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Entrance Activity
Charades –
YOU MUST write down the 2-3 Key terms/conventions associated to the genre (or
Case Study) for students to guess as they come in.
Homework
Design your own Documentary question and answer it
based on ‘Super Size Me’ ONLY!
Due: Next Lesson – Tuesday 10th
March
Title:
Key Scene Overview –
Participatory, Performative and Expository Mode
L2
Monday 9th
March 2015
FM4:
Varieties of Film Experience – Issues and Debates
Section B Specialist Study 2:
Spectatorship Topics – Spectatorship
and Documentary
Why?
Aims & Objectives
• YOU WILL re-cap prior
learning.
• Demonstrate your
understanding of the modes
of documentary and the
case study by completing
some close textual analysis.
• Review the learning.
AO1
Demonstrate knowledge and
understanding of film as an
audio-visual form of creative
expression together and
AO2
Apply knowledge and
understanding, including
some of the common critical
approaches that characterise
the subject, when exploring
and analysing films.
After School Screening – FINISH After School
Monday 16th
March
FEEDBACK
FM4 – Section B –
YOU MUST uncover the variation of modes present in this documentary by analyzing 2 Key
Scenes and completing a series of questions surrounding the representations on offer.
‘Documentaries should never be trusted’.
How important to the spectator is the sense that they should
trust the documentary film maker?
‘Documentaries should never be trusted’.
How important to the spectator is the sense that they should
trust the documentary film maker?
• Spurlock taking on the role of “social actor”
WHAT impact does this have on the spectator?
• Closing statement – Is this our ‘port of entry to
the political’ (Performative - Nichols – 2001)?
• Illustrative facts and diagrams – Trustworthy?
• Spurlock phoning Jim Cantulupo –
What position (Stuart Hall – 1980)
are the spectator put in?
• Family unable to pledge their
allegiance to the Flag – Yet they
can pledge their allegiance to
McDonalds
• Non-diegetic music “I hope you got
fat!” – Elements of the
Performative as well.
• Day 26 – Desecration of the flag –
‘Signifies’ (De Saussure) what?
Scene – Chapter 15
Scene – Chapter 14
FEEDBACK
‘Documentaries should never be trusted’.
How important to the spectator is the sense that they should
trust the documentary film maker?
What have you learnt?
What experiences do the spectators obtain from consuming this documentary?
4 minutes
Homework
Design your own Documentary question and answer it
based on ‘Super Size Me’ ONLY!
Due: 2 LessonS – Tuesday 10th
March

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L13 'super size me' key scene analysis l2

  • 1. Entrance Activity Charades – YOU MUST write down the 2-3 Key terms/conventions associated to the genre (or Case Study) for students to guess as they come in.
  • 2. Homework Design your own Documentary question and answer it based on ‘Super Size Me’ ONLY! Due: Next Lesson – Tuesday 10th March
  • 3. Title: Key Scene Overview – Participatory, Performative and Expository Mode L2 Monday 9th March 2015 FM4: Varieties of Film Experience – Issues and Debates Section B Specialist Study 2: Spectatorship Topics – Spectatorship and Documentary
  • 4. Why? Aims & Objectives • YOU WILL re-cap prior learning. • Demonstrate your understanding of the modes of documentary and the case study by completing some close textual analysis. • Review the learning. AO1 Demonstrate knowledge and understanding of film as an audio-visual form of creative expression together and AO2 Apply knowledge and understanding, including some of the common critical approaches that characterise the subject, when exploring and analysing films.
  • 5. After School Screening – FINISH After School Monday 16th March
  • 7. FM4 – Section B – YOU MUST uncover the variation of modes present in this documentary by analyzing 2 Key Scenes and completing a series of questions surrounding the representations on offer. ‘Documentaries should never be trusted’. How important to the spectator is the sense that they should trust the documentary film maker?
  • 8. ‘Documentaries should never be trusted’. How important to the spectator is the sense that they should trust the documentary film maker? • Spurlock taking on the role of “social actor” WHAT impact does this have on the spectator? • Closing statement – Is this our ‘port of entry to the political’ (Performative - Nichols – 2001)? • Illustrative facts and diagrams – Trustworthy? • Spurlock phoning Jim Cantulupo – What position (Stuart Hall – 1980) are the spectator put in? • Family unable to pledge their allegiance to the Flag – Yet they can pledge their allegiance to McDonalds • Non-diegetic music “I hope you got fat!” – Elements of the Performative as well. • Day 26 – Desecration of the flag – ‘Signifies’ (De Saussure) what? Scene – Chapter 15 Scene – Chapter 14
  • 9. FEEDBACK ‘Documentaries should never be trusted’. How important to the spectator is the sense that they should trust the documentary film maker?
  • 10. What have you learnt? What experiences do the spectators obtain from consuming this documentary? 4 minutes
  • 11. Homework Design your own Documentary question and answer it based on ‘Super Size Me’ ONLY! Due: 2 LessonS – Tuesday 10th March

Editor's Notes

  • #2: Write the term HERE and show the student – e.g Voice of God
  • #6: Statements on Display on the NEXT SLIDE
  • #7: Statements on Display on the NEXT SLIDE
  • #8: Participatory and Performative   Scene – Chapter 15 Expository   Scene – Chapter 14
  • #10: Statements on Display on the NEXT SLIDE