This document discusses various narrative functions from Vladimir Propp's analysis and their application to the film In the Name of the Father. It analyzes how different characters fit Propp's roles of villain, victim, and hero. It examines the struggles Gerry Conlon faces against the prejudiced British system to overcome the "evil" and clear his name. Scenes of punishment and struggle are identified. Finally, it discusses the courtroom scene as a potential victory and resolution, but notes the narrative may remain open as Gerry vows to continue fighting.