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AndreaAdams
Drama 101, NSCC
March 3rd, 2011
Director’s Concept for Anna in the Tropics
Statementof Theme:
Thisproductionwill focusonthe theme of traditionversustechnology,contrastingthe warmthand
romance of Latinculture againstthe coldmachineryandefficiencyof industry. Itwill highlightthe
characters’conflictbetweenmaintainingtheirtraditions(inessence,cultureandhumanity) and
employingmodernmethodsthatwouldallow theirbusinesstobe more competitive.The debate about
hiringa lectorillustratesthisconflict.One ownerviewsthispositionasanecessarycustomthat brings
life andculture tothe work,while herpartnerseesitas a superfluousexpensethataddsnothingtothe
bottomline.
Whytheme is important/relevanttoday:
We live inatime whenmanypeople feel thatourtechnologyisoutpacingourhumanity.Asour“global
community”expands,ourlocal communitiesappeartoshrink. We’re versedininternational politics,
but we don’tknowour nextdoorneighbors.Thisisnotto saythat technologyisautomatically“bad”,it
merelyillustratesthe factthatprogressanddevelopmentoftencome atthe expense of traditionand
personal connection.Thatbeingsaid,thisplayraisesquestionsthatare still important,suchas“whatdo
we value?”and“is there a balance tobe struckbetweentraditionandtechnology?
Central Image and itsrelationshipto the Theme:
Thisimage showsan industrial factoryfilledwithrustypipes,coldmetal anda glimmeringhintof
progress.Atthe centeris a beautiful womaninaflowingdresswithalarge bouquetof flowersinher
openarms.Her aestheticisromanticandantiquated,anditis difficulttosee how she fitsinto her
surroundings.Insome waysshe seemstoblendwithherenvironment,andatthe same time she seems
out of place.Is she a contributingforce inthisindustrial climate?Isshe anancestorwhocarries
importantknowledge toguide the wayormerelyaghost that isslowlyfadingfromthe picture?
Thisis the visual equivalentof the conflictspresentedinthe play’stheme –romance andhistory
juxtaposedagainstabackdropof unfeelingindustryandmetal.Itisobviousthatthere isa change taking
place,butwhat islessobviousiswhichelementswillbe mostvaluable inthe longrun.Canthese older
sensitivitiespersistinthe colderrealmof logicandloomingtechnology?
ScenicDesign:
The overall tone forthe setwill be dark andearthy.Browns,goldand rustwill evoke asense of tobacco
and a warm,muggy climate.The factorywill be openwithsparse woodfurnishings,brickwalls,andabit
of machinery…nothingtoobig, but enoughtogive a subtle suggestionof industry.
In contrastto the darkenvironmentthe characterswill wearlightclothingwithfluidlines.Theirtidy
workspaceswill be filledwithneatlyboundcigarbundles.They’llbe decoratedwithsentimental items
like flowerbouquetsandbeautifulphotosfrommagazines.
LightingDesign:
Again,the emphasiswillbe ondark earthytones.I wasinspiredbythe wayan oldsepiaphotohelpedto
create the visual design’sfocusforaproductionof Joe Turner’sComeand Gone,so I’ll “borrow”that
conceptfor mylighting.The lightingwill be dim, usingwarmsepiatonestoevoke avintage/oldworld
look.The characters will be litmore clearly,withtrue colorbulbs,sothattheyhave a crisp,brightlook
againstthe dark set.
Sound Design:
The sounddesign forthisproductionwill be simple.Radiowasaverypopularformof entertainment
duringthisera,and it providesagreatway forus to reflectthe cultural influencesinthisstory.The
factory’sradiowill playamixture of Cubanmusicand popularAmericansongs.Asa gesture of respect,a
workerwill turnthe radiooff before the lectorbeginshisreadings.Duringthese readings,the only
soundswe’ll hearbesidesthe lector’svoice are the turningof pages andthe wistful sighsof the female
workers.

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Example director's concept

  • 1. AndreaAdams Drama 101, NSCC March 3rd, 2011 Director’s Concept for Anna in the Tropics Statementof Theme: Thisproductionwill focusonthe theme of traditionversustechnology,contrastingthe warmthand romance of Latinculture againstthe coldmachineryandefficiencyof industry. Itwill highlightthe characters’conflictbetweenmaintainingtheirtraditions(inessence,cultureandhumanity) and employingmodernmethodsthatwouldallow theirbusinesstobe more competitive.The debate about hiringa lectorillustratesthisconflict.One ownerviewsthispositionasanecessarycustomthat brings life andculture tothe work,while herpartnerseesitas a superfluousexpensethataddsnothingtothe bottomline. Whytheme is important/relevanttoday: We live inatime whenmanypeople feel thatourtechnologyisoutpacingourhumanity.Asour“global community”expands,ourlocal communitiesappeartoshrink. We’re versedininternational politics, but we don’tknowour nextdoorneighbors.Thisisnotto saythat technologyisautomatically“bad”,it merelyillustratesthe factthatprogressanddevelopmentoftencome atthe expense of traditionand personal connection.Thatbeingsaid,thisplayraisesquestionsthatare still important,suchas“whatdo we value?”and“is there a balance tobe struckbetweentraditionandtechnology? Central Image and itsrelationshipto the Theme: Thisimage showsan industrial factoryfilledwithrustypipes,coldmetal anda glimmeringhintof progress.Atthe centeris a beautiful womaninaflowingdresswithalarge bouquetof flowersinher openarms.Her aestheticisromanticandantiquated,anditis difficulttosee how she fitsinto her
  • 2. surroundings.Insome waysshe seemstoblendwithherenvironment,andatthe same time she seems out of place.Is she a contributingforce inthisindustrial climate?Isshe anancestorwhocarries importantknowledge toguide the wayormerelyaghost that isslowlyfadingfromthe picture? Thisis the visual equivalentof the conflictspresentedinthe play’stheme –romance andhistory juxtaposedagainstabackdropof unfeelingindustryandmetal.Itisobviousthatthere isa change taking place,butwhat islessobviousiswhichelementswillbe mostvaluable inthe longrun.Canthese older sensitivitiespersistinthe colderrealmof logicandloomingtechnology? ScenicDesign: The overall tone forthe setwill be dark andearthy.Browns,goldand rustwill evoke asense of tobacco and a warm,muggy climate.The factorywill be openwithsparse woodfurnishings,brickwalls,andabit of machinery…nothingtoobig, but enoughtogive a subtle suggestionof industry. In contrastto the darkenvironmentthe characterswill wearlightclothingwithfluidlines.Theirtidy workspaceswill be filledwithneatlyboundcigarbundles.They’llbe decoratedwithsentimental items like flowerbouquetsandbeautifulphotosfrommagazines. LightingDesign:
  • 3. Again,the emphasiswillbe ondark earthytones.I wasinspiredbythe wayan oldsepiaphotohelpedto create the visual design’sfocusforaproductionof Joe Turner’sComeand Gone,so I’ll “borrow”that conceptfor mylighting.The lightingwill be dim, usingwarmsepiatonestoevoke avintage/oldworld look.The characters will be litmore clearly,withtrue colorbulbs,sothattheyhave a crisp,brightlook againstthe dark set. Sound Design: The sounddesign forthisproductionwill be simple.Radiowasaverypopularformof entertainment duringthisera,and it providesagreatway forus to reflectthe cultural influencesinthisstory.The factory’sradiowill playamixture of Cubanmusicand popularAmericansongs.Asa gesture of respect,a workerwill turnthe radiooff before the lectorbeginshisreadings.Duringthese readings,the only soundswe’ll hearbesidesthe lector’svoice are the turningof pages andthe wistful sighsof the female workers.