Dance-Tech Interfaces
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The document outlines a theoretical framework for performance in the digital domain, focusing on the interplay between technology and dance. It discusses various approaches to corporeality and performance, including hybrid models informed by feminist and posthuman perspectives. The project, 'Touch Terrain,' aims to promote intelligent embodied engagement and enhance awareness of subjective embodied experience within mediated environments.
Dance-Tech Interfaces
- 1. Dance-Technologies Interfaces a theoretical framework for performance in the digital domain by Isabel Valverde PhD Dance History and Theory Univ. California, Riverside
- 2. Technology & Format related Dance Interfaces mocap dance digital dance dance installation/environvirtual dance ment telematic interactive dance performance hyperchoreography dance animation webdance robotic dance multimedia dance
- 3. Tecnocultural Matrix Simulation Jean Baudrillard (Simulations,1983) Questioning Technology Martin Heidegger (The Question Concerning Technology and Other Essays,1982) Virtuality Pierre Levy (Becoming Virtual: Reality in the Digital Age,1998)
- 4. Hybrid models by keyMatrixauthors theorizing corporeality, Corporeality feminist Corporeality Matrix particularly on body and technology issues: Möbius strip Elizabeth Grosz (Volatile bodies: toward a corporeal feminism, 1994) Cyborg Donna Haraway ( Simians, Cyborgs and Women: The Reinvention of Nature, 1991) Posthuman Katherine Hayles (How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999) How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatic, 1999)
- 5. Performance/Dance Matrix New Kinaesthesia Hillel Schwartz Ambulant Scholarship Susan Foster Chiasm Susan Kozel Televisual Flesh Amelia Jones Cuna figures Michael Taussig Surrogation Joseph Roach
- 6. Dance-Technologies Interfaces univocal random faceted reflexive
- 7. univocal interface /igloo Brownian Motion/Richard Lord Dumbtype/OR
- 8. random interface Biped/Cunningham, Kaiser, Eshkar, Girard
- 9. faceted interface CO3/Company in Space Surfacing/TroikaRanch
- 10. reflexive interface TGarden/sponge&foam telematic dreaming/Paul Sermon
- 11. univocal, faceted, random or reflexive interfaces? SeaUnsea/Carol Brown Dances 16revolutions/TroikaRanch Swap/Costa,Quintas, Costa
- 12. Will.0.w1sp/Kirk Woolford entre-deux/kondition pluriel
- 13. TOUCH TERRAIN A Participatory Hybrid Performance Environment By Isabel Valverde (choreographer, performer & researcher) Y iannis Melanitis (performance artist & researcher) With the participation of Tania Barr (Animazoo-Europe, Motion Capture) Panos (Programmer) From: Portugal, Greece, and France http://www.geocities.com/melanitis2004/TouchTerrain http://home.earthlink.net/~isaval/data/entrada.html
- 15. What For? # Towards active inter-subject intelligent embodied engagement # Towards designing and choreographing experiences and interfaces that reverse the dominant perceptive hierarchy of vision to touch and kinaesthesia (our somatic sense of embodiment) # To re-visite touch and kineasthesia as a basis for our relationship with our body, the world, and one another. And where visuals spring from the rich qualities of tactile and somatic experience. # To contribute to rising awareness about and change attitudes towards subjective embodied experience within mediated/wired environments. # To become familiar with hidden aspects of embodiment through new socializing situations. # To address issues of body representations including cultural politics of gender, ethnicity, health and aesthetics. # To permanently alter perceptions and consciousness.