SlideShare a Scribd company logo
Visual Resourcing Guide
for Non-Profits
november 2013
charityexpress.com
Image Sourcing
General Tips
use your own images
Having a photographically-inclined colleague or friend take photos is best when you can
manage to do so - you will have more control of the content, won’t have to worry about
useage rights, and can tailor the content as you like. Obtain a model release form for anyone whose image appears in your photos, however (you can find templates online). You
can also try contacting local student photographers to see if they might be willing to work
with you.

brainstorm some search words
Start with a 5-minute brainstorm or word cloud exercise to help generate some potential
search terms that might help you find more interesting images.

create a bank of images
Finding images can be time-consuming! Grab images as you go and keep them organized
in a folder, even if you won’t use them right away.

pay attention to useage rights
When using images from the internet, be aware of the source and what the creator’s stipulations are for using the image, since you are re-publishing the image. Pulling any image
off of Google is, at best, poor etiquette, and at worst, could result in legal action.

read the image for subtext
Just as you would choose your words carefully, use the same awareness when choosing
images. Images can be loaded with historical meaning, emotion, and subtext both positive
and negative. Taking a minute to step back and ask yourself who is in the image, and how
are they being represented is worthwhile to avoid inadvertently reinforcing stereotypes,
offending your audience, or even offending those you are trying to help.

go with your gut
You know your cause and organization better than anyone. If something just feels right, go
with it! The more practice you get the quicker and more confident you will be with finding
images.

Stay specific
Nothing is less effective than an overused, general image. Focussing on specific aspects
of your organization, cause, or message helps you avoid overly general images that end
up meaning very little.

Visual Resourcing Guide – Fall 2013
Image Sourcing
Sources:
free
Public domain or Creative Commons sources. Creative Commons is a licensing structure
that has many tiers and each image will have its own specifications. Often these images
are free to use in a non-commercial context in exchange for crediting the photographer.
Below is a list of sites to get started, but be aware that the sites do not guarantee all of the
images are copyright free, and there may be some legalities such as model and property
releases that could still be your responsibility. Check the fine print before proceeding!

morguefile.com/archive

Archive of photographs contributed by photographers for use in creative projects, though
are not in public domain.

compfight.com

A Flickr search tool that filters your Flickr search to Creative Commons-licensed images.
Different licensing filters (ie. non-profit, commercial, etc) on the left hand side help you sort
through which are acceptable to use for what purposes.

flickr.com/commons

A catalog of public photo archives from institutions around the world, including NASA,
Library of Congress, and various cultural archives with “no known copyright restrictions”.

pixabay.com

Free account lets you search photographer-uploaded images.

commons.wikimedia.org

Worldwide media file repository licensed under the Creative Commons Attribution/ShareAlike License.

paid
There are lots of pay-for-use sites out there that are often quite affordable for low-res (web
only) use. Some of these sites even have a “free” or “sale” section as well. These sites
are often the easiest option in finding high quality images quickly, and you don’t have to
attribute the photographer. There are often limitations on how many times you can use the
image, or duration, so check the licenses before buying. Below are a handful that are good
places to start for not-too-stock-imagey photos and artwork.

veer.com
alamy.com
istockphoto.com

Visual Resourcing Guide – Fall 2013
Finding Fonts
General Tips
keep it simple
If you’ve got more than 2-3 fonts on your page, you’ve probably got too many

readability
Readability is key - distressed or embelleshed fonts won’t scale down well and may have
problems with readability across print and web platforms. A good size range for body copy
(paragraphs) is usually between 10-12 points, depending on the font. Older audiences may
need a slightly larger size, but for long blocks of text anything more than 16pt will begin to
tire the eyes.

flexibility
Choosing a font family that has different weights (bold, italic, semibold) as your main font
will give you lots of flexibility for subtitles, etc. Then pair it with a display font to add more
character.

heirarchy
Contrasting fonts against each other (using size, style, or weight) helps the eye jump from
point to point on the page. Think about where you want emphasis to be to help organize
the information into scannable pieces.

system fonts
Every computer comes with a set of fonts - some common ones for Mac and PC are Times
New Roman, Georgia, Garamond, Arial, Helvetica, and Futura. These font families are generally quite robust and have various weights (bold, italic, light).

it’s all in the name
It’s not a hard and fast rule, but when considering whether or not to use a font, look to the
name of the font to get a better idea of the appropriate useage for it. “Champagne and
Limousines” is probably trying to get across a feeling of luxury. “Comic Sans” is meant to
be a comic book font. “Varsity” is probably inspired by a college football team.

Sources:
free

paid

fontsquirrel.com
losttype.com
fontfabric.com
dafont.com

fontshop.com
fontspring.com

Visual Resourcing Guide – Fall 2013
Finding Fonts
Kinds of Fonts
Here is a very general guideline to just a few of the categories of fonts out there;

Garamond

Trebuchet

Times New Roman

Helvetica

Georgia

Verdana

serif

sans serif

Serifs are the little “feet” at the end of the
characters if you look close (“n” is a good
example to look at). Serif fonts are generally the easiest to read when used for long
paragraphs.

Simply means, without the serifs. There are
many many subcategories of sans serifs,
but generally they are more modern-looking, can be used for long bits of text, and
are good when paired with serif fonts and
used as headers.

BLANCH
ROSEwood
Marker Felt

Edwardian Script
Sofia
Lavenderia

display

script

Display fonts are often the most decorative
kind of font. These are good for headers
and large-scale uses but should never be
used for long bits of text.

Script fonts simulate handwriting, but are
usually quite regular and readable, though
not suitable for long bits of text.

Visual Resourcing Guide – Fall 2013
Further Info
This document only scratches the surface of some of the principles you might find useful
when creating images. Below are a few places to start if you want to learn more.

Typography
ilovetypography.com
typographyserved.com
typeinspire.com
thinkingwithtype.com
fontsinuse.com

Sizing Images for Facebook
General Facebook dimensions (cover photo, profile pic, etc)
http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimensions-types
In-depth differences in how Facebook sizes photos uploaded to Business page vs. Personal timelines.
http://inlinevision.com/blog/choosing-best-image-size-facebook-photo-posts/#download

Finding your Facebook Audience

Visual Resourcing Guide – Fall 2013
Image Spec Guide
Web
resolution
72 ppi (pixels per inch): This is the resolution that most screens are capable of rendering.
This is what is generally referred to as “low-res”.
1MB or less: Most images should be quite small in filesize so as not to cause loading time
problems.

colour space
RGB: Images on screens are rendered as a mix of red, green, and blue, known as an additive colour space. This is due to the way light is projected from the screen.

file formats
.png, .jpeg, .tiff, low-res PDF

Print
resolution
300 ppi (pixels per inch): Anything lower will compromise the image clarity when printed.
This is generally referred to as “hi-res”.

colour space
CMYK: Printers (desktop and commercial) print using cyan, magenta, yellow, and black inks
in layers, known as a subtractive colour space. The CMYK colour space is somewhat more
limited than RGB, very bright colours such as neons won’t print in the CMYK space, and
would require special inks known as spot colours.

file formats
.jpeg, .tiff, hi-res PDF

Visual Resourcing Guide – Fall 2013

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Visual resourcing guide

  • 1. Visual Resourcing Guide for Non-Profits november 2013 charityexpress.com
  • 2. Image Sourcing General Tips use your own images Having a photographically-inclined colleague or friend take photos is best when you can manage to do so - you will have more control of the content, won’t have to worry about useage rights, and can tailor the content as you like. Obtain a model release form for anyone whose image appears in your photos, however (you can find templates online). You can also try contacting local student photographers to see if they might be willing to work with you. brainstorm some search words Start with a 5-minute brainstorm or word cloud exercise to help generate some potential search terms that might help you find more interesting images. create a bank of images Finding images can be time-consuming! Grab images as you go and keep them organized in a folder, even if you won’t use them right away. pay attention to useage rights When using images from the internet, be aware of the source and what the creator’s stipulations are for using the image, since you are re-publishing the image. Pulling any image off of Google is, at best, poor etiquette, and at worst, could result in legal action. read the image for subtext Just as you would choose your words carefully, use the same awareness when choosing images. Images can be loaded with historical meaning, emotion, and subtext both positive and negative. Taking a minute to step back and ask yourself who is in the image, and how are they being represented is worthwhile to avoid inadvertently reinforcing stereotypes, offending your audience, or even offending those you are trying to help. go with your gut You know your cause and organization better than anyone. If something just feels right, go with it! The more practice you get the quicker and more confident you will be with finding images. Stay specific Nothing is less effective than an overused, general image. Focussing on specific aspects of your organization, cause, or message helps you avoid overly general images that end up meaning very little. Visual Resourcing Guide – Fall 2013
  • 3. Image Sourcing Sources: free Public domain or Creative Commons sources. Creative Commons is a licensing structure that has many tiers and each image will have its own specifications. Often these images are free to use in a non-commercial context in exchange for crediting the photographer. Below is a list of sites to get started, but be aware that the sites do not guarantee all of the images are copyright free, and there may be some legalities such as model and property releases that could still be your responsibility. Check the fine print before proceeding! morguefile.com/archive Archive of photographs contributed by photographers for use in creative projects, though are not in public domain. compfight.com A Flickr search tool that filters your Flickr search to Creative Commons-licensed images. Different licensing filters (ie. non-profit, commercial, etc) on the left hand side help you sort through which are acceptable to use for what purposes. flickr.com/commons A catalog of public photo archives from institutions around the world, including NASA, Library of Congress, and various cultural archives with “no known copyright restrictions”. pixabay.com Free account lets you search photographer-uploaded images. commons.wikimedia.org Worldwide media file repository licensed under the Creative Commons Attribution/ShareAlike License. paid There are lots of pay-for-use sites out there that are often quite affordable for low-res (web only) use. Some of these sites even have a “free” or “sale” section as well. These sites are often the easiest option in finding high quality images quickly, and you don’t have to attribute the photographer. There are often limitations on how many times you can use the image, or duration, so check the licenses before buying. Below are a handful that are good places to start for not-too-stock-imagey photos and artwork. veer.com alamy.com istockphoto.com Visual Resourcing Guide – Fall 2013
  • 4. Finding Fonts General Tips keep it simple If you’ve got more than 2-3 fonts on your page, you’ve probably got too many readability Readability is key - distressed or embelleshed fonts won’t scale down well and may have problems with readability across print and web platforms. A good size range for body copy (paragraphs) is usually between 10-12 points, depending on the font. Older audiences may need a slightly larger size, but for long blocks of text anything more than 16pt will begin to tire the eyes. flexibility Choosing a font family that has different weights (bold, italic, semibold) as your main font will give you lots of flexibility for subtitles, etc. Then pair it with a display font to add more character. heirarchy Contrasting fonts against each other (using size, style, or weight) helps the eye jump from point to point on the page. Think about where you want emphasis to be to help organize the information into scannable pieces. system fonts Every computer comes with a set of fonts - some common ones for Mac and PC are Times New Roman, Georgia, Garamond, Arial, Helvetica, and Futura. These font families are generally quite robust and have various weights (bold, italic, light). it’s all in the name It’s not a hard and fast rule, but when considering whether or not to use a font, look to the name of the font to get a better idea of the appropriate useage for it. “Champagne and Limousines” is probably trying to get across a feeling of luxury. “Comic Sans” is meant to be a comic book font. “Varsity” is probably inspired by a college football team. Sources: free paid fontsquirrel.com losttype.com fontfabric.com dafont.com fontshop.com fontspring.com Visual Resourcing Guide – Fall 2013
  • 5. Finding Fonts Kinds of Fonts Here is a very general guideline to just a few of the categories of fonts out there; Garamond Trebuchet Times New Roman Helvetica Georgia Verdana serif sans serif Serifs are the little “feet” at the end of the characters if you look close (“n” is a good example to look at). Serif fonts are generally the easiest to read when used for long paragraphs. Simply means, without the serifs. There are many many subcategories of sans serifs, but generally they are more modern-looking, can be used for long bits of text, and are good when paired with serif fonts and used as headers. BLANCH ROSEwood Marker Felt Edwardian Script Sofia Lavenderia display script Display fonts are often the most decorative kind of font. These are good for headers and large-scale uses but should never be used for long bits of text. Script fonts simulate handwriting, but are usually quite regular and readable, though not suitable for long bits of text. Visual Resourcing Guide – Fall 2013
  • 6. Further Info This document only scratches the surface of some of the principles you might find useful when creating images. Below are a few places to start if you want to learn more. Typography ilovetypography.com typographyserved.com typeinspire.com thinkingwithtype.com fontsinuse.com Sizing Images for Facebook General Facebook dimensions (cover photo, profile pic, etc) http://havecamerawilltravel.com/photographer/images-photos-facebook-sizes-dimensions-types In-depth differences in how Facebook sizes photos uploaded to Business page vs. Personal timelines. http://inlinevision.com/blog/choosing-best-image-size-facebook-photo-posts/#download Finding your Facebook Audience Visual Resourcing Guide – Fall 2013
  • 7. Image Spec Guide Web resolution 72 ppi (pixels per inch): This is the resolution that most screens are capable of rendering. This is what is generally referred to as “low-res”. 1MB or less: Most images should be quite small in filesize so as not to cause loading time problems. colour space RGB: Images on screens are rendered as a mix of red, green, and blue, known as an additive colour space. This is due to the way light is projected from the screen. file formats .png, .jpeg, .tiff, low-res PDF Print resolution 300 ppi (pixels per inch): Anything lower will compromise the image clarity when printed. This is generally referred to as “hi-res”. colour space CMYK: Printers (desktop and commercial) print using cyan, magenta, yellow, and black inks in layers, known as a subtractive colour space. The CMYK colour space is somewhat more limited than RGB, very bright colours such as neons won’t print in the CMYK space, and would require special inks known as spot colours. file formats .jpeg, .tiff, hi-res PDF Visual Resourcing Guide – Fall 2013