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Statuary Publication
This document is the sole publication of the Author.
Any misuse and the mis-interpretation of this document by anyone, author does not
take the responsibility for the same.
Er. Amit Pokhrel
M.Sc. Urban design and conservation, 3rd semester student
Khwopa Engineering College
An Adaptable House is one which is able to respond effectively to changing
household needs requiring costly and energy intensive alterations.
An adaptable home is about incorporating features that will suit you now and
in the future.
Adaptable and accessible homes can be stylish, spacious, flexible, energy
efficient, technology ready and a pleasure to live in, the result being an
investment in thoughtful and smart design.
Adaptable and accessible housing is suitable for all stages of life
Adaptive Buildings
 Traditionally, buildings have been created to meet certain needs—function,
comfort, and budget—but minimally focused on how well they fit with the natural
environment.
 They also have been designed and constructed for uses and conditions of the
moment, and therefore usually require remodeling or replacement when needs or
circumstances change, a costly approach both financially and environmentally.
 Adaptive buildings are designed to adapt to changing needs and conditions,
including environmental conditions such as climatic change. Adaptive strategies
make renovation or repurposing of space easier, less expensive, and less
burdensome on the environment.
New Exterior Additions to Traditional Buildings: Preservation Concerns
 A new exterior addition to a tradition building should be considered in a
rehabilitation project only after determining that requirements for the new
or adaptive use cannot be successfully met by altering non-significant
interior spaces.
 If the new use cannot be accommodated in this way, then an exterior
addition may be an acceptable alternative. Rehabilitation as a treatment “is
defined as the act or process of making possible a compatible use for a
property through repair, alterations, and additions while preserving those
portions or features which convey its historical, cultural, or architectural
values.”
 “New additions, exterior alterations, or related new construction shall not
destroy historic materials that characterize the property. The new work
shall be differentiated from the old and shall be compatible with the
massing, size, scale, and architectural features to protect the historic
integrity of the property and its environment.”
Preserve Significant Historic Materials, Features and Form
 Attaching a new exterior addition usually involves some degree of material
loss to an external wall of a historic building, but it should be minimized.
 Generally speaking, preservation of traditional buildings inherently implies
minimal change to primary or “public” elevations and, of course, interior
features as well.
Preserve Historic Character
 The goal, of course, is a new addition that preserves the building’s
historic character.
 The historic character of each building may be different, but the
methodology of establishing it remains the same. Knowing the uses
and functions a building has served over time will assist in making
what is essentially a physical evaluation.
 But, while written and pictorial documentation can provide a
framework for establishing the building's history, to a large extent the
historic character is embodied in the physical aspects of the historic
building itself—shape, materials, features, craftsmanship, window
arrangements, colors, setting and interiors. Thus, it is important to
identify the historic character before making decisions about the
extent—or limitations—of change that can be made.
Architectural Character
 Identifying the Visual Aspects of Tradition Buildings as an Aid to Preserving their
Character
 Every old building is unique, with its own identity and its own distinctive
character.
 Character refers to all those visual aspects and physical features that comprise the
appearance of every historic building. Character-defining elements include the
overall shape of the building, its materials, craftsmanship, decorative details,
interior spaces and features, as well as the various aspects of its site and
environment.
Interior Visual Character
 Perceiving the character of interior spaces can be somewhat more difficult than
dealing with the exterior.
 Interior features are three-dimensional building elements or architectural details
that are an integral part of the building as opposed to furniture. Interior features are
often important in defining the character of an individual room or space.
 Focus on interior features as well as surface materials and finishes.
Fragility of A Building's Visual Character
 Some aspects of a building's visual character are fragile and are easily lost. This is
true of brickwork, for example, which can be irreversibly damaged with
inappropriate cleaning techniques or by insensitive repointing practices.
 At least two factors are important contributors to the visual character of brickwork,
namely the brick itself and the craftsmanship. Between these, there are many more
aspects worth noting, such as color range of bricks, size and shape variations,
texture, bonding patterns, together with the many variable qualities of the mortar
joints, such as color, width of joint and tooling.
 These qualities could be easily damaged by painting the brick, by raking out the
joint with power tools, or repointing with a joint that is too wide. As seen here, the
visual character of this front wall is being dramatically changed from a wall where
the bricks predominate, to a wall that is visually dominated by the mortar joints.
Comfort and Use
 Comfort relates to uniquely human needs, such as the ability to
personalize one’s space, to set boundaries, and to connect with nature
or beauty.
 A functionally comfortable space responds to the user’s needs and his
demands.
 The building should possess changes in internal character to be
comfortable and ready to use as a new look or new change.
 For example, the building should be used according to the user’s need
 The capability to support space for two or more people to meet
 The option to place the things in the most suitable location
 Finally, the effect of beauty—the aesthetic element of a living
environment—may be the most unquantifiable contributor to
psychological comfort in the living place
 Comfort is as elusive as the blind men’s elephant.
Elevation
Proposal of conservation design studio
Section of the traditional newari building
Section
Floor Plan layout
Floor plan layout
Conclusion
 To preserve the historical, architectural and interior
visual character, adaptability re-use concept has started
 When thinking about public versus private spaces, we
should think about whether we want some of the
spaces enclosed, or partially walled off. Bedrooms are
private spaces that should be located in a quieter area of
the living space. Kitchens are open and public.

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Proposal of conservation design studio

  • 1. Statuary Publication This document is the sole publication of the Author. Any misuse and the mis-interpretation of this document by anyone, author does not take the responsibility for the same. Er. Amit Pokhrel M.Sc. Urban design and conservation, 3rd semester student Khwopa Engineering College
  • 2. An Adaptable House is one which is able to respond effectively to changing household needs requiring costly and energy intensive alterations. An adaptable home is about incorporating features that will suit you now and in the future. Adaptable and accessible homes can be stylish, spacious, flexible, energy efficient, technology ready and a pleasure to live in, the result being an investment in thoughtful and smart design. Adaptable and accessible housing is suitable for all stages of life
  • 3. Adaptive Buildings  Traditionally, buildings have been created to meet certain needs—function, comfort, and budget—but minimally focused on how well they fit with the natural environment.  They also have been designed and constructed for uses and conditions of the moment, and therefore usually require remodeling or replacement when needs or circumstances change, a costly approach both financially and environmentally.  Adaptive buildings are designed to adapt to changing needs and conditions, including environmental conditions such as climatic change. Adaptive strategies make renovation or repurposing of space easier, less expensive, and less burdensome on the environment.
  • 4. New Exterior Additions to Traditional Buildings: Preservation Concerns  A new exterior addition to a tradition building should be considered in a rehabilitation project only after determining that requirements for the new or adaptive use cannot be successfully met by altering non-significant interior spaces.  If the new use cannot be accommodated in this way, then an exterior addition may be an acceptable alternative. Rehabilitation as a treatment “is defined as the act or process of making possible a compatible use for a property through repair, alterations, and additions while preserving those portions or features which convey its historical, cultural, or architectural values.”  “New additions, exterior alterations, or related new construction shall not destroy historic materials that characterize the property. The new work shall be differentiated from the old and shall be compatible with the massing, size, scale, and architectural features to protect the historic integrity of the property and its environment.”
  • 5. Preserve Significant Historic Materials, Features and Form  Attaching a new exterior addition usually involves some degree of material loss to an external wall of a historic building, but it should be minimized.  Generally speaking, preservation of traditional buildings inherently implies minimal change to primary or “public” elevations and, of course, interior features as well.
  • 6. Preserve Historic Character  The goal, of course, is a new addition that preserves the building’s historic character.  The historic character of each building may be different, but the methodology of establishing it remains the same. Knowing the uses and functions a building has served over time will assist in making what is essentially a physical evaluation.  But, while written and pictorial documentation can provide a framework for establishing the building's history, to a large extent the historic character is embodied in the physical aspects of the historic building itself—shape, materials, features, craftsmanship, window arrangements, colors, setting and interiors. Thus, it is important to identify the historic character before making decisions about the extent—or limitations—of change that can be made.
  • 7. Architectural Character  Identifying the Visual Aspects of Tradition Buildings as an Aid to Preserving their Character  Every old building is unique, with its own identity and its own distinctive character.  Character refers to all those visual aspects and physical features that comprise the appearance of every historic building. Character-defining elements include the overall shape of the building, its materials, craftsmanship, decorative details, interior spaces and features, as well as the various aspects of its site and environment.
  • 8. Interior Visual Character  Perceiving the character of interior spaces can be somewhat more difficult than dealing with the exterior.  Interior features are three-dimensional building elements or architectural details that are an integral part of the building as opposed to furniture. Interior features are often important in defining the character of an individual room or space.  Focus on interior features as well as surface materials and finishes.
  • 9. Fragility of A Building's Visual Character  Some aspects of a building's visual character are fragile and are easily lost. This is true of brickwork, for example, which can be irreversibly damaged with inappropriate cleaning techniques or by insensitive repointing practices.  At least two factors are important contributors to the visual character of brickwork, namely the brick itself and the craftsmanship. Between these, there are many more aspects worth noting, such as color range of bricks, size and shape variations, texture, bonding patterns, together with the many variable qualities of the mortar joints, such as color, width of joint and tooling.  These qualities could be easily damaged by painting the brick, by raking out the joint with power tools, or repointing with a joint that is too wide. As seen here, the visual character of this front wall is being dramatically changed from a wall where the bricks predominate, to a wall that is visually dominated by the mortar joints.
  • 10. Comfort and Use  Comfort relates to uniquely human needs, such as the ability to personalize one’s space, to set boundaries, and to connect with nature or beauty.  A functionally comfortable space responds to the user’s needs and his demands.  The building should possess changes in internal character to be comfortable and ready to use as a new look or new change.  For example, the building should be used according to the user’s need  The capability to support space for two or more people to meet  The option to place the things in the most suitable location  Finally, the effect of beauty—the aesthetic element of a living environment—may be the most unquantifiable contributor to psychological comfort in the living place  Comfort is as elusive as the blind men’s elephant.
  • 13. Section of the traditional newari building
  • 17. Conclusion  To preserve the historical, architectural and interior visual character, adaptability re-use concept has started  When thinking about public versus private spaces, we should think about whether we want some of the spaces enclosed, or partially walled off. Bedrooms are private spaces that should be located in a quieter area of the living space. Kitchens are open and public.