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Tuesday, January 12, 2010
Art Elements
FORMAL ELEMENTS: The components of a basic visual language. The formal elements
for 3-D design are point, line, plane, volume, mass, space, texture, color and
time

LINE: A point in motion. The element of form which is primarily understood in
terms of its length




ORIENTATION: Horizontal, vertical, curvilinear, or diagonal position of the line

LINEAR: Of or relating to a line or lines



DIRECTION: Implied movement

CONTINUITY: Linear flow

REAL LINE: An existing line, matter aligned upon an axis




IMPLIED LINE: A non-existent line activating empty space, implied by the
directional interaction of other lines. Lines that are suggested by the
positions of shapes or objects within a design

CONTOUR: The edge or line that defines or bounds the inner and outer edges of a
form and suggests three-dimensionally

PRIMARY CONTOUR: Outer edges
SECONDARY CONTOUR: Created by internal edges

PLANE: The element of form which can be described in 2 dimensions, characterized

by surface

PLANAR: Of or relating to a plane or planes
REAL PLANE: An existing plane, matter distributed upon a surface

IMPLIED PLANE: A non-existent plane activating empty space, implied by the
directional interaction of lines


SURFACE: The planar areas of an object which are exposed to the viewer

FORM/SHAPE: The total visual appearance of a 3-D object, or parts of it




ORGANIC/BIOMORPHIC: Irregular, uneven shapes that have structure without
angularity that visually suggests nature or natural forces




GEOMETRIC: A 3-D form derived from or suggested of geometry (cubes, spheres,
tetrahedron, etc.)




FIGURATIVE/ANTHROPOMORPHIC: Shapes or forms representing the human figure




STATIC: Without movement




DYNAMIC: Energetic, vigorous, forceful; creating or suggesting change or motion


GESTURE: The underlying sense of movement or overall expressive qualities of an
object




Kinetic Sculpture

KINETIC: A form that actually moves



FUNCTION: An object that requires a specific purpose
MASS: A solid 3-D form. The perceived weight or density of an object (affected
by visual density, value, material, surface characteristics, and spatial
orientation)

REAL MASS: The real weight of an object (e.g. a steel cube)




IMPLIED MASS: The implied weight of an object (paper cube painted to look like
steel)

SPATIAL ORIENTATION: Relationship of an object to the ground plane and other
objects




VOLUME: Defined or coherent space that can be described in 3-Dimensions.
Enclosed capacity
of an empty form

IMPLIED VOLUME: Space- not occupied by matter- sensed as coherent and resulting
from the interaction of surrounding elements of form, usually planes. (can also
be referred to as Negative Space)



REAL VOLUME: Matter occupying space. (can also be referred to as Positive Shape)

VOLUMETRIC: Of or relating to a volume or volumes




SPACE: The 3-D field in which the artist works, an area within or around an area

of substance




Negative Space_____________________________ Positive Space


NEGATIVE: A clearly defined area around a positive shape or form

POSITIVE: An area of physical substance in a 3-D Design

ACTIVATED SPACE: The area controlled by a physical object, including its
physical
volume or mass and the surrounding or enclosed space

TEXTURE: The tactile surface characteristics of a 3-D object that are either
felt or perceived visually
REAL TEXTURE: Texture that is inherent to the material (e.g. the bark of a tree)

APPLIED TEXTURE: Texture that is added to an existing object (e.g. tool marks on

a piece of wood)
This sculpture looks like the texture would feel like plastic, but it is made of

marble

COLOR: An aspect of surface which can obscure or reveal the nature of material.

REAL COLOR: The natural, inherent color of a material (e.g. the rust color of
steel)

APPLIED COLOR: Color that is added to a surface artificially, concealing or
changing its original color (e.g. a painted steel sculpture).

HUE: The name of the color (red or yellow) that distinguishes it from all the
others and assigns it a position in the visual spectrum

VALUE: The relative lightness or darkness of a color

INTENSITY: The purity or saturation of a color (fire engine red-high, brick
red-low)
SATURATION: The purity, chroma, or intensity of a color

GRADATION: Any gradual transition from one color to another or one form to
another

VALUE: The relative lightness or darkness of a surface

SCALE: Size relative to other elements within or outside of an object. It is
also a physical measurement, and a way of relating forms by comparison
(hand-held, human scale, or monumental)




TANGIBILITY: The substantiality of an object or the degree to which an object or

a force can
be felt



TIME: Movement, or change in an object over a period of time



TRANSITION: Process of changing from one state or form to another (smooth to
rough surface)


Posted by Jessica Van Swol at 8:59 PM
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Three dimensional design resources art elements

  • 1. Three-Dimensional Design Resources: Art Elementsskip to main | skip to sidebar Three-Dimensional Design Resources This Blog Linked From Here The Web This Blog Linked From Here The Web Tuesday, January 12, 2010 Art Elements FORMAL ELEMENTS: The components of a basic visual language. The formal elements for 3-D design are point, line, plane, volume, mass, space, texture, color and time LINE: A point in motion. The element of form which is primarily understood in terms of its length ORIENTATION: Horizontal, vertical, curvilinear, or diagonal position of the line LINEAR: Of or relating to a line or lines DIRECTION: Implied movement CONTINUITY: Linear flow REAL LINE: An existing line, matter aligned upon an axis IMPLIED LINE: A non-existent line activating empty space, implied by the directional interaction of other lines. Lines that are suggested by the positions of shapes or objects within a design CONTOUR: The edge or line that defines or bounds the inner and outer edges of a form and suggests three-dimensionally PRIMARY CONTOUR: Outer edges SECONDARY CONTOUR: Created by internal edges PLANE: The element of form which can be described in 2 dimensions, characterized by surface PLANAR: Of or relating to a plane or planes
  • 2. REAL PLANE: An existing plane, matter distributed upon a surface IMPLIED PLANE: A non-existent plane activating empty space, implied by the directional interaction of lines SURFACE: The planar areas of an object which are exposed to the viewer FORM/SHAPE: The total visual appearance of a 3-D object, or parts of it ORGANIC/BIOMORPHIC: Irregular, uneven shapes that have structure without angularity that visually suggests nature or natural forces GEOMETRIC: A 3-D form derived from or suggested of geometry (cubes, spheres, tetrahedron, etc.) FIGURATIVE/ANTHROPOMORPHIC: Shapes or forms representing the human figure STATIC: Without movement DYNAMIC: Energetic, vigorous, forceful; creating or suggesting change or motion GESTURE: The underlying sense of movement or overall expressive qualities of an object Kinetic Sculpture KINETIC: A form that actually moves FUNCTION: An object that requires a specific purpose
  • 3. MASS: A solid 3-D form. The perceived weight or density of an object (affected by visual density, value, material, surface characteristics, and spatial orientation) REAL MASS: The real weight of an object (e.g. a steel cube) IMPLIED MASS: The implied weight of an object (paper cube painted to look like steel) SPATIAL ORIENTATION: Relationship of an object to the ground plane and other objects VOLUME: Defined or coherent space that can be described in 3-Dimensions. Enclosed capacity of an empty form IMPLIED VOLUME: Space- not occupied by matter- sensed as coherent and resulting from the interaction of surrounding elements of form, usually planes. (can also be referred to as Negative Space) REAL VOLUME: Matter occupying space. (can also be referred to as Positive Shape) VOLUMETRIC: Of or relating to a volume or volumes SPACE: The 3-D field in which the artist works, an area within or around an area of substance Negative Space_____________________________ Positive Space NEGATIVE: A clearly defined area around a positive shape or form POSITIVE: An area of physical substance in a 3-D Design ACTIVATED SPACE: The area controlled by a physical object, including its physical volume or mass and the surrounding or enclosed space TEXTURE: The tactile surface characteristics of a 3-D object that are either felt or perceived visually
  • 4. REAL TEXTURE: Texture that is inherent to the material (e.g. the bark of a tree) APPLIED TEXTURE: Texture that is added to an existing object (e.g. tool marks on a piece of wood) This sculpture looks like the texture would feel like plastic, but it is made of marble COLOR: An aspect of surface which can obscure or reveal the nature of material. REAL COLOR: The natural, inherent color of a material (e.g. the rust color of steel) APPLIED COLOR: Color that is added to a surface artificially, concealing or changing its original color (e.g. a painted steel sculpture). HUE: The name of the color (red or yellow) that distinguishes it from all the others and assigns it a position in the visual spectrum VALUE: The relative lightness or darkness of a color INTENSITY: The purity or saturation of a color (fire engine red-high, brick red-low) SATURATION: The purity, chroma, or intensity of a color GRADATION: Any gradual transition from one color to another or one form to another VALUE: The relative lightness or darkness of a surface SCALE: Size relative to other elements within or outside of an object. It is also a physical measurement, and a way of relating forms by comparison (hand-held, human scale, or monumental) TANGIBILITY: The substantiality of an object or the degree to which an object or a force can be felt TIME: Movement, or change in an object over a period of time TRANSITION: Process of changing from one state or form to another (smooth to rough surface) Posted by Jessica Van Swol at 8:59 PM No comments: Post a Comment
  • 5. Newer Post Home Subscribe to: Post Comments (Atom) Blog Resources All of the information on this blog is used for educational purposes only. Images are linked to their source page, unless they are originals. Blog Archive â–¼ 2010 (12) â–º April (1) â–º March (2) â–º February (2) â–¼ January (7) Art Processes Moldmaking Art Principles Wire Sculpture Relief Tile Series Relief Art Elements Search This Blog powered by