Composition lecture
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The document provides an overview of basic composition principles for visual design. It discusses various compositional elements and techniques including line, shape, form, texture, color, framing, perspective, negative space, the rule of thirds, leading lines, depth of field, and more. The purpose of composition is to organize visual elements into a readable and aesthetically pleasing form that effectively guides the viewer's eye and conveys the intended message.
Composition lecture
- 2. Bonjour bienvenue a cette de travaile. J’ esphere qe vous aimez beancoup quoi nous avons comence de connu!
- 3. Good Photographic and excellence Welcome at morning understanding the to this basis. I knowledge hope you will the lot of highest tools enjoy the ahead of you
- 4. COMPOSITION The art of organizing all the elements of a visual message into a readable and pleasing form
- 5. Purpose of composition just guides not a strict rule to follow
- 6. Importance of Design & Composition Design is the plan & Composition is the execution of the plan
- 7. The most important element in your photograph.
- 8. The subject and its message How we perceive, received and understand
- 9. What makes a striking image?
- 10. The most common place subjects Composed in the simplest way Composed in an unusual way
- 11. common mistakes photographs which has several point of interest (too cluttered) Or without point of interest at all lack of direction and subsequent confusion alienates the eye
- 12. Placement
- 22. compare: which of the two gives an impression of faster
- 25. dynamic line
- 28. which is the correct direction?
- 29. FORMATS
- 30. vertical or horizontal format
- 33. different story?
- 34. Rule of thirds
- 35. x x x x
- 44. Planes divide the photo into three parts creates depth Three dimensional depth Foreground, mid-ground, background
- 45. background mid ground foreground
- 51. elements of design Line Shape Form Texture Pattern Color
- 52. LINE is the strongest among the six (6) elements of design Without LINE there will be no SHAPE and without shape there will be no FORM and without form and shape then no TEXTURE
- 53. Lines takes the eye into the picture and often add depth Lines can be Restful Rigid Active Soothing Threatening
- 54. Ex: Jagged lines
- 55. Lines can also be sharp dangerous forceful chaotic threatening
- 56. Quality of lines thick line is more stable than thin lines
- 57. Types of lines Horizontal, Vertical, Diagonal
- 58. vertical line Sense of masculinity & and rigidity Sense of authority
- 64. diagonal lines • evokes feeling of movement, activity and speed • suggest energy or action
- 70. horizontal lines conveys tranquility Peaceful although remains masculine
- 74. leading lines & converging lines real or imaginary line
- 84. flow
- 91. shapes principal form of identification
- 92. Subject must be front lit or backlit There is a strong contrast between shape and its surrounding
- 94. circle THE STRONGEST SHAPE Evokes feeling of completion, universality, psychological wholeness, and warmth
- 95. form three dimensional while shape has two.
- 96. texture Exuding deep emotions Use texture to describe most everything like a rough day, soft touch or a sharp mind
- 100. color and contrast
- 106. s curve also known as Hogan’s line of beauty, it signals grace, youthful energy or flowing Its has a feminine qualities
- 113. S curve of Design
- 116. line act as a natural boundary
- 119. Less space on the left, closer to the edge creates more tension
- 120. If more space then less tension, more relax, it stop the natural flow
- 121. With profile facing right with balanced space in front, will lead our eyes into their natural path, thus giving the portrait more serene feeling.
- 122. Visually, a profile facing left whether restful or stressful, has more impact than a right facing profile in an equivalent placement within the frame
- 123. framing use of natural or unnatural borders to frame the subject, give emphasis
- 134. perspective or point of view
- 135. bird’s eye view
- 138. worm’s eye view
- 140. Use the sky as your background
- 144. repeated patterns to give emphasis, also harmony
- 150. Things to avoid & consider
- 151. ping-pong effect two subjects with equal weight of importance
- 156. negative & positive space
- 157. WASTED SPACE . . . TOO MUCH SPACE W/O INFORMATION
- 158. scaling A reference or basis in terms of size, height And volume
- 159. more to consider
- 160. Create drama and mood
- 161. be creative and artistic
- 162. Create a story
- 163. create a different look
- 164. don’t do the ordinary
- 165. experiment
- 167. the end