Evolution of the columns
14 likes6,511 views
The document discusses the architectural significance of columns, highlighting their evolution and various styles in ancient civilizations, particularly focusing on their structural and decorative roles. It outlines the classical orders of columns developed by the Greeks and expanded by the Romans, including Doric, Ionic, and Corinthian styles, each with distinct proportions and characteristics. Additionally, it briefly mentions the solomonic column and its later popularization in Baroque architecture.
Evolution of the columns
- 1. Prof. Crisencio M. Paner, MSc.
- 2. The column was an architectural invention which allowed for the support of ceilings without the use of solid walls, thereby increasing the space which could be spanned by a ceiling, allowing the entrance of light and offering an alternative aesthetic to building exteriors, particularly in the peristyles of temples and on colonnades along stoas. Stoas in Athens
- 3. Columns are frequently used to support beams or arches on which the upper parts of walls or ceilings rest. In architecture, "column" refers to such a structural element that also has certain proportional and decorative features. A column might also be a decorative element not needed for structural purposes; many columns are "engaged", that is to say form part of a wall.
- 4. Columns could also be incorporated (engaged) within walls or be free-standing and carry sculpture to commemorate particular events or people. Trajan’s Column, Rome Close up view of Trajan’s Column
- 5. All significant Iron Age civilizations of the Near East and Mediterranean made some use of columns. In Ancient Egyptian architecture as early as 2600 BC the architect Imhotep made use of stone columns whose surface was carved to reflect the organic form of bundled reeds; in later Egyptian architecture faceted cylinders were also common. An Open Papyrus ColumnImhotep’s Column
- 6. Some of the most elaborate columns in the ancient world were those of the Persians, especially the massive stone columns erected in Persepolis. They included double-bull structures in their capitals. Plan, Front view and side view of a typical Persepolis column, of Persia (Iran)
- 7. The Hall of Hundred Columns at Persepolis, measuring 70 70 metres, was built by the Achaemenid king Daris I (524–486 BC). Many of the ancient Persian columns are standing, some being more than 30 metres tall.
- 8. The Egyptians, Persians and other civilizations mostly used columns for the practical purposeof holding up the roof inside a building, preferring outsidewalls to bedecorated with reliefs or painting.
- 9. But the Ancient Greeks, followed by the Romans, loved to use them on the outside as well, and the extensive use of columns on the interior and exterior of buildings is one of the most characteristic features of classical architecture, in buildings like the Parthenon. NashvilleParthenon-replica of Athen’s Parthenon Interior of Nashville Parthenon
- 10. The Greeks developed the classical orders of architecture, which are most easily distinguished by the form of the column and its various elements. Their Doric, Ionic, and Corinthian orders were expanded by the Romans to include the Tuscan and Composite orders.
- 11. The Doric order is the oldest and simplest of the classical orders. It is composed of a vertical cylinder that is wider at the bottom. It generally has neither a base nor a detailed capital. It is instead often topped with an inverted frustum of a shallow cone or a cylindrical band of carvings.
- 12. It is often referred to as the masculine order because it is represented in the bottom level of the Colosseum and the Parthenon, and was therefore considered to be able to hold more weight. The height-to-thickness ratio is about 8:1. The shaft of a Doric Column is always fluted.
- 13. The Ionic column is considerably more complex than the Doric or Tuscan. It usually has a base and the shaft is often fluted (it has grooves carved up its length). On the top is a capital in the characteristic shape of a scroll, called a volute, or scroll, at the four corners.
- 14. The height-to-thickness ratio is around 9:1. Due to the more refined proportions and scroll capitals, the Ionic column is sometimes associated with academic buildings. Ionic style columns were used on the second level of the Colosseum.
- 15. The Corinthian order is named for the Greek city-state of Corinth, to which it was connected in the period. However, according to the architectural historian Vitruvius, the column was created by the sculptor Callimachus, probably an Athenian, who drew acanthus leaves growing around a votive basket.
- 16. In fact, the oldest known Corinthian capital was found in Bassae, dated at 427 BC. It is sometimes called the feminine order because it is on the top level of the Colosseum and holding up the least weight, and also has the slenderest ratio of thickness to height. Height to width ratio is about 10:1.
- 17. The Composite order draws its name from the capital being a composite of the Ionic and Corinthian capitals. The acanthus of the Corinthian column already has a scroll-like element, so the distinction is sometimes subtle.
- 18. Generally the Composite is similar to the Corinthian in proportion and employment, often in the upper tiers of colonnades. Height to width ratio is about 11:1 or 12:1.
- 19. A Solomonic column, sometimes called "barley sugar", begins on a base and ends in a capital, which may be of any order, but the shaft twists in a tight spiral, producing a dramatic, serpentine effect of movement. Solomonic columns were developed in the ancient world, but remained rare there.
- 20. A famous marble set, probably 2nd century, was brought to St Peter's, Rome by Constantine I, and placed round the saint's shrine, and was thus familiar throughout the Middle Ages, by which time they were thought to have been removed from the Temple of Jerusalem.
- 21. The style was used in bronze by Bernini for his spectacular St. Peter's baldachin, actually a ciborium (which displaced Constantine's columns), and thereafter became very popular with Baroque and Rococo church architects
- 22. BACKGROUND OF PROF. CRISENCIO M. PANER: •Ph.D. in BiologicalScience (Candidate),UST •M.S. in Microbiology,UST •B.S. Biochemistry, UST •ItalianGovernmentScholar •CollegeScholar •Certificatein Education •10th Placer Licensure Exams for Teachers •20 years of experience as a teacher (College, High School, Elementary) •Expert in Internet, Computer(Software, Hardware, and Repair) •Researcher and Blogger •Art Restorer/Conservator PLS. CHECKOUT ALSO THE FOLLOWING BLOGS OF MINE: http://allaboutweightmanagement.blogspot.com http://thepregnancyplanner.blogspot.com http://internet-moneymakingsecrets.blogspot.com http://cmpaner.blogspot.com http://letsecrets.blogspot.com (HOW TO PREPARE FOR LET) https://www.facebook.com/crisencio.paner