Assignment 11 draft 6 part 3
- 1. Kaya KAYA Kaya Kaya
- 2. Kaya KAYA Kaya Kaya
- 3. Kaya Kaya KayaKAYA
- 4. Kaya Kaya
- 5. Kaya KAYA Kaya
- 6. Kaya KAYA Kaya Kaya
- 7. Kaya Kaya
- 9. Shot list Final Draft Sanel Time Scene Type of shots Description Props/costumes needed (secs) 1-5 She walks down the • Establishg shot She walks down • Orange top steps (1) the steps • black skirt • Hoop earrings • Coat • Bag 6-10 Still walking down the • Full body shot She walks down • Orange top steps (2) the steps • black skirt • Hoop earrings • Coat • Bag 11-13 You just see a bag (3) • Close-up shot A close up shot • Orange top is shown to the • black skirt • Hoop earrings bag • Coat • Bag 14-18 see her walking down • Establishing She is walking • Orange top the steps (4) shot down the steps • black skirt • Hoop earrings • Coat • Bag 19-24 She is now walking • Full body shot She carries on • Orange top along the pavement (5) walking • black skirt • Hoop earrings • Coat • Bag
- 10. Shot list Final Draft Time Scene Type of shots Description Props/costumes needed 25-27 You just see the bag (6) • Close-up shot of A close-up shot • Orange top the bag of the bag is • black skirt • Hoop earrings shown again • Coat • Bag 28-33 She reaches to the • Full body shot She opens the • Orange top house door (9) door • black skirt • Hoop earrings • Coat • Bag 34-37 You see the bag (10) • Close-up shot A close-up shot • Orange top of the bag is • black skirt • Hoop earrings being shown • Coat • Bag 38-39 You just see her hands • Close-up shot She opening her • Orange top (11) bedroom door • black skirt • Hoop earrings • Coat • Bag 40-45 She opens the door (12) • Mid shot See her entering • Orange top into the • black skirt • Hoop earrings bedroom • Coat • Bag
- 11. Shot list Final Draft Time Scene Type of shots Description Props/costumes needed 46-48 You just see the bag • Close-up shot Close-up shot • Orange top (13) of the bag • black skirt being shown • Hoop earrings • Bag 49-50 She lights up candles • Close-up shot She lights up • Orange top (14) the candles • black skirt • Hoop earrings 51-57 She starts to pray • Mid shot She begins to • Orange top (15) pray • black skirt • Hoop earrings 58-61 You just see her • Close-up shot Close-up shot • Orange top hands (16) of her hands • black skirt touching the • Hoop earrings rosemary 62-69 She get possessed • Mid shot She then gets • Orange top (17) possessed • black skirt • Hoop earrings
- 12. Shot list Final Draft Time Scene Type of shots Description Props/costumes needed 46-48 You just see the bag • Close-up shot Close-up shot • Orange top (13) of the bag • black skirt being shown • Hoop earrings • Bag 49-50 She lights up candles • Close-up shot She lights up • Orange top (14) the candles • black skirt • Hoop earrings 51-57 She starts to pray • Mid shot She begins to • Orange top (15) pray • black skirt • Hoop earrings 58-61 You just see her • Close-up shot Close-up shot • Orange top hands (16) of her hands • black skirt touching the • Hoop earrings rosemary 62-69 She get possessed • Mid shot She then gets • Orange top (17) possessed • black skirt • Hoop earrings
- 13. Shot list Final Draft Time Scene Type of shots Description Props/costumes needed 90-93 She starts to hear • Mid shot She looks • Orange top something (23) around as • black skirt she can hear • Hoop earrings some whispering 94-96 You see what was • Close up shot You see that • Orange top written on the paper the paper • black skirt (24) says ‘the • Hoop earrings closet’ 97-99 She stares at • Close-up shot She is staring • Orange top something (25) at the • black skirt cupboard • Hoop earrings 100-103 You see the • Reverse shot You see she • Orange top cupboard(26) is staring at • black skirt the cupboard • Hoop earrings 104-107 She walks the • Mid shot She walks to • Orange top cupboard (27) the cupboard • black skirt • Hoop earrings
- 14. Shot list Final Draft Sanel Time Scene Type of shots Description Props/costumes needed 108-110 She still walks to the • Full body shot She is at the • Orange top cupboard (28) cupboard • black skirt • Hoop earrings 111-113 You see her face • Close-up shot She is really • Orange top reaction (29) scared • black skirt • Hoop earrings 114-117 You just see her hands • Close up shot Her hands our • Orange top (31) touching the • black skirt cupboard • Hoop earrings handles 118-120 You see her face • Close-up shot She is scared • Orange top reaction (32) • black skirt • Hoop earrings 121-125 She looks around in the • Point of view She is looking • Orange top cupboard (33) inside the • black skirt cupboard • Hoop earrings 126-129 She leave the cupboard • Full body shot She the is • Orange top open (34) relieved and • black skirt closes the • Hoop earrings cupboard
- 15. Shot list Final Draft Sanel Time Scene Type of shots Description Props/costumes needed (secs) 130-137 She is walking passed the • Full body shot She walks pass the • Orange top mirror and doesn’t see the mirror and only • black skirt first ghost but sees the see one of the • Hoop earrings second ghost in her mirror ghost at the (35) second mirror 137-139 You see her face • Close up shot She is really • Orange top reaction (36) frightened • black skirt • Hoop earrings 140-142 You see the ghost (37) • Close up shot She sees the • Orange top ghost when she • black skirt • Hoop earrings turns 143-145 See her face reaction • Close up shot She is really • Orange top (38) scared • black skirt • Hoop earrings 146-148 Ghost runs into the • Full body shot They run into • Orange top cupboard (39) the cupboard • black skirt • Hoop earrings
- 16. Shot list Final Draft Sanel Time Scene Type of shots Description Props/costumes needed (secs) 149-151 You see her walking to • Mid shot She goes to the • Orange top the cupboard (40) cupboard • black skirt • Hoop earrings 152-154 The cupboard opens • Mid shot She is scared as • Orange top (41) the cupboard • black skirt opened by itself • Hoop earrings 155-158 You see her face • Close-up shot She is really • Orange top reaction (42) scared • black skirt • Hoop earrings 159-161 You see the ghost (43) • Full body shot The ghost are • Orange top telling her to • black skirt come to her • Hoop earrings 162-164 You see her facial • Close-up shot She is • Orange top expression (44) frightened • black skirt • Hoop earrings
- 17. Shot list Final Draft Sanel Time Scene Type of shots Description Props/costumes needed (secs) 164-166 You see her hands (45) • close up She is about to • Orange top touch one of • black skirt • Hoop earrings the ghost 167-169 The ghost grabs her (46) • Close up The ghost grans • Orange top her and pulls • black skirt • Hoop earrings her in 170-172 She falls into the • Mid shot She gets pulled • Orange top cupboard (47) into the • black skirt • Hoop earrings cupboard 173-175 You see the cupboard • Full shot You see the • Orange top (48) cupboard being • black skirt • Hoop earrings shut and her locked in 176-180 You see her and the other • Close up shot She is locked into • Orange top two ghost the cupboard and • black skirt then uses her • Hoop earrings matches to light up and see and you see two ghost behind her.
- 18. Kaya Enigma - How did they do it? L Insidious opening sequence Mysterious observer They show a point of view of someone walking around the house at night with a shadowed hint on the window Mysterious/scary reflection They show a refection of the female making the audience want to know who she is and why she is there at night watching over people Credits and shots During the credits they show shots of things for example the inside of the house making the audience watch more in why these are significant and the titles because they portray ghost like things making the audience want to see more about ghosts
- 19. Kaya Enigma L How are we creating enigma in our opening sequences… • By not telling the audience why these girls are haunting this room so their audience will want to find out more • The audience will want to watch more to see what relevance the dolls have to this closet/house and why they’re always coming back • At the ending of the opening sequence we build a climax to a sudden shock/scare getting the audience excited to watch more • Finally to see what happens to Laura in the closet and further of how the ghosts disturb her
- 20. Kaya Enigma L How have we improved from draft 1?... • Since draft one we have improved greatly on how we can create enigma. • We have gone through many ideas and various genres to create a very creative and versatile mind to what excited and interests our target audince • By creating a questionnaire for our target audience to see what they find interesting and what they don’t • Researching type of films and themes or concept grabs the audiences attention to watch more • Watching many different genre of films opening sequences to understand what makes enigma and realising what does not
- 21. Sanel Target Audience M Age – 15 – 17 Gender – Female and Male Ethnicity – British Location – United Kingdom Interests/Hobbies – local groups, precious memories Lifestyle – Social, attends college/school, quite open minded Why would our target audience be interested in our idea/plot? • Its based on real life, in London, so it will be familiar with the audience • Our target audience will be interested to learn about how spirits can play with our mind throughout the film and interested of being scared. • The film is based in modern time and youth culture, use of slang in a closed narrative so they can connect and relate to what they see in the film and leave thinking about the consequences
- 22. Sanel Target Audience M Why would our target audience be interested in our film because of its form? • The use of editing in building up tension will interest the target audience, they may find interesting when something is about to occur. • The use of suspension type music will keep the audience at the edge of their seat imagining themselves in certain situations Why would your target audience be interested in your film because of genre/conventions? • The target audience would be interested in how different spirits can act and play with your mind so hopefully it would be interest them. • The thrill of watching it would constantly keep the target audience interested at the edge of their seats • The target audience could hopefully relate to the character while being interested imaging themselves in them kind of situations
- 23. Sanel and Kaya Slide not improved M Feedback we received from our target audience Zoe
- 24. Sanel and Kaya Slide not improved M Feedback we received from our target audience Sinead
- 25. Sanel and Kaya Slide not improved M Feedback we received from our target audience Xheni
- 26. Sanel and Kaya Slide not improved M Feedback we received from our target audience Sayana
- 27. Sanel and Kaya Slide not improved M Feedback we received from our target audience Susan
- 28. Sanel and Kaya M Feedback we received from our target audience Marcin
- 29. Kaya Characters N How have you developed your characters since draft 1? • We developed our character to be less dark and a lot more relatable to a wider range of our target audience • We made the character one age rather than a variety so its less confusing • The clown and doll have been developed into a spiritual characters who rather than look like the dolls to 2 girls with a doll and clown toys.
- 30. Kaya Characters N Actor 1: Character 1: Kaya Sumbland Laura Hibbitt Age: Age: 17 19
- 31. Kaya Characters N Costume and props Black eyes makeup Scarf across waist Matches Candles Ghost book Black long skirt Patterned ‘gypsy’ style shirt
- 32. Slide not improved Kaya Characters N Mise –en-scene Name – Laura Hibbit Gender – Female Age – 19 Costume – gypsy style shirt, scarf around waist, black long skirt Props – book, candles, matches Make-up – Mascara, tired eyes, blush, eyeliner Stereotype – gypsy Facial expression – Scared, shock Body language – open Representation – spiritual gypsy who is interested in other worls
- 33. Kaya Characters N Actor 2: Character 2: Sanel Homer Cilia Elizabeth Carter Age: Age: 17 73