SlideShare a Scribd company logo
Download the full version and explore a variety of test banks
or solution manuals at https://testbankbell.com
New Perspectives on HTML5 CSS3 JavaScript 6th
Edition Carey Solutions Manual
_____ Follow the link below to get your download now _____
http://testbankbell.com/product/new-perspectives-on-
html5-css3-javascript-6th-edition-carey-solutions-manual/
Access testbankbell.com now to download high-quality
test banks or solution manuals
We have selected some products that you may be interested in
Click the link to download now or visit testbankbell.com
for more options!.
New Perspectives on HTML5 CSS3 JavaScript 6th Edition
Carey Test Bank
http://testbankbell.com/product/new-perspectives-on-
html5-css3-javascript-6th-edition-carey-test-bank/
Solution manual for New Perspectives on HTML5, CSS3, and
JavaScript 7th Edition by Carey
http://testbankbell.com/product/solution-manual-for-new-perspectives-
on-html5-css3-and-javascript-7th-edition-by-carey/
HTML5 and CSS3 Illustrated Introductory 2nd Edition Vodnik
Solutions Manual
http://testbankbell.com/product/html5-and-css3-illustrated-
introductory-2nd-edition-vodnik-solutions-manual/
Advocacy and Opposition An Introduction to Argumentation
7th Edition Rybacki Rybacki Test Bank
http://testbankbell.com/product/advocacy-and-opposition-an-
introduction-to-argumentation-7th-edition-rybacki-rybacki-test-bank/
Test Bank for Clinical Nursing Skills and Techniques, 8th
Edition : Perry
http://testbankbell.com/product/test-bank-for-clinical-nursing-skills-
and-techniques-8th-edition-perry/
Test Bank for Interpersonal Communication: Everyday
Encounters 9th Edition Julia T. Wood
http://testbankbell.com/product/test-bank-for-interpersonal-
communication-everyday-encounters-9th-edition-julia-t-wood/
Solution Manual for Data Structures and Abstractions with
Java, 3/E 3rd Edition : 0136100910
http://testbankbell.com/product/solution-manual-for-data-structures-
and-abstractions-with-java-3-e-3rd-edition-0136100910/
Test Bank for Seeley’s Anatomy Physiology 12th by VanPutte
http://testbankbell.com/product/test-bank-for-seeleys-anatomy-
physiology-12th-by-vanputte/
Test Bank for American Politics Today Essentials, 6th
Edition, William T Bianco, David T Canon,
http://testbankbell.com/product/test-bank-for-american-politics-today-
essentials-6th-edition-william-t-bianco-david-t-canon/
Hazard Mitigation and Preparedness An Introductory Text
for Emergency Management and Planning Professionals 2nd
Schwab Solution Manual
http://testbankbell.com/product/hazard-mitigation-and-preparedness-an-
introductory-text-for-emergency-management-and-planning-
professionals-2nd-schwab-solution-manual/
New Perspectives on HTML5 CSS3 JavaScript
6th Edition Carey Solutions Manual
Full download chapter at: https://testbankbell.com/product/new-
perspectives-on-html5-css3-javascript-6th-edition-carey-solutions-
manual/
Discover the thorough instruction you need to build dynamic, interactive Web sites from
scratch with NEW PERSPECTIVES ON HTML5, CSS3, AND JAVASCRIPT, 6E. This
user-friendly book provides comprehensive coverage of HTML, CSS, and JavaScript
with an inviting approach that starts with the basics and does not require any prior
knowledge on the subject. Detailed explanations of key concepts and skills make even
the most challenging topics clear and accessible. Case scenarios and case problems
place the most complex concepts within an understandable and practical context. You
develop important problem solving skills as you work through realistic exercises. Proven
applications and an interesting approach help you retain the material and apply what
you’ve learned in a professional environment.
1. Preface
2. Brief Contents
3. Table of Contents
4. Tutorial 1: Getting Started with HTML5: Creating a Website for a Food Vendor
5. Session 1.1 Visual Overview: The Structure of an HTML Document
6. Exploring the World Wide Web
7. Introducing HTML
8. Tools for Working with HTML
9. Exploring an HTML Document
10. Creating the Document Head
11. Adding Comments to Your Document
12. Session 1.1 Quick Check
13. Session 1.2 Visual Overview: HTML Page Elements
14. Writing the Page Body
15. Linking an HTML Document to a Style Sheet
16. Working with Character Sets and Special Characters
17. Working with Inline Images
18. Working with Block Quotes and Other Elements
19. Session 1.2 Quick Check
20. Session 1.3 Visual Overview: Lists and Hypertext Links
21. Working with Lists
22. Working with Hypertext Links
23. Specifying the Folder Path
24. Linking to a Location within a Document
25. Linking to the Internet and Other Resources
26. Working with Hypertext Attributes
27. Session 1.3 Quick Check
28. Review Assignments
29. Case Problems
30. Tutorial 2: Getting Started with CSS: Designing a Website for a Fitness Club
31. Session 2.1 Visual Overview: CSS Styles and Colors
32. Introducing CSS
33. Exploring Style Rules
34. Creating a Style Sheet
35. Working with Color in CSS
36. Employing Progressive Enhancement
37. Session 2.1 Quick Check
38. Session 2.2 Visual Overview: CSS Typography
39. Exploring Selector Patterns
40. Working with Fonts
41. Setting the Font Size
42. Controlling Spacing and Indentation
43. Working with Font Styles
44. Session 2.2 Quick Check
45. Session 2.3 Visual Overview: Pseudo Elements and Classes
46. Formatting Lists
47. Working with Margins and Padding
48. Using Pseudo-Classes and Pseudo-Elements
49. Generating Content with CSS
50. Inserting Quotation Marks
51. Session 2.3 Quick Check
52. Review Assignments
53. Case Problems
54. Tutorial 3: Designing a Page Layout: Creating a Website for a Chocolatier
55. Session 3.1 Visual Overview: Page Layout with Floating Elements
56. Introducing the display Style
57. Creating a Reset Style Sheet
58. Exploring Page Layout Designs
59. Working with Width and Height
60. Floating Page Content
61. Session 3.1 Quick Check
62. Session 3.2 Visual Overview: Page Layout Grids
63. Introducing Grid Layouts
64. Setting up a Grid
65. Outlining a Grid
66. Introducing CSS Grids
67. Session 3.2 Quick Check
68. Session 3.3 Visual Overview: Layout with Positioning Styles
69. Positioning Objects
70. Handling Overflow
71. Clipping an Element
72. Stacking Elements
73. Session 3.3 Quick Check
74. Review Assignments
75. Case Problems
76. Tutorial 4: Graphic Design with CSS: Creating a Graphic Design for a Genealogy
Website
77. Session 4.1 Visual Overview: Backgrounds and Borders
78. Creating Figure Boxes
79. Exploring Background Styles
80. Working with Borders
81. Session 4.1 Quick Check
82. Session 4.2 Visual Overview: Shadows and Gradients
83. Creating Drop Shadows
84. Applying a Color Gradient
85. Creating Semi-Transparent Objects
86. Session 4.2 Quick Check
87. Session 4.3 Visual Overview: Transformations and Filters
88. Transforming Page Objects
89. Exploring CSS Filters
90. Working with Image Maps
91. Session 4.3 Quick Check
92. Review Assignments
93. Case Problems
94. Tutorial 5: Designing for the Mobile Web: Creating a Mobile Website for a Daycare
Center
95. Session 5.1 Visual Overview: Media Queries
96. Introducing Responsive Design
97. Introducing Media Queries
98. Exploring Viewports and Device Width
99. Creating a Mobile Design
100. Creating a Tablet Design
101. Creating a Desktop Design
102. Session 5.1 Quick Check
103. Session 5.2 Visual Overview: Flexbox Layouts
104. Introducing Flexible Boxes
105. Working with Flex Items
106. Reordering Page Content with Flexboxes
107. Exploring Flexbox Layouts
108. Creating a Navicon Menu
109. Session 5.2 Quick Check
110. Session 5.3 Visual Overview: Print Styles
111. Designing for Printed Media
112. Working with the @page Rule
113. Working with Page Breaks
114. Session 5.3 Quick Check
115. Review Assignments
116. Case Problems
117. Tutorial 6: Working with Tables and Columns: Creating a Program Schedule
for a Radio Station
118. Session 6.1 Visual Overview: Structure of a Web Table
119. Introducing Web Tables
120. Adding Table Borders with CSS
121. Spanning Rows and Columns
122. Creating a Table Caption
123. Session 6.1 Quick Check
124. Session 6.2 Visual Overview: Rows and Column Groups
125. Creating Row Groups
126. Creating Column Groups
127. Exploring CSS Styles and Web Tables
128. Tables and Responsive Design
129. Designing a Column Layout
130. Session 6.2 Quick Check
131. Review Assignments
132. Case Problems
133. Tutorial 7: Designing a Web Form: Creating a Survey Form
134. Session 7.1 Visual Overview: Structure of a Web Form
135. Introducing Web Forms
136. Starting a Web Form
137. Creating a Field Set
138. Creating Input Boxes
139. Adding Field Labels
140. Designing a Form Layout
141. Defining Default Values and Placeholders
142. Session 7.1 Quick Check
143. Session 7.2 Visual Overview: Web Form Widgets
144. Entering Date and Time Values
145. Creating a Selection List
146. Creating Option Buttons
147. Creating Check Boxes
148. Creating a Text Area Box
149. Session 7.2 Quick Check
150. Session 7.3 Visual Overview: Data Validation
151. Entering Numeric Data
152. Suggesting Options with Data Lists
153. Working with Form Buttons
154. Validating a Web Form
155. Applying Inline Validation
156. Session 7.3 Quick Check
157. Review Assignments
158. Case Problems
159. Tutorial 8: Enhancing a Website with Multimedia: Working with Sound, Video,
and Animation
160. Session 8.1 Visual Overview: Playing Web Audio
161. Introducing Multimedia on the Web
162. Working with the audio Element
163. Exploring Embedded Objects
164. Session 8.1 Quick Check
165. Session 8.2 Visual Overview: Playing Web Video
166. Exploring Digital Video
167. Using the HTML5 video Element
168. Adding a Text Track to Video
169. Using Third-Party Video Players
170. Session 8.2 Quick Check
171. Session 8.3 Visual Overview: Transitions and Animations
172. Creating Transitions with CSS
173. Animating Objects with CSS
174. Session 8.3 Quick Check
175. Review Assignments
176. Case Problems
177. Tutorial 9: Getting Started with JavaScript: Creating a Countdown Clock
178. Session 9.1 Visual Overview: Creating a JavaScript File
179. Introducing JavaScript
180. Working with the script Element
181. Creating a JavaScript Program
182. Debugging Your Code
183. Session 9.1 Quick Check
184. Session 9.2 Visual Overview: JavaScript Variables and Dates
185. Introducing Objects
186. Changing Properties and Applying Methods
187. Writing HTML Code
188. Working with Variables
189. Working with Date Objects
190. Session 9.2 Quick Check
191. Session 9.3 Visual Overview: JavaScript Functions and Expressions
192. Working with Operators and Operands
193. Working with the Math Object
194. Working with JavaScript Functions
195. Running Timed Commands
196. Controlling How JavaScript Works with Numeric Values
197. Session 9.3 Quick Check
198. Review Assignments
199. Case Problems
200. Tutorial 10: Exploring Arrays, Loops, and Conditional Statements: Creating a
Monthly Calendar
201. Session 10.1 Visual Overview: Creating and Using Arrays
202. Introducing the Monthly Calendar
203. Introducing Arrays
204. Session 10.1 Quick Check
205. Session 10.2 Visual Overview: Applying a Program Loop
206. Working with Program Loops
207. Comparison and Logical Operators
208. Program Loops and Arrays
209. Session 10.2 Quick Check
210. Session 10.3 Visual Overview: Conditional Statements
211. Introducing Conditional Statements
212. Completing the Calendar App
213. Managing Program Loops and Conditional Statements
214. Session 10.3 Quick Check
215. Review Assignments
216. Case Problems
217. Tutorial 11: Working with Events and Styles: Designing an Interactive Puzzle
218. Session 11.1 Visual Overview: Event Handlers and Event Objects
219. Introducing JavaScript Events
220. Creating an Event Handler
221. Using the Event Object
222. Exploring Object Properties
223. Session 11.1 Quick Check
224. Session 11.2 Visual Overview: Event Listeners and Cursors
225. Working with Mouse Events
226. Introducing the Event Model
227. Exploring Keyboard Events
228. Changing the Cursor Style
229. Session 11.2 Quick Check
230. Session 11.3 Visual Overview: Anonymous Functions and Dialog Boxes
231. Working with Functions as Objects
232. Displaying Dialog Boxes
233. Session 11.3 Quick Check
234. Review Assignments
235. Case Problems
236. Tutorial 12: Working with Document Nodes and Style Sheets: Creating a
Dynamic Document Outline
237. Session 12.1 Visual Overview: Exploring the Node Tree
238. Introducing Nodes
239. Creating and Appending Nodes
240. Working with Node Types, Names, and Values
241. Session 12.1 Quick Check
242. Session 12.2 Visual Overview: Exploring Attribute Nodes
243. Creating a Nested List
244. Working with Attribute Nodes
245. Session 12.2 Quick Check
246. Session 12.3 Visual Overview: Style Sheets and Style Rules
247. Working with Style Sheets
248. Working with Style Sheet Rules
249. Session 12.3 Quick Check
250. Review Assignments
251. Case Problems
252. Tutorial 13: Programming for Web Forms: Creatings Forms for Orders and
Payments
253. Session 13.1 Visual Overview: Forms and Elements
254. Exploring the Forms Object
255. Working with Form Elements
256. Working with Input Fields
257. Working with Selection Lists
258. Working with Options Buttons and Check Boxes
259. Formatting Numeric Values
260. Applying Form Events
261. Working with Hidden Fields
262. Session 13.1 Quick Check
263. Session 13.2 Visual Overview: Passing Data between Forms
264. Sharing Data between Forms
265. Working with Text Strings
266. Introducing Regular Expressions
267. Programming with Regular Expressions
268. Session 13.2 Quick Check
269. Session 13.3 Visual Overview: Validating Form Data
270. Validating Data with JavaScript
271. Testing a Form Field against a Regular Expression
272. Testing for Legitimate Card Numbers
273. Session 13.3 Quick Check
274. Review Assignments
275. Case Problems
276. Tutorial 14: Exploring Object-Based Programming: Designing an Online Poker
Game
277. Session 14.1 Visual Overview: Custom Objects, Properties, and Methods
278. Working with Nested Functions
279. Introducing Custom Objects
280. Session 14.1 Quick Check
281. Session 14.2 Visual Overview: Object Classes and Prototypes
282. Defining an Object Type
283. Working with Object Prototypes
284. Session 14.2 Quick Check
285. Session 14.3 Visual Overview: Objects and Arrays
286. Combining Objects
287. Combining Objects and Arrays
288. Session 14.3 Quick Check
289. Review Assignments
290. Case Problems
291. Appendix A: Color Names with Color Values, and HTML Character Entities
292. Appendix B: HTML Elements and Attributes
293. Appendix C: Cascading Styles and Selectors
294. Appendix D: Making the Web More Accessible
295. Appendix E: Designing for the Web
296. Appendix F: Page Validation with XHTML
297. Glossary
298. Index
Exploring the Variety of Random
Documents with Different Content
[907] “We owe much to those who give us notice of what we have not seen or
known ourselves; as I am now indebted to a remarkable and learned man, of the
illustrious Senate of Venice, called Secretary Juan Bautista Ramusio, who, hearing
that I was inclined to the things of which I here treat, has, without knowing me
personally, sought me for his friend and communicated with me by letters,
sending me a new geography,” etc. Lib. XXXVIII., MS.
[908] As a specimen of his manner, I add the following account of Almagro, one
of the early adventurers in Peru, whom the Pizarros put to death in Cuzco, after
they had obtained uncontrolled power there. “Therefore hear and read all the
authors you may, and compare, one by one, whatever they relate, that all men,
not kings, have freely given away, and you shall surely see how there is none that
can equal Almagro in this matter, and how none can be compared to him; for
kings, indeed, may give and know how to give whatever pleaseth them, both
cities and lands, and lordships, and other great gifts; but that a man whom
yesterday we saw so poor, that all he possessed was a very small matter, should
have a spirit sufficient for what I have related,—I hold it to be so great a thing,
that I know not the like of it in our own or any other time. For I myself saw, when
his companion, Pizarro, came from Spain, and brought with him that body of
three hundred men to Panamá, that, if Almagro had not received them and
shown them so much free hospitality with so generous a spirit, few or none of
them could have escaped alive; for the land was filled with disease, and the
means of living were so dear, that a bushel of maize was worth two or three
pesos, and an arroba of wine six or seven gold pieces. To all of them he was a
father, and a brother, and a true friend; for inasmuch as it is pleasant and grateful
to some men to make gain, and to heap up and to gather together moneys and
estates, even so much and more pleasant was it to him to share with others and
to give away; so that the day when he gave nothing, he accounted it for a day
lost. And in his very face you might see the pleasure and true delight he felt when
he found occasion to help him who had need. And since, after so long a
fellowship and friendship as there was between these two great leaders, from the
days when their companions were few and their means small, till they saw
themselves full of wealth and strength, there hath at last come forth so much
discord, scandal, and death, well must it appear matter of wonder even to those
who shall but hear of it, and much more to us, who knew them in their low
estate, and have no less borne witness to their greatness and prosperity.”
(General y Natural Historia de las Indias, Lib. XLVII., MS.) Much of it is, like the
preceding passage, in the true, old, rambling, moralizing, chronicling vein.
[909] “En este que estamos de 1545.” Quinquagenas, MS., El Cardinal Cisneros.
[910] As in the Dialogue on Juan de Silva, Conde de Cifuentes, he says, “En este
año en que estamos 1550”; and in the Dialogue on Mendoza, Duke of Infantado,
he uses the same words, as he does again in that on Pedro Fernandez de
Córdova. There is an excellent note on Oviedo, in Vol. I. p. 112 of the American
ed. of “Ferdinand and Isabella,” by my friend Mr. Prescott, to whom I am indebted
for the manuscript of the Quinquagenas, as well as of the Historia.
[911] There is a valuable life of Las Casas in Quintana, “Vidas de Españoles
Célebres” (Madrid, 1833, 12mo, Tom. III. pp. 255-510). The seventh article in the
Appendix, concerning the connection of Las Casas with the slave-trade, will be
read with particular interest; because, by materials drawn from unpublished
documents of unquestionable authenticity, it makes it certain, that, although at
one time Las Casas favored what had been begun earlier,—the transportation of
negroes to the West Indies, in order to relieve the Indians,—as other good men in
his time favored it, he did so under the impression, that, according to the law of
nations, the negroes thus brought to America were both rightful captives taken by
the Portuguese in war and rightful slaves. But afterwards he changed his mind on
the subject. He declared “the captivity of the negroes to be as unjust as that of
the Indians,”—“ser tan injusto el cautiverio de los negros como el de los Indios,”—
and even expressed a fear, that, though he had fallen into the error of favoring
the importation of black slaves into America from ignorance and good-will, he
might, after all, fail to stand excused for it before the Divine Justice. Quintana,
Tom. III. p. 471.
[912] Quintana, Españoles Célebres, Tom. III. p. 321.
[913] Quintana (p. 413, note) doubts when this famous treatise was written; but
Las Casas himself says, in the opening of his “Brevísima Relacion,” that it was
written in 1542.
[914] This important tract continued long to be printed separately, both at home
and abroad. I use a copy of it in double columns, Spanish and Italian, Venice,
1643, 12mo; but, like the rest, the Brevísima Relacion may be consulted in an
edition of the Works of Las Casas by Llorente, which appeared at Paris in 1822, in
2 vols. 8vo, in the original Spanish, almost at the same time with his translation
of them into French. It should be noticed, perhaps, that Llorente’s version is not
always strict, and that the two new treatises he imputes to Las Casas, as well as
the one on the Authority of Kings, are not absolutely proved to be his.
The translation referred to above appeared, in fact, the same year, and at the
end of it an “Apologie de Las Casas,” by Grégoire, with letters of Funes and Mier,
and notes of Llorente to sustain it,—all to defend Las Casas on the subject of the
slave-trade; but Quintana, as we have seen, has gone to the original documents,
and leaves no doubt, both that Las Casas once favored it, and that he altered his
mind afterwards.
[915] “Todo esto me dixo el mismo Cortés con otras cosas cerca dello, despues
de Marques, en la villa de Monçon, estando alli celebrando cortes el Emperador,
año de mil y quinientos y quarenta y dos, riendo y mofando con estas formales
palabras, a la mi fé andubé por alli como un gentil cosario.” (Historia General de
las Indias, Lib. III. c. 115, MS.) It may be worth noting, that 1542, the year when
Cortés made this scandalous speech, was the year in which Las Casas wrote his
Brevísima Relacion.
[916] For a notice of all the works of Las Casas, see Quintana, Vidas, Tom. III.
pp. 507-510.
[917] The two works of Alvar Nuñez Cabeza de Vaca, namely, his “Naufragios”
and his “Comentarios y Sucesos de su Gobierno en el Rio de la Plata,” were first
printed in 1555, and are to be found in Barcia, Historiadores Primitivos, Tom. I.
[918] The work of Francisco de Xerez, “Conquista de Peru,” written by order of
Francisco Pizarro, was first published in 1547, and is to be found in Ramusio,
(Venezia, ed. Giunti, folio, Tom. III.,) and in Barcia’s collection (Tom. III.). It ends
with some poor verses in defence of himself.
[919] “Historia del Descubrimiento y Conquista del Peru,” first printed in 1555,
and several times since. It is in Barcia, Tom. III., and was translated into Italian
by Ulloa. Çarate was sent out by Charles V. to examine into the state of the
revenues of Peru, and brings down his accounts as late as the overthrow of
Gonzalo Pizarro. See an excellent notice of Çarate at the end of Mr. Prescott’s last
chapter on the Conquest of Peru.
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
Transcriber’s note
Obvious printer errors have been silently corrected.
Original spelling was kept, but variant spellings were made consistent when a
predominant usage was found.
Footnotes have been renumbered and moved to the end of the book.
Footnotes inside a footnote are not numbered, but marked with “[*]” and placed
at the end of the main footnote. They are found at footnotes [23], [142], [154]
and [251].
The anchor placements for footnote [543] (p. 331) and footnote [696] (p. 421)
are conjectured. No anchors were found in the printed original.
Caesuras in split verses have been marked as “ · ”.
*** END OF THE PROJECT GUTENBERG EBOOK HISTORY OF
SPANISH LITERATURE, VOL. 1 (OF 3) ***
Updated editions will replace the previous one—the old editions
will be renamed.
Creating the works from print editions not protected by U.S.
copyright law means that no one owns a United States
copyright in these works, so the Foundation (and you!) can copy
and distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth in the
General Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.
START: FULL LICENSE
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the
free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.
Section 1. General Terms of Use and
Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree
to abide by all the terms of this agreement, you must cease
using and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only
be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for
keeping the Project Gutenberg™ name associated with the
work. You can easily comply with the terms of this agreement
by keeping this work in the same format with its attached full
Project Gutenberg™ License when you share it without charge
with others.
1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project
Gutenberg:
1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:
This eBook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and
with almost no restrictions whatsoever. You may copy it,
give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of
the copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg™ electronic work is
posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project
Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute
this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must,
at no additional cost, fee or expense to the user, provide a copy,
a means of exporting a copy, or a means of obtaining a copy
upon request, of the work in its original “Plain Vanilla ASCII” or
other form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or
providing access to or distributing Project Gutenberg™
electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive
from the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”
• You provide a full refund of any money paid by a user who
notifies you in writing (or by e-mail) within 30 days of receipt
that s/he does not agree to the terms of the full Project
Gutenberg™ License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of
any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.
• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend
considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite these
efforts, Project Gutenberg™ electronic works, and the medium
on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data,
transcription errors, a copyright or other intellectual property
infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be
read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except
for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set
forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR
IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF
MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the
Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.
Section 2. Information about the Mission
of Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.
Section 3. Information about the Project
Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status
by the Internal Revenue Service. The Foundation’s EIN or
federal tax identification number is 64-6221541. Contributions
to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.
The Foundation’s business office is located at 809 North 1500
West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact
Section 4. Information about Donations to
the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws
regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or determine
the status of compliance for any particular state visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states
where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot
make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.
Please check the Project Gutenberg web pages for current
donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.
Section 5. General Information About
Project Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.
Project Gutenberg™ eBooks are often created from several
printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.
Most people start at our website which has the main PG search
facility: www.gutenberg.org.
This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.
Welcome to our website – the perfect destination for book lovers and
knowledge seekers. We believe that every book holds a new world,
offering opportunities for learning, discovery, and personal growth.
That’s why we are dedicated to bringing you a diverse collection of
books, ranging from classic literature and specialized publications to
self-development guides and children's books.
More than just a book-buying platform, we strive to be a bridge
connecting you with timeless cultural and intellectual values. With an
elegant, user-friendly interface and a smart search system, you can
quickly find the books that best suit your interests. Additionally,
our special promotions and home delivery services help you save time
and fully enjoy the joy of reading.
Join us on a journey of knowledge exploration, passion nurturing, and
personal growth every day!
testbankbell.com

More Related Content

PDF
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
PDF
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
PDF
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
PDF
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
PDF
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
PDF
Immediate download New Perspectives on HTML5 CSS3 JavaScript 6th Edition Care...
PDF
Download full ebook of p instant download pdf
PDF
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual
Immediate download New Perspectives on HTML5 CSS3 JavaScript 6th Edition Care...
Download full ebook of p instant download pdf
New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual

Similar to New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual (20)

PDF
Full download New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Sol...
PDF
Full Stack Web Development Course - Brochure - Manojkumar Chandrasekar - Fres...
PDF
Full Stack Web Development Course - Brochure - Manojkumar C - Fresh Spar Tech...
PDF
(eTextbook PDF) for Starting out with Visual C# 5th Edition
PDF
Master Web Design with HTML CSS JavaScript and jQuery Create Stunning Interac...
PDF
Get Master Web Design with HTML CSS JavaScript and jQuery Create Stunning Int...
DOC
Web Design Syllabus.doc
PDF
Website designining course - Syllabus
PDF
Advanced HTML.PDF
PDF
Flex 3 Cookbook Code Recipes Tips and Tricks for RIA Developers 1st Edition J...
PDF
PDF Flex 3 Cookbook Code Recipes Tips and Tricks for RIA Developers 1st Editi...
PDF
Flex 3 Cookbook Code Recipes Tips and Tricks for RIA Developers 1st Edition J...
PDF
Get Flex 3 Cookbook Code Recipes Tips and Tricks for RIA Developers 1st Editi...
PDF
Dreamweaver Cs6 Html5 Css3 Responsive Design And Jquery David Karlins
PDF
syllabas-mohamedelzanty
PPTX
Monster JavaScript Course - 50+ projects and applications
PDF
ASP.NET MVC 5 Building Your First Web Application (A Beginner S Guide
PDF
PDF
Project Management Theory and Practice 2nd Edition Richardson
PDF
Sql server 2012 tutorials analysis services tabular modeling
Full download New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Sol...
Full Stack Web Development Course - Brochure - Manojkumar Chandrasekar - Fres...
Full Stack Web Development Course - Brochure - Manojkumar C - Fresh Spar Tech...
(eTextbook PDF) for Starting out with Visual C# 5th Edition
Master Web Design with HTML CSS JavaScript and jQuery Create Stunning Interac...
Get Master Web Design with HTML CSS JavaScript and jQuery Create Stunning Int...
Web Design Syllabus.doc
Website designining course - Syllabus
Advanced HTML.PDF
Flex 3 Cookbook Code Recipes Tips and Tricks for RIA Developers 1st Edition J...
PDF Flex 3 Cookbook Code Recipes Tips and Tricks for RIA Developers 1st Editi...
Flex 3 Cookbook Code Recipes Tips and Tricks for RIA Developers 1st Edition J...
Get Flex 3 Cookbook Code Recipes Tips and Tricks for RIA Developers 1st Editi...
Dreamweaver Cs6 Html5 Css3 Responsive Design And Jquery David Karlins
syllabas-mohamedelzanty
Monster JavaScript Course - 50+ projects and applications
ASP.NET MVC 5 Building Your First Web Application (A Beginner S Guide
Project Management Theory and Practice 2nd Edition Richardson
Sql server 2012 tutorials analysis services tabular modeling
Ad

Recently uploaded (20)

PDF
Basic Mud Logging Guide for educational purpose
PPTX
Microbial diseases, their pathogenesis and prophylaxis
PDF
TR - Agricultural Crops Production NC III.pdf
PPTX
Renaissance Architecture: A Journey from Faith to Humanism
PPTX
Cell Types and Its function , kingdom of life
PPTX
school management -TNTEU- B.Ed., Semester II Unit 1.pptx
PPTX
1st Inaugural Professorial Lecture held on 19th February 2020 (Governance and...
PPTX
GDM (1) (1).pptx small presentation for students
PDF
3rd Neelam Sanjeevareddy Memorial Lecture.pdf
PDF
Computing-Curriculum for Schools in Ghana
PDF
STATICS OF THE RIGID BODIES Hibbelers.pdf
PDF
Complications of Minimal Access Surgery at WLH
PPTX
Pharma ospi slides which help in ospi learning
PPTX
Pharmacology of Heart Failure /Pharmacotherapy of CHF
PPTX
Final Presentation General Medicine 03-08-2024.pptx
PDF
grade 11-chemistry_fetena_net_5883.pdf teacher guide for all student
PPTX
Institutional Correction lecture only . . .
PPTX
PPH.pptx obstetrics and gynecology in nursing
PPTX
master seminar digital applications in india
PDF
Sports Quiz easy sports quiz sports quiz
Basic Mud Logging Guide for educational purpose
Microbial diseases, their pathogenesis and prophylaxis
TR - Agricultural Crops Production NC III.pdf
Renaissance Architecture: A Journey from Faith to Humanism
Cell Types and Its function , kingdom of life
school management -TNTEU- B.Ed., Semester II Unit 1.pptx
1st Inaugural Professorial Lecture held on 19th February 2020 (Governance and...
GDM (1) (1).pptx small presentation for students
3rd Neelam Sanjeevareddy Memorial Lecture.pdf
Computing-Curriculum for Schools in Ghana
STATICS OF THE RIGID BODIES Hibbelers.pdf
Complications of Minimal Access Surgery at WLH
Pharma ospi slides which help in ospi learning
Pharmacology of Heart Failure /Pharmacotherapy of CHF
Final Presentation General Medicine 03-08-2024.pptx
grade 11-chemistry_fetena_net_5883.pdf teacher guide for all student
Institutional Correction lecture only . . .
PPH.pptx obstetrics and gynecology in nursing
master seminar digital applications in india
Sports Quiz easy sports quiz sports quiz
Ad

New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual

  • 1. Download the full version and explore a variety of test banks or solution manuals at https://testbankbell.com New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual _____ Follow the link below to get your download now _____ http://testbankbell.com/product/new-perspectives-on- html5-css3-javascript-6th-edition-carey-solutions-manual/ Access testbankbell.com now to download high-quality test banks or solution manuals
  • 2. We have selected some products that you may be interested in Click the link to download now or visit testbankbell.com for more options!. New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Test Bank http://testbankbell.com/product/new-perspectives-on- html5-css3-javascript-6th-edition-carey-test-bank/ Solution manual for New Perspectives on HTML5, CSS3, and JavaScript 7th Edition by Carey http://testbankbell.com/product/solution-manual-for-new-perspectives- on-html5-css3-and-javascript-7th-edition-by-carey/ HTML5 and CSS3 Illustrated Introductory 2nd Edition Vodnik Solutions Manual http://testbankbell.com/product/html5-and-css3-illustrated- introductory-2nd-edition-vodnik-solutions-manual/ Advocacy and Opposition An Introduction to Argumentation 7th Edition Rybacki Rybacki Test Bank http://testbankbell.com/product/advocacy-and-opposition-an- introduction-to-argumentation-7th-edition-rybacki-rybacki-test-bank/
  • 3. Test Bank for Clinical Nursing Skills and Techniques, 8th Edition : Perry http://testbankbell.com/product/test-bank-for-clinical-nursing-skills- and-techniques-8th-edition-perry/ Test Bank for Interpersonal Communication: Everyday Encounters 9th Edition Julia T. Wood http://testbankbell.com/product/test-bank-for-interpersonal- communication-everyday-encounters-9th-edition-julia-t-wood/ Solution Manual for Data Structures and Abstractions with Java, 3/E 3rd Edition : 0136100910 http://testbankbell.com/product/solution-manual-for-data-structures- and-abstractions-with-java-3-e-3rd-edition-0136100910/ Test Bank for Seeley’s Anatomy Physiology 12th by VanPutte http://testbankbell.com/product/test-bank-for-seeleys-anatomy- physiology-12th-by-vanputte/ Test Bank for American Politics Today Essentials, 6th Edition, William T Bianco, David T Canon, http://testbankbell.com/product/test-bank-for-american-politics-today- essentials-6th-edition-william-t-bianco-david-t-canon/
  • 4. Hazard Mitigation and Preparedness An Introductory Text for Emergency Management and Planning Professionals 2nd Schwab Solution Manual http://testbankbell.com/product/hazard-mitigation-and-preparedness-an- introductory-text-for-emergency-management-and-planning- professionals-2nd-schwab-solution-manual/
  • 5. New Perspectives on HTML5 CSS3 JavaScript 6th Edition Carey Solutions Manual Full download chapter at: https://testbankbell.com/product/new- perspectives-on-html5-css3-javascript-6th-edition-carey-solutions- manual/
  • 6. Discover the thorough instruction you need to build dynamic, interactive Web sites from scratch with NEW PERSPECTIVES ON HTML5, CSS3, AND JAVASCRIPT, 6E. This user-friendly book provides comprehensive coverage of HTML, CSS, and JavaScript with an inviting approach that starts with the basics and does not require any prior knowledge on the subject. Detailed explanations of key concepts and skills make even the most challenging topics clear and accessible. Case scenarios and case problems place the most complex concepts within an understandable and practical context. You develop important problem solving skills as you work through realistic exercises. Proven applications and an interesting approach help you retain the material and apply what you’ve learned in a professional environment. 1. Preface 2. Brief Contents 3. Table of Contents 4. Tutorial 1: Getting Started with HTML5: Creating a Website for a Food Vendor 5. Session 1.1 Visual Overview: The Structure of an HTML Document 6. Exploring the World Wide Web 7. Introducing HTML 8. Tools for Working with HTML 9. Exploring an HTML Document 10. Creating the Document Head 11. Adding Comments to Your Document 12. Session 1.1 Quick Check 13. Session 1.2 Visual Overview: HTML Page Elements 14. Writing the Page Body 15. Linking an HTML Document to a Style Sheet 16. Working with Character Sets and Special Characters 17. Working with Inline Images 18. Working with Block Quotes and Other Elements 19. Session 1.2 Quick Check 20. Session 1.3 Visual Overview: Lists and Hypertext Links 21. Working with Lists 22. Working with Hypertext Links 23. Specifying the Folder Path 24. Linking to a Location within a Document 25. Linking to the Internet and Other Resources 26. Working with Hypertext Attributes 27. Session 1.3 Quick Check 28. Review Assignments 29. Case Problems 30. Tutorial 2: Getting Started with CSS: Designing a Website for a Fitness Club 31. Session 2.1 Visual Overview: CSS Styles and Colors 32. Introducing CSS 33. Exploring Style Rules 34. Creating a Style Sheet
  • 7. 35. Working with Color in CSS 36. Employing Progressive Enhancement 37. Session 2.1 Quick Check 38. Session 2.2 Visual Overview: CSS Typography 39. Exploring Selector Patterns 40. Working with Fonts 41. Setting the Font Size 42. Controlling Spacing and Indentation 43. Working with Font Styles 44. Session 2.2 Quick Check 45. Session 2.3 Visual Overview: Pseudo Elements and Classes 46. Formatting Lists 47. Working with Margins and Padding 48. Using Pseudo-Classes and Pseudo-Elements 49. Generating Content with CSS 50. Inserting Quotation Marks 51. Session 2.3 Quick Check 52. Review Assignments 53. Case Problems 54. Tutorial 3: Designing a Page Layout: Creating a Website for a Chocolatier 55. Session 3.1 Visual Overview: Page Layout with Floating Elements 56. Introducing the display Style 57. Creating a Reset Style Sheet 58. Exploring Page Layout Designs 59. Working with Width and Height 60. Floating Page Content 61. Session 3.1 Quick Check 62. Session 3.2 Visual Overview: Page Layout Grids 63. Introducing Grid Layouts 64. Setting up a Grid 65. Outlining a Grid 66. Introducing CSS Grids 67. Session 3.2 Quick Check 68. Session 3.3 Visual Overview: Layout with Positioning Styles 69. Positioning Objects 70. Handling Overflow 71. Clipping an Element 72. Stacking Elements 73. Session 3.3 Quick Check 74. Review Assignments 75. Case Problems 76. Tutorial 4: Graphic Design with CSS: Creating a Graphic Design for a Genealogy Website 77. Session 4.1 Visual Overview: Backgrounds and Borders 78. Creating Figure Boxes 79. Exploring Background Styles
  • 8. 80. Working with Borders 81. Session 4.1 Quick Check 82. Session 4.2 Visual Overview: Shadows and Gradients 83. Creating Drop Shadows 84. Applying a Color Gradient 85. Creating Semi-Transparent Objects 86. Session 4.2 Quick Check 87. Session 4.3 Visual Overview: Transformations and Filters 88. Transforming Page Objects 89. Exploring CSS Filters 90. Working with Image Maps 91. Session 4.3 Quick Check 92. Review Assignments 93. Case Problems 94. Tutorial 5: Designing for the Mobile Web: Creating a Mobile Website for a Daycare Center 95. Session 5.1 Visual Overview: Media Queries 96. Introducing Responsive Design 97. Introducing Media Queries 98. Exploring Viewports and Device Width 99. Creating a Mobile Design 100. Creating a Tablet Design 101. Creating a Desktop Design 102. Session 5.1 Quick Check 103. Session 5.2 Visual Overview: Flexbox Layouts 104. Introducing Flexible Boxes 105. Working with Flex Items 106. Reordering Page Content with Flexboxes 107. Exploring Flexbox Layouts 108. Creating a Navicon Menu 109. Session 5.2 Quick Check 110. Session 5.3 Visual Overview: Print Styles 111. Designing for Printed Media 112. Working with the @page Rule 113. Working with Page Breaks 114. Session 5.3 Quick Check 115. Review Assignments 116. Case Problems 117. Tutorial 6: Working with Tables and Columns: Creating a Program Schedule for a Radio Station 118. Session 6.1 Visual Overview: Structure of a Web Table 119. Introducing Web Tables 120. Adding Table Borders with CSS 121. Spanning Rows and Columns 122. Creating a Table Caption 123. Session 6.1 Quick Check
  • 9. 124. Session 6.2 Visual Overview: Rows and Column Groups 125. Creating Row Groups 126. Creating Column Groups 127. Exploring CSS Styles and Web Tables 128. Tables and Responsive Design 129. Designing a Column Layout 130. Session 6.2 Quick Check 131. Review Assignments 132. Case Problems 133. Tutorial 7: Designing a Web Form: Creating a Survey Form 134. Session 7.1 Visual Overview: Structure of a Web Form 135. Introducing Web Forms 136. Starting a Web Form 137. Creating a Field Set 138. Creating Input Boxes 139. Adding Field Labels 140. Designing a Form Layout 141. Defining Default Values and Placeholders 142. Session 7.1 Quick Check 143. Session 7.2 Visual Overview: Web Form Widgets 144. Entering Date and Time Values 145. Creating a Selection List 146. Creating Option Buttons 147. Creating Check Boxes 148. Creating a Text Area Box 149. Session 7.2 Quick Check 150. Session 7.3 Visual Overview: Data Validation 151. Entering Numeric Data 152. Suggesting Options with Data Lists 153. Working with Form Buttons 154. Validating a Web Form 155. Applying Inline Validation 156. Session 7.3 Quick Check 157. Review Assignments 158. Case Problems 159. Tutorial 8: Enhancing a Website with Multimedia: Working with Sound, Video, and Animation 160. Session 8.1 Visual Overview: Playing Web Audio 161. Introducing Multimedia on the Web 162. Working with the audio Element 163. Exploring Embedded Objects 164. Session 8.1 Quick Check 165. Session 8.2 Visual Overview: Playing Web Video 166. Exploring Digital Video 167. Using the HTML5 video Element 168. Adding a Text Track to Video
  • 10. 169. Using Third-Party Video Players 170. Session 8.2 Quick Check 171. Session 8.3 Visual Overview: Transitions and Animations 172. Creating Transitions with CSS 173. Animating Objects with CSS 174. Session 8.3 Quick Check 175. Review Assignments 176. Case Problems 177. Tutorial 9: Getting Started with JavaScript: Creating a Countdown Clock 178. Session 9.1 Visual Overview: Creating a JavaScript File 179. Introducing JavaScript 180. Working with the script Element 181. Creating a JavaScript Program 182. Debugging Your Code 183. Session 9.1 Quick Check 184. Session 9.2 Visual Overview: JavaScript Variables and Dates 185. Introducing Objects 186. Changing Properties and Applying Methods 187. Writing HTML Code 188. Working with Variables 189. Working with Date Objects 190. Session 9.2 Quick Check 191. Session 9.3 Visual Overview: JavaScript Functions and Expressions 192. Working with Operators and Operands 193. Working with the Math Object 194. Working with JavaScript Functions 195. Running Timed Commands 196. Controlling How JavaScript Works with Numeric Values 197. Session 9.3 Quick Check 198. Review Assignments 199. Case Problems 200. Tutorial 10: Exploring Arrays, Loops, and Conditional Statements: Creating a Monthly Calendar 201. Session 10.1 Visual Overview: Creating and Using Arrays 202. Introducing the Monthly Calendar 203. Introducing Arrays 204. Session 10.1 Quick Check 205. Session 10.2 Visual Overview: Applying a Program Loop 206. Working with Program Loops 207. Comparison and Logical Operators 208. Program Loops and Arrays 209. Session 10.2 Quick Check 210. Session 10.3 Visual Overview: Conditional Statements 211. Introducing Conditional Statements 212. Completing the Calendar App 213. Managing Program Loops and Conditional Statements
  • 11. 214. Session 10.3 Quick Check 215. Review Assignments 216. Case Problems 217. Tutorial 11: Working with Events and Styles: Designing an Interactive Puzzle 218. Session 11.1 Visual Overview: Event Handlers and Event Objects 219. Introducing JavaScript Events 220. Creating an Event Handler 221. Using the Event Object 222. Exploring Object Properties 223. Session 11.1 Quick Check 224. Session 11.2 Visual Overview: Event Listeners and Cursors 225. Working with Mouse Events 226. Introducing the Event Model 227. Exploring Keyboard Events 228. Changing the Cursor Style 229. Session 11.2 Quick Check 230. Session 11.3 Visual Overview: Anonymous Functions and Dialog Boxes 231. Working with Functions as Objects 232. Displaying Dialog Boxes 233. Session 11.3 Quick Check 234. Review Assignments 235. Case Problems 236. Tutorial 12: Working with Document Nodes and Style Sheets: Creating a Dynamic Document Outline 237. Session 12.1 Visual Overview: Exploring the Node Tree 238. Introducing Nodes 239. Creating and Appending Nodes 240. Working with Node Types, Names, and Values 241. Session 12.1 Quick Check 242. Session 12.2 Visual Overview: Exploring Attribute Nodes 243. Creating a Nested List 244. Working with Attribute Nodes 245. Session 12.2 Quick Check 246. Session 12.3 Visual Overview: Style Sheets and Style Rules 247. Working with Style Sheets 248. Working with Style Sheet Rules 249. Session 12.3 Quick Check 250. Review Assignments 251. Case Problems 252. Tutorial 13: Programming for Web Forms: Creatings Forms for Orders and Payments 253. Session 13.1 Visual Overview: Forms and Elements 254. Exploring the Forms Object 255. Working with Form Elements 256. Working with Input Fields 257. Working with Selection Lists
  • 12. 258. Working with Options Buttons and Check Boxes 259. Formatting Numeric Values 260. Applying Form Events 261. Working with Hidden Fields 262. Session 13.1 Quick Check 263. Session 13.2 Visual Overview: Passing Data between Forms 264. Sharing Data between Forms 265. Working with Text Strings 266. Introducing Regular Expressions 267. Programming with Regular Expressions 268. Session 13.2 Quick Check 269. Session 13.3 Visual Overview: Validating Form Data 270. Validating Data with JavaScript 271. Testing a Form Field against a Regular Expression 272. Testing for Legitimate Card Numbers 273. Session 13.3 Quick Check 274. Review Assignments 275. Case Problems 276. Tutorial 14: Exploring Object-Based Programming: Designing an Online Poker Game 277. Session 14.1 Visual Overview: Custom Objects, Properties, and Methods 278. Working with Nested Functions 279. Introducing Custom Objects 280. Session 14.1 Quick Check 281. Session 14.2 Visual Overview: Object Classes and Prototypes 282. Defining an Object Type 283. Working with Object Prototypes 284. Session 14.2 Quick Check 285. Session 14.3 Visual Overview: Objects and Arrays 286. Combining Objects 287. Combining Objects and Arrays 288. Session 14.3 Quick Check 289. Review Assignments 290. Case Problems 291. Appendix A: Color Names with Color Values, and HTML Character Entities 292. Appendix B: HTML Elements and Attributes 293. Appendix C: Cascading Styles and Selectors 294. Appendix D: Making the Web More Accessible 295. Appendix E: Designing for the Web 296. Appendix F: Page Validation with XHTML 297. Glossary 298. Index
  • 13. Exploring the Variety of Random Documents with Different Content
  • 14. [907] “We owe much to those who give us notice of what we have not seen or known ourselves; as I am now indebted to a remarkable and learned man, of the illustrious Senate of Venice, called Secretary Juan Bautista Ramusio, who, hearing that I was inclined to the things of which I here treat, has, without knowing me personally, sought me for his friend and communicated with me by letters, sending me a new geography,” etc. Lib. XXXVIII., MS. [908] As a specimen of his manner, I add the following account of Almagro, one of the early adventurers in Peru, whom the Pizarros put to death in Cuzco, after they had obtained uncontrolled power there. “Therefore hear and read all the authors you may, and compare, one by one, whatever they relate, that all men, not kings, have freely given away, and you shall surely see how there is none that can equal Almagro in this matter, and how none can be compared to him; for kings, indeed, may give and know how to give whatever pleaseth them, both cities and lands, and lordships, and other great gifts; but that a man whom yesterday we saw so poor, that all he possessed was a very small matter, should have a spirit sufficient for what I have related,—I hold it to be so great a thing, that I know not the like of it in our own or any other time. For I myself saw, when his companion, Pizarro, came from Spain, and brought with him that body of three hundred men to Panamá, that, if Almagro had not received them and shown them so much free hospitality with so generous a spirit, few or none of them could have escaped alive; for the land was filled with disease, and the means of living were so dear, that a bushel of maize was worth two or three pesos, and an arroba of wine six or seven gold pieces. To all of them he was a father, and a brother, and a true friend; for inasmuch as it is pleasant and grateful to some men to make gain, and to heap up and to gather together moneys and estates, even so much and more pleasant was it to him to share with others and to give away; so that the day when he gave nothing, he accounted it for a day lost. And in his very face you might see the pleasure and true delight he felt when he found occasion to help him who had need. And since, after so long a fellowship and friendship as there was between these two great leaders, from the days when their companions were few and their means small, till they saw themselves full of wealth and strength, there hath at last come forth so much discord, scandal, and death, well must it appear matter of wonder even to those who shall but hear of it, and much more to us, who knew them in their low estate, and have no less borne witness to their greatness and prosperity.” (General y Natural Historia de las Indias, Lib. XLVII., MS.) Much of it is, like the preceding passage, in the true, old, rambling, moralizing, chronicling vein. [909] “En este que estamos de 1545.” Quinquagenas, MS., El Cardinal Cisneros. [910] As in the Dialogue on Juan de Silva, Conde de Cifuentes, he says, “En este año en que estamos 1550”; and in the Dialogue on Mendoza, Duke of Infantado,
  • 15. he uses the same words, as he does again in that on Pedro Fernandez de Córdova. There is an excellent note on Oviedo, in Vol. I. p. 112 of the American ed. of “Ferdinand and Isabella,” by my friend Mr. Prescott, to whom I am indebted for the manuscript of the Quinquagenas, as well as of the Historia. [911] There is a valuable life of Las Casas in Quintana, “Vidas de Españoles Célebres” (Madrid, 1833, 12mo, Tom. III. pp. 255-510). The seventh article in the Appendix, concerning the connection of Las Casas with the slave-trade, will be read with particular interest; because, by materials drawn from unpublished documents of unquestionable authenticity, it makes it certain, that, although at one time Las Casas favored what had been begun earlier,—the transportation of negroes to the West Indies, in order to relieve the Indians,—as other good men in his time favored it, he did so under the impression, that, according to the law of nations, the negroes thus brought to America were both rightful captives taken by the Portuguese in war and rightful slaves. But afterwards he changed his mind on the subject. He declared “the captivity of the negroes to be as unjust as that of the Indians,”—“ser tan injusto el cautiverio de los negros como el de los Indios,”— and even expressed a fear, that, though he had fallen into the error of favoring the importation of black slaves into America from ignorance and good-will, he might, after all, fail to stand excused for it before the Divine Justice. Quintana, Tom. III. p. 471. [912] Quintana, Españoles Célebres, Tom. III. p. 321. [913] Quintana (p. 413, note) doubts when this famous treatise was written; but Las Casas himself says, in the opening of his “Brevísima Relacion,” that it was written in 1542. [914] This important tract continued long to be printed separately, both at home and abroad. I use a copy of it in double columns, Spanish and Italian, Venice, 1643, 12mo; but, like the rest, the Brevísima Relacion may be consulted in an edition of the Works of Las Casas by Llorente, which appeared at Paris in 1822, in 2 vols. 8vo, in the original Spanish, almost at the same time with his translation of them into French. It should be noticed, perhaps, that Llorente’s version is not always strict, and that the two new treatises he imputes to Las Casas, as well as the one on the Authority of Kings, are not absolutely proved to be his. The translation referred to above appeared, in fact, the same year, and at the end of it an “Apologie de Las Casas,” by Grégoire, with letters of Funes and Mier, and notes of Llorente to sustain it,—all to defend Las Casas on the subject of the slave-trade; but Quintana, as we have seen, has gone to the original documents, and leaves no doubt, both that Las Casas once favored it, and that he altered his mind afterwards.
  • 16. [915] “Todo esto me dixo el mismo Cortés con otras cosas cerca dello, despues de Marques, en la villa de Monçon, estando alli celebrando cortes el Emperador, año de mil y quinientos y quarenta y dos, riendo y mofando con estas formales palabras, a la mi fé andubé por alli como un gentil cosario.” (Historia General de las Indias, Lib. III. c. 115, MS.) It may be worth noting, that 1542, the year when Cortés made this scandalous speech, was the year in which Las Casas wrote his Brevísima Relacion. [916] For a notice of all the works of Las Casas, see Quintana, Vidas, Tom. III. pp. 507-510. [917] The two works of Alvar Nuñez Cabeza de Vaca, namely, his “Naufragios” and his “Comentarios y Sucesos de su Gobierno en el Rio de la Plata,” were first printed in 1555, and are to be found in Barcia, Historiadores Primitivos, Tom. I. [918] The work of Francisco de Xerez, “Conquista de Peru,” written by order of Francisco Pizarro, was first published in 1547, and is to be found in Ramusio, (Venezia, ed. Giunti, folio, Tom. III.,) and in Barcia’s collection (Tom. III.). It ends with some poor verses in defence of himself. [919] “Historia del Descubrimiento y Conquista del Peru,” first printed in 1555, and several times since. It is in Barcia, Tom. III., and was translated into Italian by Ulloa. Çarate was sent out by Charles V. to examine into the state of the revenues of Peru, and brings down his accounts as late as the overthrow of Gonzalo Pizarro. See an excellent notice of Çarate at the end of Mr. Prescott’s last chapter on the Conquest of Peru.
  • 18. Transcriber’s note Obvious printer errors have been silently corrected. Original spelling was kept, but variant spellings were made consistent when a predominant usage was found. Footnotes have been renumbered and moved to the end of the book. Footnotes inside a footnote are not numbered, but marked with “[*]” and placed at the end of the main footnote. They are found at footnotes [23], [142], [154] and [251]. The anchor placements for footnote [543] (p. 331) and footnote [696] (p. 421) are conjectured. No anchors were found in the printed original. Caesuras in split verses have been marked as “ · ”.
  • 19. *** END OF THE PROJECT GUTENBERG EBOOK HISTORY OF SPANISH LITERATURE, VOL. 1 (OF 3) *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE
  • 20. THE FULL PROJECT GUTENBERG LICENSE
  • 21. PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.
  • 22. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project
  • 23. Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files
  • 24. containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty
  • 25. payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright
  • 26. law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund.
  • 27. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™
  • 28. Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non- profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
  • 29. Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and
  • 30. credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
  • 31. Welcome to our website – the perfect destination for book lovers and knowledge seekers. We believe that every book holds a new world, offering opportunities for learning, discovery, and personal growth. That’s why we are dedicated to bringing you a diverse collection of books, ranging from classic literature and specialized publications to self-development guides and children's books. More than just a book-buying platform, we strive to be a bridge connecting you with timeless cultural and intellectual values. With an elegant, user-friendly interface and a smart search system, you can quickly find the books that best suit your interests. Additionally, our special promotions and home delivery services help you save time and fully enjoy the joy of reading. Join us on a journey of knowledge exploration, passion nurturing, and personal growth every day! testbankbell.com