in Athens that Thespis of Attica added an actor to interact with the chorus during the hymn of Dionysus From there, one actor became two and now instead of a choric chant you have a play.
- 7. Plays and Drama back than were much more simpler than what we now have as plays. There were normally only two or three actors allowed on the stage at a time. And the stage settings and costumes were very simple Also most actors didn‟t wear make up, but instead used elaborately decorated mask when acting.
- 8. The first of one of the most famous play writers in Athens was Aeschylus (c. 525-456 BCE) He wrote around seventy to ninety plays though only seven survived. Second was Sophocles (c. 496-406 BCE) who was a very well know play writer and who played a significant role in Athenian social and political life. Thirdly there was Euripides (c. 485-406 BCE) who often wrote plays that were bold and irreverent. It is thought to believe he wrote ninety-two plays but only nineteen survived.
- 10. Born in 495 B.C. about a mile northwest of Athens, Sophocles was to become one of the great playwrights of the golden age.
- 11. In his first competition, Sophocles took first prize--defeating none other than Aeschylus himself. More than 120 plays were to follow. Aeschylus 525- 456 B.C
- 12. An accomplished actor, Sophocles performed in many of his own plays. However, his voice was comparatively weak, and eventually he would give up his acting career to pursue other ventures.
- 13. Of Sophocles' more than 120 plays, only seven have survived in their entirety. • Ajax (447 B.C.E. ) • Antigone (442–441 B.C.E. ) • Trachiniae (437–432 B.C.E. ) • Oedipus Rex (429 B.C.E. ) • Electra (418–414 B.C.E. • Philoctetes (409 B.C.E. ) • Oedipus at Colonus (401 B.C.E. )
- 14. Ajax (447 B.C.E. ) In the hero, described as second only to Achilles, is humiliated (reduced to a lower position in the eyes of others) by Agamemnon and Menelaus when they award the arms of Achilles to Odysseus. Ajax vows revenge on the Greek commanders as well as on Odysseus. Except, the goddess Athena makes him believe he is attacking the Greeks when he is in fact attacking sheep. When he realizes what he has done, he is so upset that he commits suicide. He is given a proper burial only after Odysseus steps in to make it possible.
- 15. Antigone (442–441 B.C.E. ) The title character is a young princess whose uncle, King Creon, has forbid her to bury her brother Polyneices. Her brother, in attempting to seize the throne from his brother Eteocles, killed Eteocles in a fight and also died himself. Antigone has been interpreted as showing the conflict between devotion to family and devotion to the state.
- 16. Trachiniae (437–432 B.C.E. ) Heracles's wife, Deianira, worries about the fifteen-month absence of her husband. Deianira sends him a poisoned robe that she believes has magical powers to restore lost love. Her son, Hyllus, and her husband denounce her before dying, and she commits suicide. In this play Sophocles describes the difficult situation of the person who, without meaning to, hurts those whom he or she loves.
- 17. Oedipus Rex (429 B.C.E. ) Which many have considered the greatest play of all time, is not about sex or murder, but man's ability to survive almost unbearable suffering. The worst of all things happens to Oedipus: unknowingly he kills his own father, Laius, and is given his own mother, Jocasta, in marriage after he slays the Sphinx. When a plague (a bacteria- caused disease that spreads quickly and can cause death) at Thebes forces him to consult an oracle (a person through whom a god is believed to speak), he finds that he himself is the cause of the plague.
- 18. Electra (418–414 B.C.E. ) Sophocles's only play whose theme is similar to those of the works of Aeschylus ( Libation Bearers ) and Euripides (484–406 B.C.E. ; Electra ). Again Sophocles concentrates on a character under stress: a worried Electra, anxiously awaiting the return of her avenging brother, Orestes.
- 19. Philoctetes (409 B.C.E. ) Odysseus is sent with young Neoptolemus, the son of Achilles, to the island of Lemnos to bring back Philoctetes with his bow and arrows to help capture Troy. Neoptolemus has second thoughts and refuses to deceive the old man. Philoctetes clearly shows how man and society can come into conflict and how society can toss aside an individual when it does not need him.
- 20. Oedipus at Colonus (401 B.C.E. ) Produced after Sophocles's death, is the longest of his dramas. It brings to a conclusion his concern with the Oedipus theme. Exiled by Creon, Oedipus becomes a wandering beggar accompanied by his daughter Antigone. He stumbles into a sacred grove at Colonus and asks that Theseus be summoned. Theseus arrives and promises him protection, but Creon tries to remove Oedipus. Theseus comes to the rescue and foils Creon. The arrival of his son Polyneices angers Oedipus, who curses him. Oedipus soon senses his impending death and allows only Theseus to witness the event by which he is changed into a hero and a saint.
- 21. The works of Sophocles deal with how characters react under stress (mental pressure). Sophocles' heroes are usually subjected to a series of tests that they must overcome.
- 22. Sophocles is credited with increasing the number of actors with speaking parts in a play from two to three. He raised the number of chorus members from twelve to fifteen and developed the use of painted scenery. He also abandoned the practice of presenting tragedies as trilogies (series of three works) by instead presenting three plays with different subjects. This led to faster development of characters.
- 23. In addition to his theatrical duties, Sophocles served for many years as an ordained priest of Alcon and Asclepius, the god of medicine. He served on the Board of Generals, a committee that administered civil and military affairs in Athens. He was director of the Treasury, controlling the funds of the association of states known as the Delian Confederacy.
- 24. Sophocles had two sons, Iophon and Sophocles, by his first wife, Nicostrata. He had a third son, Ariston, by his second wife, Theoris.
- 25. The Greek playwright Sophocles was responsible for several improvements in the presentation of drama. His tragedies (plays in which characters suffer because of their actions and usually die) rank him among the greatest Greek classical dramatists.
- 27. Merriman, C. D. "Sophocles." The Literature Network. Jalic Inc, 2011. Web. 23 Oct 2011. <http://www.online- literature.com/sophocles/>. "Encyclopedia of World Biography."Sophocles Biography. Advameg, Inc, 2011. Web. 23 Oct 2011. <http://www.notablebiographies.com/Sc- St/Sophocles.html>. Denault, Leigh. “Drama: Aeschylus, Sophocles and Euripides”. The Glory that was Greeece. 2003. Web. 24 Oct. 2011 http://www.watson.org/~leigh/athens.html