Digital Scholarship Intersection
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The document discusses digital scholarship at the intersection of various disciplines, highlighting the role of social machines and citizen participation in academic research. It references numerous projects and papers that explore the integration of data, storytelling, and technology in scholarly contexts, emphasizing collaborative authorship and the potential of linked data. Additionally, it illustrates how advancements in digital technology, such as the Internet of Things, can transform academic investigation and knowledge sharing.
![[The Analytical Engine] might act upon other things besides number,
were objects found whose mutual fundamental relations could be
expressed by those of the abstract science of operations, and which
should be also susceptible of adaptations to the action of the operating
notation and mechanism of the engine… Supposing, for instance, that
the fundamental relations of pitched sounds in the science of harmony
and of musical composition were susceptible of such expression and
adaptations, the engine might compose elaborate and scientific pieces of
music of any degree of complexity or extent.
http://blogs.bodleian.ox.ac.uk/adalovelace/](https://image.slidesharecdn.com/digitalscholarshipintersectionofdisciplines-150925173934-lva1-app6892/85/Digital-Scholarship-Intersection-45-320.jpg)
Digital Scholarship Intersection
- 1. David De Roure @dder Digital Scholarship: The Intersection of Disciplines DIRECTOR, UNIVERSITY OF OXFORD E-RESEARCH CENTRE
- 2. Porter, Bernard. 1939. Being a Map of Physics. Courtesy of Maine State Library and Mark Melnicove. In "10th Iteration (2014): The Future of Science Mapping," Places & Spaces: Mapping Science, edited by Katy Börner and Samuel Mills. http://scimaps.org
- 7. Edwards, P. N., et al. (2013) Knowledge Infrastructures: Intellectual Frameworks and Research Challenges. Ann Arbor: Deep Blue. http://hdl.handle.net/2027.42/97552
- 10. F i r s t
- 11. Four Quadrant Diagram Digital Scholarship
- 12. Citizens
- 13. Social Machines Defini8on TBL
- 17. https://twitter.com/CR_UK/status/446223117841494016/ Some people's smartphones had autocorrected the word "BEAT" to instead read "BEAR". "Thank you for choosing an adorable polar bear," the reply from the WWF said. "We will call you today to set up your adoption." http://www.bbc.com/news/technology-26723457
- 18. time Social Machine instances @dder
- 19. Observer of one social machine Observers using third party observatory Observer of multiple social machines Human participants in Social Machine Human participants in multiple Social Machines Observer of Social Machine infrastructure 1 4 2 3 5 6 SM SM SM Social Machine Observing Social Machines 7 @dder
- 20. STORYTELLING AS A STETHOSCOPE FOR SOCIAL MACHINES 1. Sociality through storytelling potential and realization 2. Sustainability through reactivity and interactivity 3. Emergence through collaborative authorship and mixed authority Zooniverse is a highly storified Social Machine Facebook doesn’t allow for improvisa8on Wikipedia assigns authority rights rigidly http://ora.ox.ac.uk/objects/ora:8033 Tarte, S.M., De Roure, D. and Willcox, P. 2014. Working out the Plot: the Role of Stories in Social Machines. SOCM2014: The Theory and Practice of Social Machines, Seoul, Korea, International World Wide Web Conferences pp. 909–914
- 21. Tarte, S. Willcox, P., Glaser, H. and De Roure, D. 2015. Archetypal Narratives in Social Machines: Approaching Sociality through Prosopography. ACM Web Science 2015.
- 22. Crossing the Boundaries of Discipline Multi/Inter/Trans/Post
- 23. Community SoMware Supercomputer Digital Music Collec8ons Grad-‐sourced ground truth Community SoMware Linked Data Repositories Supercomputer 23,000 hours of recorded music Music Information Retrieval Community SALAMI
- 25. Dan Edelstein, Robert Morrissey, and Glenn Roe, To Quote or not to Quote: Citation Strategies in the Encyclopédie. Journal of the History of Ideas , Volume 74, Number 2, April 2013 . pp. 213-236. 10.1353/jhi.2013.0012 Glenn Roe
- 26. 3,610 Shared Passages Montesquieu - 681 passages • De l'esprit des lois (1746) - 477 passages • Considérations sur les Romains… (1734) - 173 passages Voltaire - 528 passages • Essai sur l'histoire générale… (1756) - 415 passages Jean-Baptiste Dubos - 229 passages • Réflexions critiques sur la poésie et sur la peinture (1719) - 227 passages René Aubert de Vertot - 122 passages • Histoire des révolutions arrivées dans le gouvernement romain (1727) - 122 passages Antoine Arnauld & Pierre Nicole - 107 passages • La logique, or l'art de penser (1662) - 107 passages Charles Rollin - 100 passages • Histoire ancienne des Égyptiens (1738) - 94 passages Montaigne - 91 passages • Les Essais (1595) - 91 passages Condillac - 91 passages • Essai sur l'origine des connaissances humaines (1746) - 91 passages Aligned passages in the over 900 texts that predate the publication of the Encyclopédie in the ARTFL-Frantext collection, from Russell Horton, Mark Olsen, and Glenn Roe, Something Borrowed: Sequence Alignment and the Identification of Similar Passages in Large Text Collections, Digital Studies - Le Champ numérique 2 (1) Glenn Roe
- 27. Psychology and digital technology are being combined to understand music in new ways. In the run-up to the Being Human festival, a group of students in the audience for Wagner’s epic ‘Ring Cycle’, conducted by Valery Gergiev (Birmingham Hippodrome) will take part in an intriguing experiment to monitor the sensations produced over the 16-hour cycle of four operas. How do we really experience Wagner’s music? http://beinghumanfestival.org/event/hearing-wagner/
- 28. !Fusing Audio and Semantic Technologies David De Roure, Graham Klyne, Kevin Page, John Pybus and David Weigl (2015). Music and Science: Parallels in Production. 2nd Intl Digital Libraries for Musicology workshop (DLfM 2015), June 2015.
- 32. Crossing the Boundaries of Time* *and digital–physical
- 34. Richard O’Bierne
- 35. First Folio Social Machines Metadata Story of the First Folio Social Machines Annotation David De Roure and Pip Willcox ‘“Coniunction, with the participation of Society”: Citizens, Scale, and Scholarly Social Machines’ Beyond the PDF: Born-Digital Humanities, Boston, 27–28 April 2015 Pip Willcox
- 36. Digital Material Pip Willcox
- 38. A computationally-enabled sense-making network of expertise, data, software, models and narratives Big Data, in a Big Data Centre
- 39. A rehearsal for the future ▶ The Internet of Things describes a world in which everyday objects are connected to a network so that data can be shared. ▶ But it is really as much about people as the inanimate objects. ▶ It is impossible to anticipate all the social changes that could be created by connecting billions of devices. https://www.gov.uk/government/publications/internet-of-things-blackett-review
- 40. Crossing the Boundaries of Collections
- 42. The ElEPHãT project used Linked Data to enable scholarly investigation across dynamic collections combining EEBO-TCP and the HathiTrust The ElEPHãT project -- Early English Print in HathiTrust, a Linked Semantic Worksets Prototype -- demonstrates the use of Linked Data for combining, through worksets, information from independent collections into a coherent view which can be studied and analyzed to facilitate and improve academic investigation of the constituents. The project focuses on the potential symbiosis between two datasets: the first is Early English Books Online - Text Creation Partnership (EEBO-TCP), a mature corpus of digitized content consisting of English text from the first book printed through to 1700, with highly accurate, fully-searchable, XML-encoded texts; the second is a custom dataset from the HathiTrust Digital Library of all materials in English published between 1470 and 1700.
- 43. ElEPHãT
- 44. !
- 45. [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine… Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent. http://blogs.bodleian.ox.ac.uk/adalovelace/
- 46. http://collation.folger.edu/2011/08/welcome-to-the-collation/ The Hinman CollatorCarter Hailey’s Comet Portable Optical Collator Iain Emsley and David De Roure. 2014. “It will discourse most eloquent music”: Sonifying variants of Hamlet. TEI Conference, Lyon, France, October 2015
- 47. • Same quest, with some new methods • Doing things in new ways • Doing entirely new things • Social as well as digital • Semantics as a digital affordance • Intersection, Scale, and Social Machines • Other disciplines can learn from working with the humanities We're all in some sense digital humans, and digital humanists” @jfwinters
- 48. david.deroure@oerc.ox.ac.uk @dder Thanks to Iain Emsley, Terhi Nurmikko- Fuller, Kevin Page, John Pybus, Glenn Roe, Ségolène Tarte, David Weigl, Pip Willcox and all our collaborators, and to the Centre for Digital Scholarship at the Bodleian Libraries. http://www.slideshare.net/davidderoure/digital-scholarship-intersection